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Anil Kapoor recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Everything just fell in place. The right people, the right director, the right script, the right timing, what the world was going through. Everything just fell right. So Godfather, Slumdog Millionaire, Laurel & Hardy, and Chaplin. Well, it’s too early to talk about Slumdog, but I’m sure after 50 or 100 years people are going to say that everything just fell in the right [place] for Slumdog. The Godfather is not [just] an American hit, it’s really a worldwide film. Anywhere [you go]: China, Japan, Mexico. Everywhere students of cinema, ordinary people, everybody just loved the film. It’s got that cinematic magic, The Godfather. And, you know, it’s the lighting, the camerawork, the editing, the performances, the casting, the colors, the costumes. It was cinema at its best, and I’m sure it is something which, as you say, was written. Just everything fell in place. It doesn’t happen with everybody, it’s [when] people are [from] a certain kind of work culture [that] these things happen normally. What I like about The Godfather [is that] it’s very classical. [Coppola] just leaves the camera. You never see the camera moving. It’s very static and it’s the actors [who are moving]. [But] still you create the magic. You don’t have to juggle the camera to attract attention. The music also is very subtle. Everything is subtle. Your mind is throbbing, your [hairs are] rising, you’re on the edge of your seat, but still everything is so calm and relaxed. It’s cinema at its best. Slumdog? That’s also cinema at its best but everything [is] movement. There’s so much movement, there’s so much energy, the script is moving, the screenplay, the camera is moving, the actors are moving, everything is moving. But still, you understand the story. It is in control. Still, it moves you."

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40x40

Tim Booth recommended 1992-2002 by Underworld in Music (curated)

 
1992-2002 by Underworld
1992-2002 by Underworld
2003 | Electronic, Pop
(0 Ratings)
Album Favorite

"With the compilation albums, I am cheating. It meant I didn't know which album to choose. I sometimes DJ. When I DJ, I use a system to take people into an ecstatic trance through music. I might start with Brian Eno and some ambient music and then move to other genres. I might use classical music or Indian music. But, invariably, when I get to the third rhythm of trance and when I really want to take people into that state, I am almost forced to go to Underworld again and again. Underworld brought together song and dance in a way that I have not heard anyone match. The Chemical Brothers are great and New Order are obviously great, but Underworld take me to a tribal edge that is so ferocious and yet, simultaneously, so intelligent. 'Rez' is one of my favourite songs – even though that is not one of their most tribal. 'Moaner' and 'Born Slippy' are their more tribal tunes. I find their textures and landscapes and vocals – which don't get in the way and help you lose yourself when you are dancing – make Underworld difficult to surpass. I was so proud of them when they got to do the Olympics in 2012. I felt that was their due. I contacted them before the Olympics and had a lovely communication with them. I told them that I thought they were the most revolutionary and iconoclastic band of the last 20 years. Then, about a year later, Danny Boyle used them during the opening ceremony. I saw them play recently at the Hollywood Bowl and I danced so much that I badly twisted my ankle and couldn't walk for about two weeks. It was still worth it. Dancing injuries are to be worn like medals of honour."

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