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Gareth von Kallenbach (980 KP) rated The Last Stand (2013) in Movies
Aug 7, 2019
It’s 2013 and Arnold Schwarzenegger is back in his first leading role in 10 years in
“The Last Stand”
Directed by legendary South Korean director Kim Ji-w oon, The Last Stand stars
Schwarzenegger as Ray Owens, a former LAPD narcotics officer who has left the
violence and bloodshed of the big city to become the sheriff of a sleepy border town
in Arizona called Sommerton Junction where the biggest crime is the town’s mayor
parking in the firezone on main street.
Meanwhile in Las Vegas, Gabriel Cortez, the most vicious and ruthless drug lord
since Pablo Escobar, stages a spectacular escape from FBI custody and takes off
in a stolen/modified Chevrolet Corvette C6ZR1.
With a FBI agent held hostage and a group of mercenaries, Cortez races towards
the Mexican border at over 200 mph and Sommerton Junction. Counted out by the FBI
and the military as just another ‘small town sheriff’ with a group of inexperienced
deputies, Sherriff Owens reluctantly accepts the truth that the only thing standing
between Cortez and his escape and the safety of the people of Sommerton Junction is
Ray.
Co-starring Forrest Whitaker, Johnny Knoxville, Jaimie Alexander, Luis Guzman,
Peter Stormare, and Genesis Rodriguez, “The Last Stand” is a great action film
with an ensemble cast that follows the formula of the ‘action film’ but follows it
well. A basic/solid plot with plenty of spectacular stunts and explosions. After the
first 5 minutes, you don’t have a chance to leave the theater. The story unfolds
quickly, and you really don’t have the chance to look away. With plenty of comic
relief (most of it courtesy of Johnny Knoxville and Luis Guzman) and no romantic
scenes (except for one or two couples lip locking) I though the movie was a great
film. After 10 years, it was honestly a relief to see Schwarzenegger back in movies
as the lead and as part of an ensemble cast.
If there is one thing you can count on,
it is because Arnold always delivers when it comes to action movies no matter the scale,
and after so much time in politics it doesn’t look like he’s skipped a beat
and it’s a great escape from the winter chaos outside.
Welcome back Mr. Schwarzenegger!
“The Last Stand”
Directed by legendary South Korean director Kim Ji-w oon, The Last Stand stars
Schwarzenegger as Ray Owens, a former LAPD narcotics officer who has left the
violence and bloodshed of the big city to become the sheriff of a sleepy border town
in Arizona called Sommerton Junction where the biggest crime is the town’s mayor
parking in the firezone on main street.
Meanwhile in Las Vegas, Gabriel Cortez, the most vicious and ruthless drug lord
since Pablo Escobar, stages a spectacular escape from FBI custody and takes off
in a stolen/modified Chevrolet Corvette C6ZR1.
With a FBI agent held hostage and a group of mercenaries, Cortez races towards
the Mexican border at over 200 mph and Sommerton Junction. Counted out by the FBI
and the military as just another ‘small town sheriff’ with a group of inexperienced
deputies, Sherriff Owens reluctantly accepts the truth that the only thing standing
between Cortez and his escape and the safety of the people of Sommerton Junction is
Ray.
Co-starring Forrest Whitaker, Johnny Knoxville, Jaimie Alexander, Luis Guzman,
Peter Stormare, and Genesis Rodriguez, “The Last Stand” is a great action film
with an ensemble cast that follows the formula of the ‘action film’ but follows it
well. A basic/solid plot with plenty of spectacular stunts and explosions. After the
first 5 minutes, you don’t have a chance to leave the theater. The story unfolds
quickly, and you really don’t have the chance to look away. With plenty of comic
relief (most of it courtesy of Johnny Knoxville and Luis Guzman) and no romantic
scenes (except for one or two couples lip locking) I though the movie was a great
film. After 10 years, it was honestly a relief to see Schwarzenegger back in movies
as the lead and as part of an ensemble cast.
If there is one thing you can count on,
it is because Arnold always delivers when it comes to action movies no matter the scale,
and after so much time in politics it doesn’t look like he’s skipped a beat
and it’s a great escape from the winter chaos outside.
Welcome back Mr. Schwarzenegger!
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LeftSideCut (3776 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
It should have happened way sooner, but finally, Black Widow is here, and in short, it's pretty damn good.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
Joe Goodhart (27 KP) rated Firefly: Big Damn Hero (Firefly #1) in Books
Nov 30, 2020
WOW! No, really, <b>WOW!</b> That was gorram incredible!
It's been ages since I read any fan fiction, as so much of it, at the end of the day, was just glorified 'Shipping. It's been almost two months since I have picked up anything (comic or prose) to read, as my wife and I have been through a hellish two months (started with the MS diagnosis, and ended with our 14 year old Mini Schnauzer having to be put to sleep). Long story short, not a whole hell of lot of reading going on my life, as I have been walking around in a fog, caring not one whit about much of anything, including eating or reading.
FIREFLY: BIG DAMN HERO came out on my Kindle November 20th, the day before my 50th birthday (without Lily, our 14 y.o. Mini, no longer with us, it was more like an UnBirthday, as I really felt it was no longer worth celebrating). I read the first two Chapters, or rather, I <i>tried</i>, but they seemed as though I had not when I returned to the book last week.
No matter, for it appeared not to affect my overall satisfaction that the FIREFLY prose novels were off to a very good start indeed! And I was able to focus my attention enough to finish the book in such a quick time!
From beginning to end, we are a presented with a tale of the SERENITY and her crew early in the first Season. Everyone is true to form, from Mal to Wash and Zoë to Simon and River, etc. No one ever seemed out-of-character.
At a base level, this was a Mal-centric story. We gain some backstory into his past, on Shadow, just prior to the War. We are also given an inside track to his inner thoughts, allowing us to gain an even deeper understanding of his character, beyond what we learned in the short-lived TV series and subsequent movie SERENITY.
DOCTOR WHO is a hot mess right now, something I am unable to get behind (after being a fan for almost 48 years). Too many changes, good and bad. Fortunately, though, FIREFLY remains the same, untouched, let to continue as the way it was intended, and I am totally fine with that!
If you love FIREFLY as much as I do, you owe it to yourself to pick this one up!
It's been ages since I read any fan fiction, as so much of it, at the end of the day, was just glorified 'Shipping. It's been almost two months since I have picked up anything (comic or prose) to read, as my wife and I have been through a hellish two months (started with the MS diagnosis, and ended with our 14 year old Mini Schnauzer having to be put to sleep). Long story short, not a whole hell of lot of reading going on my life, as I have been walking around in a fog, caring not one whit about much of anything, including eating or reading.
FIREFLY: BIG DAMN HERO came out on my Kindle November 20th, the day before my 50th birthday (without Lily, our 14 y.o. Mini, no longer with us, it was more like an UnBirthday, as I really felt it was no longer worth celebrating). I read the first two Chapters, or rather, I <i>tried</i>, but they seemed as though I had not when I returned to the book last week.
No matter, for it appeared not to affect my overall satisfaction that the FIREFLY prose novels were off to a very good start indeed! And I was able to focus my attention enough to finish the book in such a quick time!
From beginning to end, we are a presented with a tale of the SERENITY and her crew early in the first Season. Everyone is true to form, from Mal to Wash and Zoë to Simon and River, etc. No one ever seemed out-of-character.
At a base level, this was a Mal-centric story. We gain some backstory into his past, on Shadow, just prior to the War. We are also given an inside track to his inner thoughts, allowing us to gain an even deeper understanding of his character, beyond what we learned in the short-lived TV series and subsequent movie SERENITY.
DOCTOR WHO is a hot mess right now, something I am unable to get behind (after being a fan for almost 48 years). Too many changes, good and bad. Fortunately, though, FIREFLY remains the same, untouched, let to continue as the way it was intended, and I am totally fine with that!
If you love FIREFLY as much as I do, you owe it to yourself to pick this one up!
Joe Goodhart (27 KP) rated Black Hammer, Vol. 1: Secret Origins in Books
Nov 30, 2020
I just wanted to preface this with this: I was recommended BH Vol 1 by a co-worker (as well as a Good Reads user). At the time, I was reading something else, but filed it away mentally for later. Two sales on Comixology, and I pass on both. However, a recent Dark Horse sale spoke to me, and I bought Vols 1 (as well as 2), and Issue #12 (which is not included in the two tpbs).
The series pays more than enough clever homage to the Silver Age heroes. Barbalien bears more than a passing resemblance to J'onn J'onz in the DC Universe, while Golden Gail shares notable similarities to Shazam, or Captain Marvel, also from DC. However, despite the similarities, Jeff Lemire's intent is purely nostalgia and respect, nothing resembling fan service by any means!
Despite aspects of the series that clearly apply to the superhero genre, this series anything but a typical superhero book. Instead, we are presented with a dark (and I mean DARK, like you'll want a milkshake or some Insomnia Cookies after you are finished reading it) tale that is very much about the people who embody the heroes in the series. There are a lot of human struggles and internal issues, all dealt with in a well-written manner, the end result of a series created out of love for the comic heroes of old.
Jeff Lemire is swiftly becoming one of my favorite writers. I got sucked in with his recent new series, GIDEON FALLS, and then now this. I know everyone else has been a fan for the longest time, but regardless, I consider myself a fan now, too! :)
As praise as I am throwing Lemire's way, I also need to throw some to Dean Ormston, the series' A-MAZ-INGLY talented artist! His art suited Lemire's ideas and concepts, rendering them in a way that further supported the tribute to the Silver Age that this clearly was. I glad Ormston remained the artist, as it helped to maintain continuity without breaking the mood.
In closing, I just want to say a big thank you to Baxter for the recommendation and thank you to Comixology and Dark Horse for the sale! My new found love of this series is now forever owned to you both, as well as Msrs. Lemire and Ormston! THANK YOU!!
The series pays more than enough clever homage to the Silver Age heroes. Barbalien bears more than a passing resemblance to J'onn J'onz in the DC Universe, while Golden Gail shares notable similarities to Shazam, or Captain Marvel, also from DC. However, despite the similarities, Jeff Lemire's intent is purely nostalgia and respect, nothing resembling fan service by any means!
Despite aspects of the series that clearly apply to the superhero genre, this series anything but a typical superhero book. Instead, we are presented with a dark (and I mean DARK, like you'll want a milkshake or some Insomnia Cookies after you are finished reading it) tale that is very much about the people who embody the heroes in the series. There are a lot of human struggles and internal issues, all dealt with in a well-written manner, the end result of a series created out of love for the comic heroes of old.
Jeff Lemire is swiftly becoming one of my favorite writers. I got sucked in with his recent new series, GIDEON FALLS, and then now this. I know everyone else has been a fan for the longest time, but regardless, I consider myself a fan now, too! :)
As praise as I am throwing Lemire's way, I also need to throw some to Dean Ormston, the series' A-MAZ-INGLY talented artist! His art suited Lemire's ideas and concepts, rendering them in a way that further supported the tribute to the Silver Age that this clearly was. I glad Ormston remained the artist, as it helped to maintain continuity without breaking the mood.
In closing, I just want to say a big thank you to Baxter for the recommendation and thank you to Comixology and Dark Horse for the sale! My new found love of this series is now forever owned to you both, as well as Msrs. Lemire and Ormston! THANK YOU!!
Joe Goodhart (27 KP) rated Dark Nights: Metal in Books
Nov 30, 2020
So, here's how I am gonna open this review.. With a kinda-sorta-but-not-reeeaaallly Spoiler: it's got a scene with <i>frikkin' Batman</i> riding a <b>DINOSAUR</b> (a T-Rex or Allosaurus)! Look, even you are one of those self-proclaimed haters of all things METAL-related, it's <u>the @#$% BATMAN on a #$@ing DINOSAUR</u>! If that ain't enough to get you excited, well, then, go watch an episode of SAVED BY THE BELL! instead, because that's more your speed!
DARK NIGHTS: METAL (as well as the prequel pieces, THE FORGE and THE CASTING) was one hell of an entertaining ride! It was clear that Scott Snyder had a great appreciation for the events of old, offering us a leaner event than Marvel has in the last five years! Sure, there was some hiccups along the way, and that is nearly truly for anything piece of literature. However, the hiccups were not enough to take away from the love and care that Snyder and Capullo put into this decidely scary (in an EVENT HORIZON or HELLRAISER-kinda way) yet highly interesting!
This was a tale spun out of FINAL CRISIS and 52, with ties as far back as CRISIS ON INFINITE EARTH! Yet, it also showed some of the intricacies at play since Dr. Manhattan's "tinkering" (Man, I hope DOOMSDAY CLOCK gets finished before I die)! Yes, sometimes as the adventure unfolds, there may be a moment here or there where you'll be like, "Um, that's just not something that'd happen!". Well, duh, it's a comic book, silly! If you can hit [PAUSE] on the UberCriticalComicFan sub-routine in your brain, you might find that this is actually pretty damned good stuff! You can clearly see the love and attention put into this by both the writer and the artist alike!
Speaking of which..
Greg Capullo was a great choice to partner up with Snyder for this! His art is tight, yet creepy and foreboding! There were several moments throughout where I was just like, "Holy cow!". It honestly felt like a good DC movie (not like BATMAN V. SUPERMAN)!
Look, at the end of the day, here's what you've got: one hell of a good hero story, something any non-Trump supporters could use right about now! It's just Good vs. Evil, plain and simple! If that ain't the basis for a good story, then, heck, I don't know what is!
DARK NIGHTS: METAL (as well as the prequel pieces, THE FORGE and THE CASTING) was one hell of an entertaining ride! It was clear that Scott Snyder had a great appreciation for the events of old, offering us a leaner event than Marvel has in the last five years! Sure, there was some hiccups along the way, and that is nearly truly for anything piece of literature. However, the hiccups were not enough to take away from the love and care that Snyder and Capullo put into this decidely scary (in an EVENT HORIZON or HELLRAISER-kinda way) yet highly interesting!
This was a tale spun out of FINAL CRISIS and 52, with ties as far back as CRISIS ON INFINITE EARTH! Yet, it also showed some of the intricacies at play since Dr. Manhattan's "tinkering" (Man, I hope DOOMSDAY CLOCK gets finished before I die)! Yes, sometimes as the adventure unfolds, there may be a moment here or there where you'll be like, "Um, that's just not something that'd happen!". Well, duh, it's a comic book, silly! If you can hit [PAUSE] on the UberCriticalComicFan sub-routine in your brain, you might find that this is actually pretty damned good stuff! You can clearly see the love and attention put into this by both the writer and the artist alike!
Speaking of which..
Greg Capullo was a great choice to partner up with Snyder for this! His art is tight, yet creepy and foreboding! There were several moments throughout where I was just like, "Holy cow!". It honestly felt like a good DC movie (not like BATMAN V. SUPERMAN)!
Look, at the end of the day, here's what you've got: one hell of a good hero story, something any non-Trump supporters could use right about now! It's just Good vs. Evil, plain and simple! If that ain't the basis for a good story, then, heck, I don't know what is!