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The Heartbreak Kid (2007)
The Heartbreak Kid (2007)
2007 | Comedy, Drama, Romance
4.4 (5 Ratings)
Movie Favorite

"I think it’s one of the funniest movies ever made. I think Charles Grodin is hugely underrated as a comedic actor. I think he’s brilliant. Jeannie Berlin who recently got a lot of attention again because of Kenneth Lonergan’s movie Margaret is amazing in this movie — she was actually nominated for an Oscar for it. Cybill Shepherd is great. I just love it, I love how what a s— the central character is, he’s really totally selfish and also really confused, in a great way. I also love that a lot of the comedy typically in movies like this, with sort of high concept plots, the comedy and the drama are driven by the central character lying to the people around them. But weirdly in The Heartbreak Kid, most of the drama comes from him telling the truth, he’s sort of excessively honest and straight forward, and it still manages to complicate these situations and cause a lot of tension and hurt feelings, but I just love Elaine May, I like all of her movies."

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I read this on recommendation from my dad, and, I must admit, while I went in not expecting much from it, I was actually quite pleasantly surprised and found it to be quite enjoyable.

I beleive there is now something like 18 books in the eries; this is the very first that introduces us to the central character of Amelia Peabody: a Victorian heiress at the turn of the century. I'm also not really sure how to classify this novel, as it combines elements of mystery, action/adventure, romance and comedy, with the central character of Amelia herself being a bit of a know-it-all (she's always right, even after the fact).

Will I read more in the series? Probably, but I don't know if they are books I would go out of my way to look for.
  
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Carlos Reygadas recommended Mon Oncle (1958) in Movies (curated)

 
Mon Oncle (1958)
Mon Oncle (1958)
1958 | Classics, Comedy
9.0 (4 Ratings)
Movie Favorite

"What I love about Tati is that the things that are funny are always secondary, not on the surface. In American comedy, you build up to the summit of the joke, and the joke is the central element. But Tati has a unique type of humor that always leaves a place for the viewer. If something isn’t funny for you, you don’t have to laugh, and that’s all right. You might even pass without noticing. The antipode of this attitude for life is American stand-up comedy. Here you are permanently directed—there’s no way out; you have to laugh and there might even exist recorded laughter in case you didn’t get it. Tati is the exact opposite. His comedy just unfolds as things actually happen in life. His situations are so direct and clear, you don’t have to be witty or have a sense of irony or sarcasm to get them; you just have to have a sense of observation."

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