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David McK (3848 KP) rated Fool Moon (The Dresden Files, #2) in Books

Jan 28, 2019 (Updated Aug 2, 2026)  
FM
Fool Moon (The Dresden Files, #2)
Jim Butcher | 2005
8
8.7 (3 Ratings)
Book Rating
<updated review in 2019>

I read the graphic novel version when I accidentally purchased the Dresden Files Omnibus from Comixology, thinking it contained new stories (it doesn't: it contains 'Storm Front', this ('Fool Moon') and the short story 'A Restoration of Faith'). While it's been a few years since I last read the actual novel, from what I remember, the graphic novel sticks pretty close to the original source material. I still have trouble as seeing Harry Dresden as any other than Nicolas Cage from the film 'The Sorceror's Apprentice', though ...

<original review>

Second entry in Jim Butcher's Dresden files series, building upon and expanding the world first introduced in "Storm Front", and in which Harry Dresden - Chaicago's only professional wizard in the phone book - ends up involved in a case to do with Werewolves (of which there are more types than your classical bi-morph).
  
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Faris Badwan recommended track Corpus Christi Carol by Jeff Buckley in Grace by Jeff Buckley in Music (curated)

 
Grace by Jeff Buckley
Grace by Jeff Buckley
1994 | Alternative, Rock, Singer-Songwriter
8.7 (7 Ratings)
Album Favorite
Details

Corpus Christi Carol by Jeff Buckley

(0 Ratings)

Track

"Jeff Buckley’s vocal range is staggering. He’s basically a classical singer, he’s so technically gifted. When I was on tour as Cat’s Eyes a lot of the singers that sing with us are classical singers, and on tour this year we were discussing who you think has the best musicality – and Jeff Buckley was one of the people that we mentioned. I don’t know much about his life other than who his Dad was, but I think it’s actually really rare to hear a singer within guitar music that has such musicality. I don’t think it can be taught either, I think it’s just something he has innately. His tone is incredible on this, it’s unreal. This is something you can’t copy, it’s only something you can appreciate. As someone who learnt to sing really late in life, it’s interesting to me. I learnt from scratch, just from playing. At the beginning of The Horrors it was a lot more shouting, spontaneous and came out of nowhere, just raw expression. I feel like none of us really knew what we were doing. In a way I think just reacting instinctively is the best way to get into things that you love, but I learnt a lot from Rachel (Zeffira) of Cat’s Eyes. She was an opera singer originally, before we met. Singing with her I was able to access my own musicality, which is a hard thing to do. What’s really great about this song is that Jeff Buckley chose to do it in the first place. If you listen to the whole of Grace, this song comes out of nowhere. The fact that he was brave enough to choose a classical piece and put it on his record, and for it to work as well – the bravery of it is inspiring. There’s a vulnerability to this song that you don’t hear in a lot of male singers. It’s easy for someone in the charts like Sam Smith to portray ‘emotion’, but to me his voice transmits no emotion because I feel like its trained emotion. They’re worlds apart. Maybe it’s too easy to target these artists because their songs are made for a purpose, but ‘Corpus Christi Carol’, and Jeff Buckley’s voice in general, has a vulnerability to it that first of all, male singers are afraid to show, and second of all, they wouldn’t be able to do it because they don’t have the soul or technique – and it’s not something male singers aspire to either. I have no idea when I first heard this song. A lot of people at school liked Jeff Buckley but this song was kind of tucked away in the record. It took me a while to find the song and hear it, but I heard it on its own one night and hearing it like that I could really appreciate how totally unique it is"

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