Search

Search only in certain items:

The Invisible Man (2020)
The Invisible Man (2020)
2020 | Horror, Sci-Fi
Excellent tension (1 more)
Brilliant score
Suprise Thriller a Real Hit
What I love about cinema is that you can go in expecting one thing and come out experiencing another - which was exactly how I felt coming out of The Invisible Man.

The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.

When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.

It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].

At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.

The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
  
Taken 2 (2012)
Taken 2 (2012)
2012 | Mystery
7
5.9 (10 Ratings)
Movie Rating
Today, we’ve got a review of “TAKEN 2” … YES …. believe it or not, they made a sequal to “TAKEN”.
You’d think that after all the bad guys Liam Neeson’s character, former C.I.A. operative Bryan Mills,
killed in the original “TAKEN” there would be none left …. WRONG …. I guess even in action
movies, the bad guys have families, friends, and fellow criminals who would want revenge and despite the fact that they are villains and deserve whatever sort of punishment the protagonist can dish out.

It is a year after the events in “TAKEN” and retired intelligence agent Bryan Mills (Neeson), is trying to

adjust to life as a civilian security expert working in the private sector while dealing with the fact that his daughter is dating and attempting to pass her driver’s test (for the third time). After Maggie’s step-father walks out on Maggie and Lenore, Bryan invites them to spend time with him in Istanbul after completing a job there.

However, before the vacation begins the happy reunion is ruined when Murad Hoxha (Rade Serbedzia)
the father of the main antagonist in “TAKEN”, kidnaps Lenore and attempts to kidnap
Maggie as well in retaliation for the death of his son.

The film does require some at times absurd leaps of faith and knowledge to drive the story but If you are

coming for acting, a complex story, and such, your simply in the wrong place.

If a fresh batch of bad guys just itching to get their collective butts kicked by Neeson is what you want,

then it will deliver. At the end of the screening the crowd at the theater stood up and gave the film a standing ovation while coincidentally the audience screamed ‘AWESOME’!
  
40x40

ClareR (5911 KP) rated Lightseekers in Books

Feb 23, 2021  
Lightseekers
Lightseekers
Femi Kayode | 2021 | Crime, Fiction & Poetry, Mystery, Thriller
8
8.0 (1 Ratings)
Book Rating
Lightseekers is a fantastic thriller set in Nigeria. I love books set in other countries (i.e. set outside the UK), in the hope that I’ll learn something about the people and the culture - and I think that was exactly the case for both me and the main character, Philip Taiwo in this book. He has lived in the US for long enough to forget how things are done in his home country of Nigeria, and for long enough to be considered an outsider. Luckily for Philip, he has a competent helper in Chika - a man employed as his driver who is clearly much more than just that. There’s a lot of mystery surrounding Chika’s capabilities, and he certainly has a way with people that Philip needs to talk to. Sometimes that’s a good thing, sometimes not so much.
This isn’t a straightforward, easy investigation. There’s corruption at every turn, and the mob mentality and fear of being caught on the wrong side of that, radiates off the page. It was pretty difficult at times to work out who was on the side of ‘good’ and who wasn’t - the lines were so blurred. It was pretty obvious that social media in this case contributed negatively to what had happened, and how easily its users were manipulated - I’ve been seeing this a lot in books recently, and as a user of Social Media, I can see where these authors are coming from!
I really enjoyed reading this on The Pigeonhole, and I think Femi Kayode is going to be an author to look out for if this book is anything to go by. Thanks Pigeonhole for serialising this, and Femi for joining in the chat in the margins!
  
The Hacienda Classics by  Various Artists
The Hacienda Classics by Various Artists
2006 | Compilation, House
(0 Ratings)
Album Favorite

"When Oasis first started, very early on we used to cover ‘Feel The Groove’ by Cartouche. There’s a tape of that live gig knocking about somewhere. I was the dance music head in the group. I was into indie music like everyone else, New Order, The Smiths and then one night in 1987 someone took me to the Hacienda because I’d been reading about this music and I just stood there, drinking Colt 45, thinking 'Well, this is shit…' But then someone else took me the week after and said, 'Have one of these.' And put a little pill in my hand. And within an hour I thought that this music was the greatest thing that I’d ever heard in my entire fucking life. It was a life changing experience. The thing about the Hacienda was it was a superclub before superclubs existed. Acid house only lasted two years and that was it at its best. If you go to a club now you might as well be listening to the same song all night. Back then they played everything, hip hop, electro, acid house, techno and it was all mashed up. It was on your doorstep and full of people who were skint. It was only two quid to get in, they sold Rizla behind the bar so you could skin up and acid and Es were just entering the cultural stream. They were the best years of my life and probably every other day since I’ve thought, 'I wonder what those tunes were called?' Then I heard this album was coming out, I put it on at home and I was instantly transported back into that nightclub. And I thank the people who put this album out. It reminds me of great days when I was young and enjoying life to the full."

Source