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A Hologram for the King
Book
New from Dave Eggers, National Book Award finalist A Hologram for the King. In a rising Saudi...
Mark @ Carstairs Considers (2200 KP) rated Something’s Knot Kosher in Books
Apr 29, 2021
Bank Robbery or Murder?
Martha Rose is shocked when she learns that her good friend Birdie Watson’s husband, Russell, was killed in a robbery at the bank he managed. Even more surprising are the questions the FBI and local police are asking Birdie. They are making it sound like Russell was a target. Martha and her friend Lucy are concerned that, if Russell was a target, someone might go after Birdie next, so when Birdie announces that she intends to take Russell’s body to his home in Oregon to be buried, they are happy to think she will be out of town. Being the supportive friends they are, they plan to go along. Martha can’t help but start nosing around, and what she learns about Birdie and Russell surprises her. But are the authorities right? Was Russell a target and not an innocent bystander?
Since Birdie is one of the main characters in the series, we’ve met Russell before, but he’s never spent much time on the page. Here, he’s dead on page one. Still, over the course of the book, we learn quite a bit about him, and he becomes much more fleshed out than he has been before. The main characters are also strong. Some of the supporting players are stereotypes, but some of those characters also provided some comic relief, so it’s hard to complain too much. The mystery itself is solid. The pacing lags a bit when the characters are on the road, but I still appreciated how the author was able to pull off a mystery with two different main settings without the book feeling too disjointed. There’s just enough talk of quilting to whet my appetite, and we get some tips for caring for a quilt at the end of the book. I continue to be glad I gave this series a chance, and I look forward to my next visit with the characters.
Since Birdie is one of the main characters in the series, we’ve met Russell before, but he’s never spent much time on the page. Here, he’s dead on page one. Still, over the course of the book, we learn quite a bit about him, and he becomes much more fleshed out than he has been before. The main characters are also strong. Some of the supporting players are stereotypes, but some of those characters also provided some comic relief, so it’s hard to complain too much. The mystery itself is solid. The pacing lags a bit when the characters are on the road, but I still appreciated how the author was able to pull off a mystery with two different main settings without the book feeling too disjointed. There’s just enough talk of quilting to whet my appetite, and we get some tips for caring for a quilt at the end of the book. I continue to be glad I gave this series a chance, and I look forward to my next visit with the characters.
Kirk Bage (1775 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
If I was still 10 or 11 years old, this might be my favourite film of all time (for a few months). The 10 year old trapped inside me kinda thinks it is! At first I was sceptical that it could be any good at all, seeing it getting nominated in a lot of best animation categories during award season, and then winning them all! From the poster, or even the trailer, alone, I just didn’t get it!
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Phillip McSween (751 KP) rated Fantastic Four (2005) in Movies
Mar 10, 2020
About As Memorable As My Last Poop
Based on the long-running comic book, four people are given superpowers when they come in contact with cosmic energy out in space.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.
Acting: 7
Beginning: 5
Not exactly how you start a movie. Definitely could have scored this lower, but there was at least a glimmer of hope shown in the first ten minutes that told me this movie wouldn’t be a total waste of space. Still, my hopes weren’t high.
Characters: 3
I had some issues here, but I struggled with my scoring. Reason being, I LOVE the comic book characters and appreciate their depth. Yeah, none of that is shown in this movie. The characters aren’t layered, rather they have mere personality types, none of which I was really in love with. They made Johnny Storm (Chris Evans) an over-the-top dick while Reed Richards (Ioan Gruffudd), the brains of the group, can’t understand the concept of normal social interaction to save his life. I won’t even waste time profiling the other lame-duck characters. You get the point.
Cinematography/Visuals: 2
Conflict: 2
Entertainment Value: 0
At no point during Fantastic Four did I ever say, “Ok, we might have something here.” It was bad on top of bad from beginning to end. Just an unapologetic dumpster fire. Sitting through this movie again is what I envision Hell to be like.
Memorability: 5
Pace: 4
Talk about a slow-moving film. Not only does it take forever for scenes to get to the point, but they divert off into random tangents that ultimately amount to nothing. This is a don’t-pause-when-you-go-to-the-bathroom movie. Drove me crazy.
Plot: 2
There is a scene that happens on a bridge where people need saving. Not only do all four of the superheroes magically end up on the bridge at the same time (they weren’t together previously), but Thing’s wife shows up as well just to walk away in shame because of how gross he’s become. I laughed my ass off! And that should tell you enough about what I think of the plot.
Resolution: 4
I give it a four because it ended. No, the ending wasn’t any better than the rest of the movie, but damnit, it ended and the fact that it finally came to a close put me out of my misery.
Overall: 34
There are bad movies that make me want to stop watching and reviewing movies altogether because of how horrible they are. And then there’s Fantastic Four. This movie is torture to the millionth degree.
Kirk Bage (1775 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jan 22, 2021
Where to begin with Luc Besson? The masterpiece of Leon aside, he is notorious for creating beautifully bonkers visual treats that twist and turn like a monkey on cocaine, making as much sense. This comic book adaptation starts well, with some jaw dropping CG design and a decent concept – it truly is a dreamscape of glorious colour and imagination rarely matched… but so is Tim Burton’s Charlie and the Chocolate Factory, and we all know how awful that is.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
Numbers League
Education and Games
App
Numbers League is made for ages 5 to Adult. "My kids beg to play this game." -GeekDad, Wired.com...
Rachel King (13 KP) rated Burned (House of Night, #7) in Books
Feb 11, 2019
I liked this book a bit more than the previous book in the series simply because it looks like some of the characters are maturing passed some of their more annoying tweeny quirks and developing some depth. Stevie Rae always bugged me in previous books for her cliche hick-like speech and tastes in clothes, etc., but in this book, she starts to discover that the lines between good and evil are sometimes much harder to discern as she tries to juggle her relationship with Rephaim and still be what everyone else in her life wants her to be. She does this by lying, lying, lying, which is very bad, but at least she is taking risks to truly do the right thing, even if she is going about it the very wrong way. What did bug me was that the way she was caught between Dallas and Rephaim felt like the authors were attempting to make her be some kind of Zoey copycat, and the way Stevie Rae was handling the situation so poorly pretty much made it a forgone conclusion that whomever she hurt more would be the one going evil, making her the responsible party, even though the guy making the choice should be responsible for his own decisions.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
Tubes: Behind the Scenes at the Internet
Book
Tubes: Behind the Scenes at the Internet by Andrew Blum is...'Utterly engrossing. The year's most...
Charlie Cobra Reviews (1840 KP) rated Teenage Mutant Ninja Turtles: The Last Ronin #1 - Director's Cut in Books
Sep 16, 2021
Lone Turtle On A Quest For Revenge
New York City has become a dark and depressing place as the Foot Clan has taken over quadrants of the city, with "synthetic ninja" or "synja's". It's ruled by totalitarianism and meticulous fascism at the hands of Oroku Hiroto, grandson of the Shredder. The last of the Ninja Turtles works hard to end Hiroto's evil reign. Alone and outnumbered he seeks to avenge his dead brothers, a seemingly hopeless mission and kill Hiroto, whom he blames for their murders.
So first off I think this comic is pretty bad ass. I had heard about it and decided to check it out and I totally liked the whole premise for it and how the story plays out in this first issue. The artwork was nice and there was plenty of action but what hooked me was the whole quest for revenge. I think I've said it before but if you don't know this about me, I'm a sucker for a good revenge story. I don't know what it is about being wronged or having something so bad happen to the hero/protagonist in stories but I immediately put myself in their place and think about what I would do if I was them. Plus it's always satisfying to see the bad guy get his "just desserts". I have to say that I'm a huge TMNT fan but I've actually never really read any of the comic stuff. I remember reading a crossover or team up of them with Erik Larsen's Savage Dragon but that's about the only thing I've ever seen or checked out before. So I might be a little biased but the story is also really compelling.
I like the way it starts off with the lone ninja turtle making his way into the city, sneaking into the Foot controlled zone by climbing over the wall. How they complain about the water being ruined from global warming and years of pollution as he has to swim through it. I like how people are talking to him the whole time and it's a shock to find out who they are. I really like the artwork, like the character designs and how they make it a mystery as to which Ninja Turtle is the one who survived. They even make him use various weapons instead of their signature one to keep the mystery going throughout the issue. I liked the way the city looked, it had modern looking places and but then futuristic parts with flying cars and stuff too. There's plenty of action as they take on plenty of "synja's" as well as elite ninja and some "Stockman tech", mainly some flying "mousers". Don't want to give away too much since this is my first comic book review and haven't figured out a format for it yet and if I'm going to do non-spoiler/spoiler style or not but I think this is where I'll leave it for now.
So first off I think this comic is pretty bad ass. I had heard about it and decided to check it out and I totally liked the whole premise for it and how the story plays out in this first issue. The artwork was nice and there was plenty of action but what hooked me was the whole quest for revenge. I think I've said it before but if you don't know this about me, I'm a sucker for a good revenge story. I don't know what it is about being wronged or having something so bad happen to the hero/protagonist in stories but I immediately put myself in their place and think about what I would do if I was them. Plus it's always satisfying to see the bad guy get his "just desserts". I have to say that I'm a huge TMNT fan but I've actually never really read any of the comic stuff. I remember reading a crossover or team up of them with Erik Larsen's Savage Dragon but that's about the only thing I've ever seen or checked out before. So I might be a little biased but the story is also really compelling.
I like the way it starts off with the lone ninja turtle making his way into the city, sneaking into the Foot controlled zone by climbing over the wall. How they complain about the water being ruined from global warming and years of pollution as he has to swim through it. I like how people are talking to him the whole time and it's a shock to find out who they are. I really like the artwork, like the character designs and how they make it a mystery as to which Ninja Turtle is the one who survived. They even make him use various weapons instead of their signature one to keep the mystery going throughout the issue. I liked the way the city looked, it had modern looking places and but then futuristic parts with flying cars and stuff too. There's plenty of action as they take on plenty of "synja's" as well as elite ninja and some "Stockman tech", mainly some flying "mousers". Don't want to give away too much since this is my first comic book review and haven't figured out a format for it yet and if I'm going to do non-spoiler/spoiler style or not but I think this is where I'll leave it for now.
