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Mark @ Carstairs Considers (2621 KP) rated Double Whammy in Books
May 18, 2019
I Wanted to Like this Book More Than I Actually Did
Former police officer Davis Way has finally landed a new job. She’s working as undercover security at the Bellissimo Resort and Casino in Biloxi, Mississippi. The first thing she’s asked to do is figure out how someone is rigging the Double Whammy machines to win the jackpot. She’s just started the investigation when she makes a startling discovery – the person getting the jackpots is her ex-ex-husband, a man she doesn’t want back in her life. Can she figure out how he is rigging the machines without crossing his path?
I’ve had this series and this book on my radar for a while. While I don’t gamble, the casino setting intrigued, and I know this series is very popular. Unfortunately, this is one of those books that entertains while you are reading, but when you set it down, you begin to see the flaws. There is a good plot here, but it gets distracted several times with sub-plots that slow things down. I did like how Davis’s complicated past is given to us in flashbacks spread out over the entire novel; it helps give some of her actions more context. Unfortunately, I felt she made some very stupid decisions over the course of the novel, especially in the final third. There’s a complication in that final third that stretched my ability to suspend disbelief as well. It’s a shame because I liked the characters and can see them growing even more over the course of a series. This book describes itself as a comic caper, and I’ve found that some just don’t work for me, and I think that’s the case here. I know the series has many fans, but this debut didn’t work for me as well as I wanted it to.
I’ve had this series and this book on my radar for a while. While I don’t gamble, the casino setting intrigued, and I know this series is very popular. Unfortunately, this is one of those books that entertains while you are reading, but when you set it down, you begin to see the flaws. There is a good plot here, but it gets distracted several times with sub-plots that slow things down. I did like how Davis’s complicated past is given to us in flashbacks spread out over the entire novel; it helps give some of her actions more context. Unfortunately, I felt she made some very stupid decisions over the course of the novel, especially in the final third. There’s a complication in that final third that stretched my ability to suspend disbelief as well. It’s a shame because I liked the characters and can see them growing even more over the course of a series. This book describes itself as a comic caper, and I’ve found that some just don’t work for me, and I think that’s the case here. I know the series has many fans, but this debut didn’t work for me as well as I wanted it to.
Terry Nation's apocalyptic drama-adventure series came out of the same mid-70s interest in self-sufficiency that produced The Good Life, but also clearly owes a debt to George R Stewart's 1949 novel Earth Abides. A man-made virus devastates civilisation forcing the few who survive to rebuild; over the course of three series the programme deals with individual responses to the catastrophe, the characters coming together to build a community, and then an attempt to reconstruct something like a nation.
Many changes on both sides of the camera mean that Survivors is an inconsistent show, with nearly everyone agreeing the best episodes are all in the first season. This is not to say the first season is perfect or the others are not worth watching (though there are a few dud episodes). The best episodes are ones which mix character-based drama and big ideas - the capital punishment-themed Law and Order, in which the members of the community must decide what to do with one of their number they believe to be a murderer, is a particular highlight. Series anticipates Nation's Blake's 7 in the way a supporting character ends up as the de facto lead, in both cases a ruthless pragmatist becoming a very unconventional hero.
Criticisms that the show is middle class are somewhat justified; members of the working class are either comic relief or shotgun-toting menaces (trade unionists are also depicted as a menace). The low budget of the later episodes (most of which were made on VT rather than film) also shows. The second season can be a bit dull but the others are seldom less than interesting, and occasionally extremely good.
Many changes on both sides of the camera mean that Survivors is an inconsistent show, with nearly everyone agreeing the best episodes are all in the first season. This is not to say the first season is perfect or the others are not worth watching (though there are a few dud episodes). The best episodes are ones which mix character-based drama and big ideas - the capital punishment-themed Law and Order, in which the members of the community must decide what to do with one of their number they believe to be a murderer, is a particular highlight. Series anticipates Nation's Blake's 7 in the way a supporting character ends up as the de facto lead, in both cases a ruthless pragmatist becoming a very unconventional hero.
Criticisms that the show is middle class are somewhat justified; members of the working class are either comic relief or shotgun-toting menaces (trade unionists are also depicted as a menace). The low budget of the later episodes (most of which were made on VT rather than film) also shows. The second season can be a bit dull but the others are seldom less than interesting, and occasionally extremely good.
Dana (24 KP) rated Annihilation, Book Two in Books
Mar 23, 2018
So in this, the second book of the Annihilation comic series, we get even more characters in the universe!
Many people have been introduced to the Silver Surfer in the second Fantastic Four film by Sony pictures, but we get a lot more information of who he is in this book and I really liked seeing that! We get to see his interactions with the other former heralds of Galactus, the Devourer of Worlds. This also gives us some background of his power and relationships with the rest of the Marvel Comics Universe. He's a pretty cool character, in my opinion.
In this book, we also get a lot more information about Super Skrull. He's great and I love him. That's all.
Finally, we get to meet Ronan for real. I loved getting to see him as more than just the villain he is painted as in the Guardians of the Galaxy movie. He gets a backstory and a reason for why he is the way he is! I am actually kind of sympathetic towards him, to be completely honest. I love it when people who can be seen as villains are portrayed as round characters who are more than just evil. He is The Accuser. He has the power to reduce people to ash at the drop of a few words, yet he only does it when he deems it necessary. That's a pretty cool move! Also, the fact that he is not working for the Annihilation crew is a redeeming quality if I have ever seen one!
I am keeping this review pretty short so I can move onto the next one! I can't wait to see how this ends!
Many people have been introduced to the Silver Surfer in the second Fantastic Four film by Sony pictures, but we get a lot more information of who he is in this book and I really liked seeing that! We get to see his interactions with the other former heralds of Galactus, the Devourer of Worlds. This also gives us some background of his power and relationships with the rest of the Marvel Comics Universe. He's a pretty cool character, in my opinion.
In this book, we also get a lot more information about Super Skrull. He's great and I love him. That's all.
Finally, we get to meet Ronan for real. I loved getting to see him as more than just the villain he is painted as in the Guardians of the Galaxy movie. He gets a backstory and a reason for why he is the way he is! I am actually kind of sympathetic towards him, to be completely honest. I love it when people who can be seen as villains are portrayed as round characters who are more than just evil. He is The Accuser. He has the power to reduce people to ash at the drop of a few words, yet he only does it when he deems it necessary. That's a pretty cool move! Also, the fact that he is not working for the Annihilation crew is a redeeming quality if I have ever seen one!
I am keeping this review pretty short so I can move onto the next one! I can't wait to see how this ends!
Isabel Smith (34 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 23, 2018
The music is back, the dinosaurs are back, the chaos is back!
Jurassic Park is one of my all time favorite movie series. There are so many iconic moments in the original movie and I love that this latest addition to the series makes some of those moments come alive for both long-time fans and a new generation of fans. Jurassic World: Fallen Kingdom brings fans all of the music and action they've fallen in love with over the years and mixes into that a whole new conundrum. With an active volcano threatening to wipe out all of the dinosaurs that have been abandoned on Isla Nublar, the world must decide if they want to step in and rescue the dinosaurs or let nature run its course.
Jeff Goldblum returns to the franchise as the famous mathematician, Dr. Ian Malcolm, and if you've seen any of the original movies you can probably guess where he stands on the matter. Chris Pratt and Dallas Bryce Howard also resume their former roles, Owen Grady and Claire Dearing respectively. The pair disagrees on what the outcome for the dinosaurs should be, but they team up nonetheless and their romantic tension provides a lot of comic relief throughout the movie.
Overall, Jurassic World: Fallen Kingdom does a wonderful job of blending the old with the new (in terms of themes, characters, etc). A number of well-placed twists keeps the audience in suspense. There are heart-wrenching moments that make you want to cry, celebratory moments that make you want to cheer, action-filled moments that make your heart rate skyrocket, and plain old funny moments that make you laugh. What more can you ask for in movie? Flock to a nearby theater, hold onto your butts, and watch it today!
Jeff Goldblum returns to the franchise as the famous mathematician, Dr. Ian Malcolm, and if you've seen any of the original movies you can probably guess where he stands on the matter. Chris Pratt and Dallas Bryce Howard also resume their former roles, Owen Grady and Claire Dearing respectively. The pair disagrees on what the outcome for the dinosaurs should be, but they team up nonetheless and their romantic tension provides a lot of comic relief throughout the movie.
Overall, Jurassic World: Fallen Kingdom does a wonderful job of blending the old with the new (in terms of themes, characters, etc). A number of well-placed twists keeps the audience in suspense. There are heart-wrenching moments that make you want to cry, celebratory moments that make you want to cheer, action-filled moments that make your heart rate skyrocket, and plain old funny moments that make you laugh. What more can you ask for in movie? Flock to a nearby theater, hold onto your butts, and watch it today!
Hazel (1853 KP) rated Zeroes (Zeroes, #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
The author of the <i>Uglies</i> series, Scott Westerfeld, has teamed up with co-writers Margo Lanagan and Deborah Biancotti to create this exciting, whirlwind of a young adult novel. Many people wish they had a superpower, but what if there actually were people with them? <i>Zeroes</i> is a story about a group of teenagers with special gifts, however these unique abilities may be more dangerous than you would imagine.
The superpowers in this novel are not as conventional as the famous comic heroes. Some can control crowds with their minds or destroy electricity, and one blind character can even see through the eyes of others. Collectively these teenagers are called the <i>Zeroes</i>, but only amongst themselves.
Despite how cool it may seem to have these powers, their gifts can easily get themselves in to trouble. One of the teens, Ethan, accidently finds himself involved with drug dealers and a bank robbery, resulting in the police taking an interest. Whilst trying to get him out of this mess, the rest of the team cause even more trouble, sequentially making things worse and eventually leaving Ethan in a life threatening situation.
Told through six different characters, the reader gets the opportunity to learn about the individual powers and how each person deals with them. The novel is fast past with an explosive ending – literally – it is almost impossible to put it down. With an equal mix of male and female characters, it is suitable for all readers who enjoy YA, and by no means is it limited to teenagers only. You will find yourself wanting more.
The author of the <i>Uglies</i> series, Scott Westerfeld, has teamed up with co-writers Margo Lanagan and Deborah Biancotti to create this exciting, whirlwind of a young adult novel. Many people wish they had a superpower, but what if there actually were people with them? <i>Zeroes</i> is a story about a group of teenagers with special gifts, however these unique abilities may be more dangerous than you would imagine.
The superpowers in this novel are not as conventional as the famous comic heroes. Some can control crowds with their minds or destroy electricity, and one blind character can even see through the eyes of others. Collectively these teenagers are called the <i>Zeroes</i>, but only amongst themselves.
Despite how cool it may seem to have these powers, their gifts can easily get themselves in to trouble. One of the teens, Ethan, accidently finds himself involved with drug dealers and a bank robbery, resulting in the police taking an interest. Whilst trying to get him out of this mess, the rest of the team cause even more trouble, sequentially making things worse and eventually leaving Ethan in a life threatening situation.
Told through six different characters, the reader gets the opportunity to learn about the individual powers and how each person deals with them. The novel is fast past with an explosive ending – literally – it is almost impossible to put it down. With an equal mix of male and female characters, it is suitable for all readers who enjoy YA, and by no means is it limited to teenagers only. You will find yourself wanting more.
David McK (3868 KP) rated Death of Wolverine in Books
Jan 30, 2019
The DEATH of Wolverine?
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
LeftSideCut (3776 KP) rated The Cabin in the Woods (2012) in Movies
Dec 29, 2019 (Updated Jan 22, 2020)
I absolutely love The Cabin in the Woods. It's masquerades as a straight up horror flick but with a ridiculous curve ball thrown in(no spoilers here, but seriously, watch it already!), that manages to subvert everything you would expect from a standard slasher type horror.
The cast are all great - Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams - all play typically heightened stereotypes of the kind of run of the mill teenage cannon fodder you usually find within the genre, and with the film's tongue firmly in cheek, it hard to not like any of them.
Then you also have Richard Jenkins and Bradley Whitford providing the majority of the comic relief, and the two of them together are pretty funny, and seem to be having a ball filming.
The narrative of The Cabin in the Woods is the secret ingredient here though. It's fun, it's different, and when the aforementioned twist arrives, it shifts heard pretty quickly, providing one if the most absurd and memorable final acts I've seen in a horror movie.
The gore and violence on display is truly astonishing, and it's nice to see that the effects teams on board used a lot of practical effects to achieve a lot of this, with digital effects used only when necessary. The costume designs for a certain aspect of the film are fantastic as well (still trying to avoid spoilers).
I can't for the life of me see why anyone who likes horror wouldn't get a kick out of The Cabin in the Woods. It tries to do something different, and in my opinion pulls it off with flying bloody colours, and is easily one of my favourite horrors out there.
The cast are all great - Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams - all play typically heightened stereotypes of the kind of run of the mill teenage cannon fodder you usually find within the genre, and with the film's tongue firmly in cheek, it hard to not like any of them.
Then you also have Richard Jenkins and Bradley Whitford providing the majority of the comic relief, and the two of them together are pretty funny, and seem to be having a ball filming.
The narrative of The Cabin in the Woods is the secret ingredient here though. It's fun, it's different, and when the aforementioned twist arrives, it shifts heard pretty quickly, providing one if the most absurd and memorable final acts I've seen in a horror movie.
The gore and violence on display is truly astonishing, and it's nice to see that the effects teams on board used a lot of practical effects to achieve a lot of this, with digital effects used only when necessary. The costume designs for a certain aspect of the film are fantastic as well (still trying to avoid spoilers).
I can't for the life of me see why anyone who likes horror wouldn't get a kick out of The Cabin in the Woods. It tries to do something different, and in my opinion pulls it off with flying bloody colours, and is easily one of my favourite horrors out there.
Gareth von Kallenbach (980 KP) rated Planet 51 (2009) in Movies
Aug 8, 2019
On a planet far from our own, green creatures are experiencing their own version of the 1950’s. Among them is Lem (Justin Long) who has just gotten his first job as an assistant at the local planetarium. When a space ship appears harboring an alien, human astronaut Captain Charles T. Baker (Dwayne Johnson), the fearful locals are not so friendly. It is up to Lem to save the astronaut and help his people learn not to fear the world beyond what they know.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
LeftSideCut (3776 KP) rated X-Men: The Last Stand (2006) in Movies
Jul 4, 2019 (Updated Jul 30, 2019)
It's all just a bit...meh
The Last Stand is not completely awful, but there is an absolutely huge setback here - the writers tried to cram the epic Dark Phoenix saga into one film.
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)