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The Novel of the Century: The Extraordinary Adventure of Les Misérables
Book
'Never mind those self-help manuals urging that some classic novel may change your life; in this...
History & Criticism
A Smile in the Mind: Witty Thinking in Graphic Design
Beryl McAlhone, David Stuart, Greg Quinton and Nick Asbury
Book
Forty years of "witty thinking" from over 500 designers, including hundreds of visual examples and...
Baillon Collection: A Sensational Barnfind
Book
"Found sheltering in a garage was one of just three Maserati A6G 2000 Berlinettas with coachwork by...
The New Trading for a Living: Psychology, Discipline, Trading Tools and Systems, Risk Control, Trade Management
Book
The best-selling trading book of all time updated for the new era The New Trading for a Living...
Tim McGuire (301 KP) rated Hell or High Water (2016) in Movies
Aug 21, 2019
Classic Western in Modern Day
351. Hell or High Water. Have you ever wondered what a classic western style story would be like filmed today without much done to update the script? No, me either, until I realized that's exactly what I was watching... Story about two bank robbing brothers, Tanner and Toby Howard, raising enough cash to keep the bad bank man from taking the farm. Ya see, they struck oil on that land, not much, but enough to get by. Toby is the smart one, doing bad things for good reasons. Tanner is the wild card, doing bad things just to do bad things, but deep down, doing it for his brother! But coming up quick behind them is the law, Texas Ranger kinda law!! The old sheriff, Marcus Hamilton, just about to retire, and through pretty much intuition alone ends up in the right places at the right times, and with Marcus his Native American partner, Alberto, who is assaulted by the racist humor of the sheriff all day, but deep down, there's a bromance going on! And as Tanner and Toby continue their bank robbing ways, Tanner gets a little cocky takes on a bank full of people, shots fired, they barely escape with their lives, the townsfolk round up an armed posse to go after them chasing them up the road, but right around the corner is the sheriff, because deep down he knew where those pesky Howard boys were gonna strike next leading up to the ultimate showdown between the Texas Rangers and a couple of law breaking cowboys!! So this takes place in modern day, but it had the classic western set up. So if your looking for a modern day western, go for it, looking for Heat, or Point Break, i'd say probably not. Filmbufftim on FB
Broken Sword 1 - Shadow of the Templars: Director's Cut
Games and Entertainment
App
Paris in the Fall… a brutal murder at the Palais Royale. When Nico Collard is invited to interview...
LeftSideCut (3776 KP) rated Jaws (1975) in Movies
Apr 20, 2022
When you think of classic blockbusters, or classic horror, or classic creature features, Jaws is surely a title that will spring to mind. A true masterpiece of cinema that manages to fit and excel in all of the above categories.
Spielberg completely changed how films were planned and released with what is widely considered to be the first summer blockbuster, and all these years later, it's still an effective rollercoaster ride.
The opening scene is utterly harrowing without a drop of blood to be seen, and sets the tone in a dramatic and iconic manner. After some efficient character introductions, we're straight into one of the most anxiety inducing scenes in cinema history, as Chief Brody sits on a packed beach, scanning the shore for danger. The constant barrage of characters interrupting his line of view and talking at him, over him, over eachother, it's almost unbearable, and is paid off with a truly horrifying moment. It's one of many scenes in Jaws that flaunts some masterful editing.
The second half of the film is essentially the three leads - Roy Scheider, Robert Shaw, Richard Dreyfuss - all jostling to chew up the scenery. The chemistry between all of them is wonderful, from the thrilling chase of hunting the shark, to them kicking back, trading scar stories and singing shanties, to Quints incredible monologue, to the infamous Ahab-esque climax. It's a joy to watch unfold.
The shark itself has a tendency to look a little goofy by todays standards, but an incredible feat for the time.
Jaws is held in such high regard for a reason. It's a film that truly thrills, scares, and delights its audience in equal measure, and still stands tall almost 50 years later. One of the best of all time.
Spielberg completely changed how films were planned and released with what is widely considered to be the first summer blockbuster, and all these years later, it's still an effective rollercoaster ride.
The opening scene is utterly harrowing without a drop of blood to be seen, and sets the tone in a dramatic and iconic manner. After some efficient character introductions, we're straight into one of the most anxiety inducing scenes in cinema history, as Chief Brody sits on a packed beach, scanning the shore for danger. The constant barrage of characters interrupting his line of view and talking at him, over him, over eachother, it's almost unbearable, and is paid off with a truly horrifying moment. It's one of many scenes in Jaws that flaunts some masterful editing.
The second half of the film is essentially the three leads - Roy Scheider, Robert Shaw, Richard Dreyfuss - all jostling to chew up the scenery. The chemistry between all of them is wonderful, from the thrilling chase of hunting the shark, to them kicking back, trading scar stories and singing shanties, to Quints incredible monologue, to the infamous Ahab-esque climax. It's a joy to watch unfold.
The shark itself has a tendency to look a little goofy by todays standards, but an incredible feat for the time.
Jaws is held in such high regard for a reason. It's a film that truly thrills, scares, and delights its audience in equal measure, and still stands tall almost 50 years later. One of the best of all time.
Suswatibasu (1703 KP) rated Housekeeping: Faber Modern Classics in Books
Sep 7, 2017
Haunting imagery, tremendous classic American literature
There was something deeply unsettling yet moving about this book exploring abandonment, solitude and loss over the span of three generations of women in a family.
Ruth, who is our main narrator, is speaking about her childhood in which her sister Lucille and her were continually abandoned by one family or another. Eventually they end up with their deeply eccentric aunt Sylvie, and she seems completely incapable in many ways of being a responsible parent, but rather a sister instead. She leads a transcient life, having deserted her husband, jumping on trains to get from place to place. She's a spirited wanderer, and sees Ruth as an ally and her own sister, Helen, who killed herself at the start of the book.
Their solitary life of never mixing, but staying in the great outdoors both seems idyllic and claustrophobic. There are images of the lake where the children's mother committed suicide, that seem to draw the women to this area. The metaphors are cold and quiet hence it feels unnerving.
It's a classic American tale about real women, which makes this different to the old books talking only about marriage and fidelity.
Ruth, who is our main narrator, is speaking about her childhood in which her sister Lucille and her were continually abandoned by one family or another. Eventually they end up with their deeply eccentric aunt Sylvie, and she seems completely incapable in many ways of being a responsible parent, but rather a sister instead. She leads a transcient life, having deserted her husband, jumping on trains to get from place to place. She's a spirited wanderer, and sees Ruth as an ally and her own sister, Helen, who killed herself at the start of the book.
Their solitary life of never mixing, but staying in the great outdoors both seems idyllic and claustrophobic. There are images of the lake where the children's mother committed suicide, that seem to draw the women to this area. The metaphors are cold and quiet hence it feels unnerving.
It's a classic American tale about real women, which makes this different to the old books talking only about marriage and fidelity.
rin (6 KP) rated The Catcher in the Rye in Books
Aug 13, 2017
Contains spoilers, click to show
I honestly really enjoyed reading this book in my junior year of high school. My teacher let everyone in my class pick a classic and I decided to read this by chance. At first, I was annoyed with how Holden was acting and was truly confused on how this book became a classic. He basically hires a prostitute to just talk to her? It made no sense to me, he was just in some kind of haze. But then, everything clicked for me and Holden became extremely relatable. In high school, I suffered from depression but didn't realize until much later that that was indeed the reason I was acting so off, much like Holden during the book. He definitely was on a downward spiral and he didn't himself understand why he was the way he was. I think this is a good book for kids to read in school because it's honest and it's interesting. It's one of the only classics I've read that I can get through without yawning! This was always be a book that holds a deep meaning to me!
Haley Mathiot (9 KP) rated Dawn of the Dreadfuls in Books
Apr 27, 2018
Pride and Prejudice and Zombies: Dawn of the Dreadfuls
by Jane Austen and Steve Hockensmith
Genre: Re-mixed classic
Rating: 5
Dawn of the Dreadfuls is hilarious! Hockensmith has captured Austen’s original characters and brought them back (from the dead) in a gruesomely wonderful prequel to Pride and Prejudice. This Zombiefied quirky classic will have you snickering and giggling like Lydia and Kitty. (By the way, I’m officially adding Zombiefied to my dictionary. It’s an awesome word.)
The writing was so much like Austen’s that I began to wonder if it really wasn’t by her. It was eloquent and witty and almost audible in that you could hear the accents of the speakers and the narrator.
Content: an occasional dirty word (I think d--- was used like, twice in the whole book?), very few sexual references. But remember that we’re talking about dead brain-eating zombies here, people. It’s not for the faint of heart (or stomach) and it’s not for kids.
Recommendation: 12+ If you love the paranormal, horror, or anything Jane Austen, this one is for you.
Dawn of the Dreadfuls will be published on March 24th 2010.
by Jane Austen and Steve Hockensmith
Genre: Re-mixed classic
Rating: 5
Dawn of the Dreadfuls is hilarious! Hockensmith has captured Austen’s original characters and brought them back (from the dead) in a gruesomely wonderful prequel to Pride and Prejudice. This Zombiefied quirky classic will have you snickering and giggling like Lydia and Kitty. (By the way, I’m officially adding Zombiefied to my dictionary. It’s an awesome word.)
The writing was so much like Austen’s that I began to wonder if it really wasn’t by her. It was eloquent and witty and almost audible in that you could hear the accents of the speakers and the narrator.
Content: an occasional dirty word (I think d--- was used like, twice in the whole book?), very few sexual references. But remember that we’re talking about dead brain-eating zombies here, people. It’s not for the faint of heart (or stomach) and it’s not for kids.
Recommendation: 12+ If you love the paranormal, horror, or anything Jane Austen, this one is for you.
Dawn of the Dreadfuls will be published on March 24th 2010.