"I’ve got a weird story about when I first heard “Good Vibrations”. I was really scared of going to the dentist and my Mum had made me this appointment. I was literally terrified, we were sitting in the waiting room, there was a radio and “Good Vibrations” came on. Then they called my name to go into the dentist and I was still really scared, but at the same time this beautiful thing was coming out of the speakers “When I went in, they had the radio on in there as well. It was absolutely mad and my emotions were on edge, but I just couldn’t get over hearing that song. I don’t know if it was because I was in that situation and really hyped up emotionally, but every time I hear that song I remember that feeling. “It really stuck with me and obviously when I hear it now, it’s such a brilliant record, but it’s great that you can hear something that brilliant when you’re sitting in a waiting room, in a place where you’d hardly expect to have a musical revelation. “It’s funny how you used to listen to the radio more back in those days. I wouldn’t have had the ready cash to go out and buy “Good Vibrations”, so I’d just listen to the radio until it came on. People did that more, you’d have little transistor radios everywhere and you’d be waiting for your favourite music to come on, and when something came on you loved you’d turn it up"

"Another one that I was very inspired by and touched by in all its ugliness and brutality, but its daring story structure, was Gasper Noe’s Irréversible, which is an odd one, but I just found the idea of starting at the end and telling it backwards as such a conceit. And the world it took you in, and the way it took you in, I felt that was something new that I’d never seen before. It’s a journey through hell, starting at the end and working backwards to the beginning. So it’s sort of Paris’ underground, and it has a rape scene in it of Monica Belluci that’s one of the most frank, most brutal… You know, people kid about rape, you just say, “Yeah, I think you should watch this movie and see what rape really looks like. You should see how violent and terrible it is and then you’ll not make any jokes anymore.” It’s so balls-out, this film. It’s so unafraid. It’s so in-your-face. It’s one of those movies that, once you see [it], you will never forget it, and it keeps coming back to you and back to you. It’s not necessarily a pleasant thing, but it was definitely a filmmaker who said, “I don’t give a f— what anyone thinks. Anybody. Not the critics, not my friends, not the finance producers, nobody. I’m just going out to tell my story the way I want to tell it.” Vincent Cassel is so great in it, and Belluci. It’s really a very powerful movie."