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Halloween (2018)
Halloween (2018)
2018 | Horror
.....Fuckin comedians
Michael Myers is back.... And this is supposed to be what actually happened... 40 years later???
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
  
The Happytime Murders (2017)
The Happytime Murders (2017)
2017 | Comedy
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.

Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.

Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
  
Grown Ups (2010)
Grown Ups (2010)
2010 | Comedy
6
7.4 (14 Ratings)
Movie Rating
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.

The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?

Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.

Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.

Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
  
The Funny Thing About Norman Foreman
The Funny Thing About Norman Foreman
Julietta Henderson | 2021 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
The thing that really attracted me to this little gem of a book was it’s title and wondering whether there was actually a character named Norman Foreman in it or not. Then when I read the blurb I knew that I just had to read it.

We follow a mother and son, Sadie and Norman Foreman, through a challenging time in their life - Norman’s best friend Jax dying from an asthma attack. Norman and Jax did everything together, and loved watching comedy sketches and comedians and had big dreams of becoming a comedy duo and performing at the Edinburgh Fringe Festival when they were 15.

However, that plan drastically changes when Jax dies aged 12 and leaves Norman not really knowing what to do and not particularly coping very well. Norman then comes up with the idea to get himself to the Edinburgh Fringe Festival that year as a tribute to Jax and also along the way decides he wants to finally find out who his dad is.

Sadie is also struggling with Jax’s death and struggling to help Norman grieve as she never truly grieved her own dad’s death. She has to come to relive her past where she spent a month after her dad’s death completely off the rails and now has four potential fathers for Norman. Along the way she confides in a work colleague, a little old man called Leonard, who decides that he wants in on this adventure and helps Sadie organise her thoughts and helps them both get to the Edinburgh Fringe and to find the four potential fathers.

Some of it may be a little far fetched at points, but that doesn’t stop it from being a really heartwarming story of a child trying to come to terms with the grief of losing his best friend and how you don’t have to be sad all the time in order to grieve.

I loved the whole book from start to finish, and I’m so glad that I got to read it courtesy of Pigeonhole and Julietta Henderson!
  
Night School (2018)
Night School (2018)
2018 | Comedy
Funny...enough - especially the classmates
Both Kevin Hart and Tiffany Hadish are comedic performers that can wear their welcome out if they are not reigned in properly. They both serve best as the comic "2nd banana" of a film, rather than the lead, so it was with some trepidation that I checked out the Hart/Haddish starring comedy NIGHT SCHOOL and when the first meeting of the two was the both of them running their very fast mouths at each other, I thought - for sure - that they would wear their welcome out with me.

But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.

Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.

But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.

And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.

Letter Grade: B-

6 (out of 10) stars and you can take that to the BankofMarquis
  
Megamind (2010)
Megamind (2010)
2010 | Action, Animation, Comedy
8
7.1 (27 Ratings)
Movie Rating
Holds up well - very entertaining
When one thinks of Animation studios, the first 2 names that come to mind are, probably, PIXAR and DISNEY ANIMATION. Coming in 3rd on that list is probably DREAMWORKS with such hit franchises as SHREK, HOW TO TRAIN YOUR DRAGON and KUNG FU PANDA. But Dreamworks also made a few, fun "one-off" films (animation films that spawned no sequels), most notably OVER THE HEDGE, SHARK TALE and the animated film I'm reviewing today, MEGAMIND.

What? You don't remember MEGAMIND? Well, you should. Spooffing SuperHero films by focusing on the villain, Megamind stars some incredible voice talents - Will Ferrell, Tina Fey, Brad Pitt, David Cross and Johan Hill - and tells the cautionary tale of "be careful what you wish for, you just might get it."

Ferrell, of course, stars as the titular Megamind, a Super Villain who after years of failure, finally defeats SuperHero Megaman (Brad Pitt). He realizes that without his arch-nemesis, his life is empty and begins to search for meaning in his life. Along for the journey is a reporter (Tina Fey), her Cameraman (Jonah Hill) and Megamind's Minion (long before Despicable Me), David Cross.

Sounds like pretty standard stuff, huh? But in the hands of comedians like Ferrell, Fey, Cross and Hill it elevates itself to something more. The comic sensibilities make a little more sense to me when I realized that Ben Stiller and Justin Theroux were the Excecutive Producers - both very funny men. They, smartly, turned the Direction of this film over to Dreamworks Animation veteran Tom McGrath (REN & STIMPY, some of the MADAGASCAR films and THE BOSS BABY), he keeps the events of the film moving swiftly and simply, being really clear of the events and motivations of the players while not getting too clever and complex.

I caught this film on HBO, and am sure you can stream it elsewhere. If you're looking for a fun film for the whole family this Holiday Season - especially one without Princes & Princesses in it - check out MEGAMIND, it's a fun way to spend a few hours.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
30 Minutes or Less (2011)
30 Minutes or Less (2011)
2011 | Action, Comedy
You don’t have to be imaginative to envision the plot behind “30 Minutes or Less”, because this is a story that is wildly over told. Just listing the components make it clear that no inventive or unexpected plot devices were considered in the creation of this summer comedy. There is the pizza boy who finds himself in the wrong place at the wrong time, a set of bumbling idiots who are planning a bank heist and even a girl who is oblivious to the longstanding affection of her brother’s best friend. But somehow even with this wildly over told plot the movie manages to be sporadically very funny.

“ 30 Minutes or Less” is, like so many of the big comedy hits of the last few years, a film that centers around well crafted honest yet crass dialogue between experienced comedic actors. Timing is critical to the success of the film and thankfully the actors in “30 Minutes or Less” are funny people who repeatedly manage to execute good lines.

The cast is the shining aspect of the film; a hodgepodge crew of comedians you likely already know. The best friend Chet is portrayed by the ever funny Aziz Ansari of Televisions’ “Parks and Recreation”. The bomb clad pizza boy Nick is played by Jesse Einsenberg who also starred in “The Social Network” and “Zombieland”. And this role is not a far cry from Einsenberg’s role in “Zombieland” aside from the lack of character development and on screen chemistry leading lady Kate, played by former TV “Greek” bad girl Dilshad Vadsaria.

The film is backed by a fun soundtrack of grooves that significantly assist in maintaining a quickened pace, even when the story is less than laughably slow. There are also a number of diverse yet comedic fight scenes that spot the film, from a juvenile slap fight to the use of a blow torch.

But the smattering of creative lines, sure to be repeated in excess by the post-emo generation, did not manage to hold up this film that unfortunately ran out of steam within “30 Minutes or Less”.
  
A Beautiful Day in the Neighborhood (2019)
A Beautiful Day in the Neighborhood (2019)
2019 | Drama

"When we were fourth-graders, Phil wrote and performed a parody of Mr. Rogers. It’s a common enough reaction for a budding culture vulture: to make fun of the sincerity of the gentle TV icon’s work. An approach so easy, a fourth-grader could do it. We first met Mari Heller 20 years ago, hanging out in our circle of similarly sarcastic comedians — and then, as now, she was interested in more than just undercutting earnestness. Her insightful, incisive, curious and, as always, confident new film makes us laugh, but it’s all part of the con. The laughs start with Rogers’ refusal to conform to the expectations of Lloyd, the flummoxed cynical guy who can’t believe Rogers is for real. We begin to laugh instead at Lloyd’s frustration, and before long we are left exposed, without an off-ramp, leading us irrevocably to getting what we secretly came for — to cry our eyes out. Fitting that her film about our fear of emotion is delivered with a fearless emotionality that moves us even as it mystifies. Where are the deflecting jokes that protect us from thinking too deeply about what scares us? Is she just going to like, let us cry? Is Tom Hanks just going to stare into my soul and make me grateful for my family? The least she could do is provide every audience member with tissues. We could write 10 paragraphs on her playful use of miniatures, how she always seems to bring out the best in her cinematographers, how she continually finds a way for the form of her film to surprise while never forgetting to reflect its purpose. We could compliment her knack for getting great actors to give some of their greatest performances, how under her care, Tom Hanks roams the movie with inspired playfulness, genuine caring, and private struggle to be his best self. We could even reflect on how a Brooklyn feminist has chosen this maddening, radicalizing, spine-pretzeling cultural moment to make a film about simply being good, and being good simply. But we would rather focus on her warm, disarming way of letting Rogers’ idiosyncrasies — like his snapping of personal photos or his silly puppet voices — first baffle us into a laugh, the way they did when we were smart-aleck adolescents, and then inspire us to grow up (or not!) and accept his loving embrace."

Source
  
A Beautiful Day in the Neighborhood (2019)
A Beautiful Day in the Neighborhood (2019)
2019 | Drama

"When we were fourth-graders, Phil wrote and performed a parody of Mr. Rogers. It’s a common enough reaction for a budding culture vulture: to make fun of the sincerity of the gentle TV icon’s work. An approach so easy, a fourth-grader could do it. We first met Mari Heller 20 years ago, hanging out in our circle of similarly sarcastic comedians — and then, as now, she was interested in more than just undercutting earnestness. Her insightful, incisive, curious and, as always, confident new film makes us laugh, but it’s all part of the con. The laughs start with Rogers’ refusal to conform to the expectations of Lloyd, the flummoxed cynical guy who can’t believe Rogers is for real. We begin to laugh instead at Lloyd’s frustration, and before long we are left exposed, without an off-ramp, leading us irrevocably to getting what we secretly came for — to cry our eyes out. Fitting that her film about our fear of emotion is delivered with a fearless emotionality that moves us even as it mystifies. Where are the deflecting jokes that protect us from thinking too deeply about what scares us? Is she just going to like, let us cry? Is Tom Hanks just going to stare into my soul and make me grateful for my family? The least she could do is provide every audience member with tissues. We could write 10 paragraphs on her playful use of miniatures, how she always seems to bring out the best in her cinematographers, how she continually finds a way for the form of her film to surprise while never forgetting to reflect its purpose. We could compliment her knack for getting great actors to give some of their greatest performances, how under her care, Tom Hanks roams the movie with inspired playfulness, genuine caring, and private struggle to be his best self. We could even reflect on how a Brooklyn feminist has chosen this maddening, radicalizing, spine-pretzeling cultural moment to make a film about simply being good, and being good simply. But we would rather focus on her warm, disarming way of letting Rogers’ idiosyncrasies — like his snapping of personal photos or his silly puppet voices — first baffle us into a laugh, the way they did when we were smart-aleck adolescents, and then inspire us to grow up (or not!) and accept his loving embrace."

Source
  
The Comedian (2017)
The Comedian (2017)
2017 | Comedy
4
3.0 (2 Ratings)
Movie Rating
Welcome to the year 2017 …. Another year which promises to bring you HUGE blockbuster theatrical releases including long awaited sequels, groundbreaking independent films, and breakout performances from some of cinemas great veterans as well as its rookie newcomers!

Alright … alright … that’s your standard P.R. HYPE. Not that it’s entirely untrue but let’s face it, we all have a pretty good idea as to what’s in store for us this year am I right?

 Today’s film is amongst 2016s ‘leftovers’ if you will. No that that’s a bad thing. Example … leftover pizza. I don’t know one individual who doesn’t like leftover pizza. You can think of this film as such.

 The selection we present to you is the dramatic comedy ‘The Comedians’. The latest from film legend Robert De Niro. The film premiered at the AFI Fest on November 11th and will be released in theaters on February 3rd. Directed by Taylor Hackford (An Officer And A Gentleman, RAY) and written by Lewis Friedman, comedian Jeff Ross, Art Linson, and Richard LaGravenese (The Fisher King) the film features an all star cast including Robert DeNiro, Leslie Mann, Harvey Keitel, Danny DeVito, Veronica Ferres, Patti LuPone, Edie Falco, Cloris Leachman, Charles Gordin, Jim Norton, Gilbert Gottfried, Jimmie Walker, Brett Butler, Lois Smith, Happy Anderson, Hannibal Buress, and an appearance by Billy Crystal.

 DeNiro is Jack ‘Jackie’ Burke. A comedic legend best known for his iconic T.V. role decades before who has spent the years since then attempting to reinvent himself as an ‘insult’ comic. Despite rave performances and praise from fans and his fellow comedians, he is still frustrated that he cannot escape from the shadow of his television career and the mistakes he made during those years as a husband, father, and brother. During a performance at a comedy club on the outskirts of New York City he berates a husband and wife in the audience who are filming him for their internet show without his permission and later attacks the husband. At his court hearing, he is offered a plea deal but upon learning that part of the plea involves apologizing to the husband and wife he openly berates them in the courtroom and is sentenced to 30 days in jail plus community service. Once out of jail, Jackie begins his community service serving meals to the homeless while fine tuning his act at a local church. However, since he has not worked and has no money he pays a call upon his estranged brother whom he has not visited in ages to ask for a loan.

Jackie’s brother agrees but only if Jackie will appear at his niece’s wedding. Late one evening at the church he meets Harmony (Mann) whom is also serving community service for assault and battery. Shortly after, Harmony and Jackie make the rounds at some of the New York comedy clubs where Jackie is still ‘welcome’ after which Jackie proposes a trade of sorts, Harmony will be Jackie’s date to his niece’s wedding if Jackie will appear at the dinner to celebrate the birthday of Harmony’s father (Keitel) who is a huge fan of Jackie’s television persona. At the wedding, Jackie performed a variation of his stand-up act to the delight of his niece and her fiancé while simultaneously offending the majority of the other family members. A few days later, Jackie accompanies Harmony to her father’s birthday dinner only to become aggravated when Harmony’s father insists Jackie reenact his T.V. character’s. Jackie responds by sarcastically professing his intentions to sleep with Harmony. Without giving everything away, what follows is a re-awakening of sorts in which Jackie comes to terms with the inevitability that he will always be known for the one role he tries so desperately to get away from and realizes that if he wants to distances himself from it, he’s going to have to embrace the character.

 Despite the all star cast and the fact there were indeed many laughs in the film, it was honestly a waste at the end. This could’ve been an amazing film but it was lacking in its story. The script just didn’t have the ‘heart’ to combine with the premise and the great performances given by the actors. It’s not that they didn’t try, the film just failed to measure up. The acting was great, the directing was good, and there were indeed a few laughs here and there …. it just didn’t have any life to it. Heaven forbid I criticize a DeNiro film, but I can’t give this one more than two out of five stars. I REALLY wanted to like the film, I just didn’t. If it shows up in your digital cable package, go ahead and give it a try. Rent it on iTunes even. Honestly though, I can’t see myself buying the movie.