"Around 1983 or '84, pop music stopped doing it for me. It was getting a bit clean. There was still a lot of good stuff, but I think it was The Smiths... I wasn't obsessed with them the way Sice was and a few other people I knew, but listening to them made you want to find something else. Then, when The Jesus And Mary Chain came out that was it. My brother brought their second single home and I wasn't sure at first. It was such a racket. It still is. But it was 'You Trip Me Up' that really did it for me - I was sold. This beautiful marriage of... it's not nice feedback, controlled feedback like you'd get off The Who. It's awful. But the core of what's going on - the song - is so lovely. And they looked fantastic, like The Beatles in Hamburg. They looked like a gang. It just seemed like they were blowing everything away and starting again. I went to listen to the Velvets after I'd heard this, and the Velvets did it... it was either noise or it was a great melody. They never really did the two together, whereas the Mary Chain managed to marry the two. The video is just fantastic. They're walking around somewhere in the Mediterranean, sitting on the beach in full leather gear with their massive guitars. After hearing the Mary Chain, that was all I wanted to listen to - bands who did that. They were a big band. They were in Smash Hits, which is hard to believe."

"I remember it was showing in New York City, and I walk over with my friend [to the theater] sort of not knowing what I’m about to see, which is always kind of my favorite thing. I try more and more to not read a review of a movie before I go see it, to not read a review of a play before I go see it, so that I’m not inundated with other people’s opinions about things and I’m able to sort of … It really speaks more to my susceptibility to other people’s opinions than it does about anything that could be playing. I want to have a clean experience that’s just mine. I didn’t know anything about Edith Piaf. I had, of course, recognized many of her songs and had loved many of her songs, but I had no connection to, nor did I know historically, what had happened to her and what her story was. But I was just bowled over by Marion Cotillard’s performance. And of course then I started Googling her and trying to understand where she came from. And she had been in that Russell Crowe movie, and she was so much younger than Piaf, playing that part, and it was just another acting feat! The combination of all the beautiful and tragic things you learn about someone who is so gifted, and then also to see it portrayed by someone equally as gifted and once again be transported into a world you knew nothing about – that’s really the power of the movie."