Search
Search results
Open the Cage, Murphy!
Book
"Top pick of this year's celeb memoirs". (Daily Mail). To describe Open the Cage, Murphy as...
The Geeky Chef Strikes Back!: Even More Unofficial Recipes from Game of Thrones, Twin Peaks, the Legend of Zelda, Firefly, and More!
Book
Comic-lover, avid gamer, and sci-fi and fantasy fanatic, Cassandra Reeder, author of The Geeky Chef...
Ghosts was a great listen. I liked the character of Nina - she seems to be a great friend and a good daughter who wants to help both friends and family when she can. This doesn’t always seem to be reciprocated though. Nina is a successful food writer and owns her own home; the only thing missing in her life is someone to share it with. After the break up with her boyfriend, Joe, who she stays best friends with, Nina decides to try a dating app called Linx. She meets Max through the app, who is a handsome, enigmatic accountant. He announces on their first date that they will get married - and that’s where alarm bells started ringing for me, like the old cynic that I am.
Nina’s parents are lovely people, and her dads worsening dementia is heartbreaking. Her Mum is a bit of comic relief at times, changing her first name and joining clubs - but the reasoning behind her actions are understandable. She’s a lot younger than Ninas dad, and watching him forget more and more must be frightening and upsetting for her.
This book had me experiencing ALL the emotions - it’s funny, sad, worrying and infuriating. I laughed aloud whilst listening, had a bit of a cry, and shouted at Nina at one point (it was a Max thing and I was wearing headphones 🤷🏼♀️). The narrator was the exact right choice and it helped that the writing was really engaging too. It’s a really good book - and I wouldn’t hesitate to recommend it.
Nina’s parents are lovely people, and her dads worsening dementia is heartbreaking. Her Mum is a bit of comic relief at times, changing her first name and joining clubs - but the reasoning behind her actions are understandable. She’s a lot younger than Ninas dad, and watching him forget more and more must be frightening and upsetting for her.
This book had me experiencing ALL the emotions - it’s funny, sad, worrying and infuriating. I laughed aloud whilst listening, had a bit of a cry, and shouted at Nina at one point (it was a Max thing and I was wearing headphones 🤷🏼♀️). The narrator was the exact right choice and it helped that the writing was really engaging too. It’s a really good book - and I wouldn’t hesitate to recommend it.
Jeremy Workman recommended Blast of Silence (1961) in Movies (curated)
LeftSideCut (3778 KP) rated Indiana Jones and the Temple of Doom (1984) in Movies
Jan 25, 2021
Comedy comes in many forms and is certainly subjective. Unfortunately, slapstick comedy which is plastered all over the second outing for Indiana Jones really holds the film back as a whole for me.
Where Raiders of the Lost Ark and The Last Crusade are more straight shooting adventures, the comedic elements in them are placed fantastically, sparingly, and add to the overall experience. Temple of Doom is more of a gauntlet of jokes and over the top silliness, and most of it unfortunately doesn't land.
A lot of this comes from Willie Scott (Kate Capshaw), who acts as (constant) comic relief and Indiana Jones' love interest. The character is written in a way that she ends up at worst not being remotely likable, and at best being hugely grating.
Thankfully, the final third of Temple of Doom redeems matters a fair bit. The whole last sequence is unrelenting in its series of events. The action is masterfully executed, and feels like Spielberg was just constantly trying to one up himself in what he was doing, and his efforts result in an extremely fun and thrilling final act.
Once again, a lot of practical effects on display that lends this blockbuster series a sense of magic in a pre CGI age, and an as-per-usual incredible score from John Williams can be considered huge positives.
Overall then, Temple of Doom is a mixed bag for me, and easily my least favourite of the initial trilogy, even if I do have some find childhood memories attached to it!
Where Raiders of the Lost Ark and The Last Crusade are more straight shooting adventures, the comedic elements in them are placed fantastically, sparingly, and add to the overall experience. Temple of Doom is more of a gauntlet of jokes and over the top silliness, and most of it unfortunately doesn't land.
A lot of this comes from Willie Scott (Kate Capshaw), who acts as (constant) comic relief and Indiana Jones' love interest. The character is written in a way that she ends up at worst not being remotely likable, and at best being hugely grating.
Thankfully, the final third of Temple of Doom redeems matters a fair bit. The whole last sequence is unrelenting in its series of events. The action is masterfully executed, and feels like Spielberg was just constantly trying to one up himself in what he was doing, and his efforts result in an extremely fun and thrilling final act.
Once again, a lot of practical effects on display that lends this blockbuster series a sense of magic in a pre CGI age, and an as-per-usual incredible score from John Williams can be considered huge positives.
Overall then, Temple of Doom is a mixed bag for me, and easily my least favourite of the initial trilogy, even if I do have some find childhood memories attached to it!
LeftSideCut (3778 KP) rated Logan (2017) in Movies
Sep 20, 2019 (Updated Sep 20, 2019)
The crown jewel in Fox's X-Men saga
Logan is easily one of the best comic book movies out there.
This is the third solo outing for Wolverine (following one garbage pile attempt, and one annoyingly average attempt), James Mangold really pulled it out of the bag for this one.
The characters are great - Hugh Jackman at the top of his game for his final performance as Logan. He's a grizzled and pain ridden man, in this bleak, mutantless future.
Patrick Stewart is also at his best here as Charles Xavier. The two of them are the beating heart of this movie.
We're introduced to Dafne Keen (playing a young X-23) who rounds out the small cast nicely.
As Logan fights a shadowy organization to keep her safe, the stakes have never been higher, and no one feels safe at any point - something that has never really been explored in the X-Men franchise.
Logan is a hard film to watch, it's bleak, its gritty, it's not particularly colourful (especially if you opt for the brilliant Noir version), and it's brutally violent in parts.
The set pieces are nasty in places, and sometimes pretty shocking, but it all aids the narrative here - the narrative that Wolverine is an ailing old man, who is struggling against all odds to do one last good deed, and protect the few people that still mean something to him.
It's an emotional and powerful film, that deserves all the praise bestowed upon it - amazing work from everyone involved .
This is the third solo outing for Wolverine (following one garbage pile attempt, and one annoyingly average attempt), James Mangold really pulled it out of the bag for this one.
The characters are great - Hugh Jackman at the top of his game for his final performance as Logan. He's a grizzled and pain ridden man, in this bleak, mutantless future.
Patrick Stewart is also at his best here as Charles Xavier. The two of them are the beating heart of this movie.
We're introduced to Dafne Keen (playing a young X-23) who rounds out the small cast nicely.
As Logan fights a shadowy organization to keep her safe, the stakes have never been higher, and no one feels safe at any point - something that has never really been explored in the X-Men franchise.
Logan is a hard film to watch, it's bleak, its gritty, it's not particularly colourful (especially if you opt for the brilliant Noir version), and it's brutally violent in parts.
The set pieces are nasty in places, and sometimes pretty shocking, but it all aids the narrative here - the narrative that Wolverine is an ailing old man, who is struggling against all odds to do one last good deed, and protect the few people that still mean something to him.
It's an emotional and powerful film, that deserves all the praise bestowed upon it - amazing work from everyone involved .
Edna & Harvey: The Breakout
Games and Entertainment
App
The award-winning debut adventure game from the creators of The Whispered World and Deponia now on...
Instasay Collage Pro
Lifestyle and Photo & Video
App
InstaSay is a famous Photo collage editor through which you can Frame your photos collection into...
Christine A. (965 KP) rated The Shadows in Books
Aug 24, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
Amy Norman (1042 KP) rated Legion - Season 3 in TV
May 7, 2020
Legion is a programme that needs to be watched, it is so visually stunning, and you can easily become lost if you don't give it the full attention it deserves. The opening to this season was fantastic, it was captivating from the opening shots, and harkened back to the Season 1 glory.
It had the slow and steady pace that quietly draws you in, whilst also being completely fantastical, and leaves you wondering what exactly is going on, or where it will lead.
I loved the new combinations, of what I will deem 'teams', and the deep dive into David's past was completely disarming - this becomes more apparent, and relevant, throughout this season.
I read as little as I could about the original Legion, so I had a lot of 'lightbulb' moments throughout this season, but you don't need to be a comic book geek to follow the story.
I found that I had fallen out of love with a couple of the characters, and some of them had less screen time than I would have expected too.
It felt like a bit of a dirge, marching towards the end but this intentionally added to the weight, and severity of the overall arc.
There were still some sweet comedic moments amongst the dark and twisted tone though.
Overall, I was still rooting for a few of the characters and was glad to see them fulfilled in varying ways.
However, I think this was a fitting end to their journey, and I would be happy if it was left as it is now.
It had the slow and steady pace that quietly draws you in, whilst also being completely fantastical, and leaves you wondering what exactly is going on, or where it will lead.
I loved the new combinations, of what I will deem 'teams', and the deep dive into David's past was completely disarming - this becomes more apparent, and relevant, throughout this season.
I read as little as I could about the original Legion, so I had a lot of 'lightbulb' moments throughout this season, but you don't need to be a comic book geek to follow the story.
I found that I had fallen out of love with a couple of the characters, and some of them had less screen time than I would have expected too.
It felt like a bit of a dirge, marching towards the end but this intentionally added to the weight, and severity of the overall arc.
There were still some sweet comedic moments amongst the dark and twisted tone though.
Overall, I was still rooting for a few of the characters and was glad to see them fulfilled in varying ways.
However, I think this was a fitting end to their journey, and I would be happy if it was left as it is now.