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Daniel Boyd (1066 KP) rated The Dark Knight (2008) in Movies
Oct 31, 2017 (Updated Oct 31, 2017)
A stone cold classic at this point (2 more)
Nolan's direction
Fantastic performances all around
The Movie That Comic Book Fans Deserve
Contains spoilers, click to show
Almost 10 years on from the original release of this film, it is still the best superhero film ever made up until this point. While a few movies, such as Logan and Winter Soldier, have came close to the quality of TDK, nothing has surpassed it in the last decade. There is so much to love here, whether it is Nolan's deliberate and effective direction, Hans Zimmer's uplifting yet melancholy score, the beautifully epic cinematography provided by Wally Pfister and of course Heath Ledger's incredible, electrifying performance as the Clown Prince Of Crime.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
Hazel (1853 KP) rated The Switch in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Crime writer Elmore Leonard wrote a lot of stories during his lifetime and this book <i>The Switch</i>, originally published in 1978, has recently been brought to cinema screens as <i>Life of Crime</i> starring Jennifer Aniston. Two ex-cons, Ordell and Louis, kidnap Mickey, the wife of a millionaire, in the belief that they will collect some easy ransom money. However their plan backfires when it is revealed that Frank does not care about his wife and planned to divorce her so he could live with his younger mistress, Melanie.
It is a fairly quick read as it is not a lengthy book but I did not care for the writing style. I have not read many American novels from the 1970s and perhaps this is a typical example of way things were written then, however it made it difficult to remain interested.
There is also not much of a chance to relate to any of the characters therefore it was impossible to become emotionally involved with the plot – for this reason we should be thankful that it was less than 200 pages long.
Although I have not seen the film I can imagine that it would be quite interesting as the actors and scriptwriters would be able to emphasize the suspense and add in comic aspects.
Overall Leonard is usually regarded as a legendary crime writer, however this book was not for me. Nonetheless, I am sure there would be other people who would love the book.
Crime writer Elmore Leonard wrote a lot of stories during his lifetime and this book <i>The Switch</i>, originally published in 1978, has recently been brought to cinema screens as <i>Life of Crime</i> starring Jennifer Aniston. Two ex-cons, Ordell and Louis, kidnap Mickey, the wife of a millionaire, in the belief that they will collect some easy ransom money. However their plan backfires when it is revealed that Frank does not care about his wife and planned to divorce her so he could live with his younger mistress, Melanie.
It is a fairly quick read as it is not a lengthy book but I did not care for the writing style. I have not read many American novels from the 1970s and perhaps this is a typical example of way things were written then, however it made it difficult to remain interested.
There is also not much of a chance to relate to any of the characters therefore it was impossible to become emotionally involved with the plot – for this reason we should be thankful that it was less than 200 pages long.
Although I have not seen the film I can imagine that it would be quite interesting as the actors and scriptwriters would be able to emphasize the suspense and add in comic aspects.
Overall Leonard is usually regarded as a legendary crime writer, however this book was not for me. Nonetheless, I am sure there would be other people who would love the book.
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Heather Cranmer (2721 KP) rated The Treatment (The Program, #2) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
TP
The Pantomime Book
Paul Harris and Roy Hudd
Book
In this, the first everand still the onlypublished collection of pantomime sketches and gags, actor...
LeftSideCut (3776 KP) rated Morbius (2022) in Movies
Apr 2, 2022
For better or for worse, Morbius is finally out and, well, it ain't anything to write home about, but it's not quite as piss poor as I'd been hearing.
I've always liked the Morbius character, a solid C-list villain of Blade and Spider-Man, but did he ever really need his own movie? Well evidently not. It's essentially a run-of-the-mill comic book adaption that feels like it belongs in the mid 2000s with Elektra and Daredevil. It's kind of like a less fun Venom. Jared Leto isn't too shabby in the title roll when he's onscreen by himself, but there's just no chemistry between anyone otherwise, rendering a lot of the runtime quite boring. The action scenes are the kind of predictable grey CGI orgies that we've come to expect by now, and it's difficult to make out what's even happening on some occasions. The CG itself is hit and miss. Morbius actually looks pretty decent for the most part, but Matt Smith's character looks like a reject from I Am Legend. The movie suffers from a lack of an R rating, with a lot of weird looking bloodless scenes where gore was clearly meant to be present. To top things off, it boasts a mid credits scene that at best, doesn't even try to make sense, and at worst, manages to cheapen the events of Marvel movies that have come before.
Honestly though, I didn't outright hate Morbius. There are certainly worse comic book adaptions out there, but I won't be in any rush to watch again. Sony insisted on pushing ahead with it, and ultimately could have done so much more.
I've always liked the Morbius character, a solid C-list villain of Blade and Spider-Man, but did he ever really need his own movie? Well evidently not. It's essentially a run-of-the-mill comic book adaption that feels like it belongs in the mid 2000s with Elektra and Daredevil. It's kind of like a less fun Venom. Jared Leto isn't too shabby in the title roll when he's onscreen by himself, but there's just no chemistry between anyone otherwise, rendering a lot of the runtime quite boring. The action scenes are the kind of predictable grey CGI orgies that we've come to expect by now, and it's difficult to make out what's even happening on some occasions. The CG itself is hit and miss. Morbius actually looks pretty decent for the most part, but Matt Smith's character looks like a reject from I Am Legend. The movie suffers from a lack of an R rating, with a lot of weird looking bloodless scenes where gore was clearly meant to be present. To top things off, it boasts a mid credits scene that at best, doesn't even try to make sense, and at worst, manages to cheapen the events of Marvel movies that have come before.
Honestly though, I didn't outright hate Morbius. There are certainly worse comic book adaptions out there, but I won't be in any rush to watch again. Sony insisted on pushing ahead with it, and ultimately could have done so much more.
PocketBook Reader
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PocketBook reader allows you to customize your reading experience by adjusting text size, layouts,...
John Garrett (27 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 11, 2017
Tom Holland (2 more)
The villain (thank god)
The script
No real stakes (1 more)
Not enough fighting scenes
Spiderman has never been better
Contains spoilers, click to show
Tom Holland is fantastic. Never has writing a review been so releaving. After the car wrecks that were the first 2 amazing Spiderman movies we finally get a great depiction of the friendly neighbourhood Spiderman. Tom played both the quick witted Spiderman and nerdy Peter Parker fantastically and actually looks like a high school kid.
Michael Keaton plays another winged comic book character in the vulture who unlike other marvel villains added some gravitas and was not just a throw away. He played almost a sympathetic villain where you understand his motivations.
The story was solid. We actually got to see a teenage Peter Parker with teenage worries in high school rather than trying to skip over his school life quickly in other iterations of the character. His high school sidekick Ned was a great comic relief and in my opinion created most of the laughs in this film.
One major worry going in was that iron man would steel the show. Luckily Robert Downey Jr was used almost sparingly and was there in just a mentoring capacity which was good to see.
Overall this was a funny, charming story with a great portrayal of one of the world's most loved characters.
Michael Keaton plays another winged comic book character in the vulture who unlike other marvel villains added some gravitas and was not just a throw away. He played almost a sympathetic villain where you understand his motivations.
The story was solid. We actually got to see a teenage Peter Parker with teenage worries in high school rather than trying to skip over his school life quickly in other iterations of the character. His high school sidekick Ned was a great comic relief and in my opinion created most of the laughs in this film.
One major worry going in was that iron man would steel the show. Luckily Robert Downey Jr was used almost sparingly and was there in just a mentoring capacity which was good to see.
Overall this was a funny, charming story with a great portrayal of one of the world's most loved characters.
Draw with Jazza - Creating Characters: Fun and Easy Guide to Drawing Cartoons and Comics
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Imagine, Design and Draw Your Own Characters! Draw With Jazza YouTube star Josiah Brooks breaks down...