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Venom (2018)
Venom (2018)
2018 | Action, Sci-Fi
This is the worst kind of relatively big budget popcorn tease – the kind of film that knows its demographic will flood to it regardless of quality, so let’s not even bother trying to make it good. The first sign of this type is a script that is such gibberish you almost start to wonder if you are having a stroke, and Venom has that in spades! Just when you think you have a handle on it, off it goes on a tangent that has nothing to do with anything other than setting up the next CGI shot. Which is the second sign – CGI good enough to pass, but quite obviously not the cutting edge stuff we have already seen years ago in better films. Cheap and nasty. The third sign is a director that can bung a few thrills in the mix but has no care whatsoever for characterisation, pace, plot or sensible motivation. Well done Ruben Fleischer for being the first director to have two films included in my BMTBs, following Zombieland Double Tap – I really can’t split them. The only fun to be had here is watching Tom Hardy amuse himself with a comic book characature so far over the top it hurts. Michelle Williams and Riz Ahmed are horribly wasted and should be ashamed. Just awful stuff!
  
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Thundercat recommended Journey to Love by Stanley Clarke in Music (curated)

 
Journey to Love by Stanley Clarke
Journey to Love by Stanley Clarke
1975 | Jazz
(0 Ratings)
Album Favorite

"This is when I first started taking my bass seriously. This was this was a when I got hungry to understand what it meant to play bass. I thank God that there was a Stanley Clarke as a frame of reference to what to what is possible with the bass, along with Jaco [Pastorious] and Marcus Miller. There was a period where I stopped liking the practice, I was like 'uh I don't wanna practice', and my mom was really clever about it. She offered to pay me to transcribe Stanley Clarke's School Days. And of course, I'm like, 'I want to buy comic books and Marvel cards', so of course I transcribed School Days. Journey to Love and School Days became really personal to me. It was just like, I felt like this was my n**, and I felt like this was who I am; I identified with those two albums. I didn't even discover the self-titled album until later in life; I was very much married to School Days and Journey to Love. I think that Journey to Love is still very much a story to me that I feel resonates in my mind and body. I don't know what you would call it musically, but I paraphrased the album on my very first album, sonically."

Source
  
Fables: Volume 1: Legends in Exile
Fables: Volume 1: Legends in Exile
Bill Willingham | 2002 | Comics & Graphic Novels
8
7.3 (13 Ratings)
Book Rating
<i>Ed. Note: this review was based on a re-reading, some years after the first reading.</i>

So, prior to writing this review, I wanted to peruse the reviews on here, to see what others said, reducing the risk of writing something already said. What I found were a number of 1-Star reviews, something I found to be quite surprising!

Not every comic (or book, for that matter) will necessarily start with an amazing first arc. It may be good, yes, but it could also be polished in spots. However, despite little things that could be better, the overall content should be seen as good enough to warrant reading the second story arc.

That is how I felt at the conclusion of this first volume, a mystery of sorts that also served to introduce us to a number of characters who go on to appear as series regulars. Sure, the dialogue was not perfect (really? Comparing it to Gaiman's SANDMAN? Like trying to compare RICK & MORTY to THE LAST UNICORN!), but I can safely say that the series matures, like a well-aged wine, and later issues are much, much better.

Long and short: it's an urban fantasy with the fables we grew up with. Go in without an judgments or comparisons, and you might be pleasantly surprised. Jus' sayin'..
  
I've not read that much about Superman, but my boyfriend has kept me updated on the plot. That background knowledge really helped when reading this volume, as it was pretty confusing.

The start took me by surprise; Lex Luthor as Superman, following the death of Clark. What's he doing as Superman, though? What are his true motives?

One thing to remember with this is that DC have several universes, meaning there are different Clarks/Supermans on different worlds. And this issue involves a Superman who is not on his home planet, and an extra Clark that nobody was expecting...

I love Clark's little family, and the way it's affected by his being Superman and everything. There wasn't much in this volume of the family together, though, as it is mainly based on the fight between Superman, Lex, Wonder Woman and Doomsday.

I would've liked more explanation in here on the whole situation with all the different Supermans, but I haven't read any previous issues so I suppose they might explain it. (Maybe I'll ask my boyfriend about it.)

One thing I haven't yet mentioned is the mysterious figure commentating on the battle, even intervening and stealing Doomsday away. I'm really interested to see where that's going.

As usual, the art is awesome. It's not my favourite comic, but I still enjoyed it. 3.5 stars.