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Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
MaryAnn (14 KP) rated The Pages of Her Life in Books
Nov 4, 2019
Award-winning and bestselling author James L. Rubart explores the way our memories shape us . . . and how they affect our beliefs. Allison Moore has no idea why she got out of her car on that rainy March afternoon and picked up the soaked journal laying on the side of the road. Brought it home. But she did. It was empty. Except for two lines scrawled in the front, too washed out to read. And a Jesus emblem inside the back cover. Something about the journal compels her to start writing in it, capturing thoughts about her newly acquired job that she thought would be heaven, but has turned into hell. Then one day, she finds words in the center of the journal. Words she didnt write: Mene mene tekel upharsin. After her heart stops hammering, Allison Googles the phrase, and reads the story of Belshazzars Feast, where a hand from God writes on the wall, and the king is slain. Fear grips her, certain God is coming after her for what she did twelve years back. What shes done wrong her whole life. She vows to make things right. Then she discovers more phrases appearing underneath each of her journal entries. Those phrases take her on an emotional roller coaster that forces her to look at everything she believes about her past in a new light, and opens her eyes to a supernatural realm of staggering consequence.
My Thoughts: What would you do if someone gave you a journal that changed your words after you wrote and spoke directly to you? This is what happened to our main character Allison. This was an enjoyable read, about one woman and her brother and how their memories formed who they were in their lives. The memories of their father's lack of approval affected them throughout life and in relationships.
Journaling is a wonderful way to talk to God and to see how He works in our lives. This journal that is given to Allison is extraordinaire! With the changing entries that she sees in her journal, Allison is able to see who she really is and how loved and important she is to herself and those around her.
There are lessons to be learned in this novel; we really do need to look deep inside ourselves, checking our character to see if it stands up to what God wants us to be and turn to God in difficult situations. Trust God, listen for what He has for you in life.
I loved the concept of this novel. The author has done a wonderful job of putting this story together. The characters were very true to life and easy to connect with. The storyline was flowing and a fast read. I truly enjoyed this book and I look forward to reading more from James L. Rubart.
My Thoughts: What would you do if someone gave you a journal that changed your words after you wrote and spoke directly to you? This is what happened to our main character Allison. This was an enjoyable read, about one woman and her brother and how their memories formed who they were in their lives. The memories of their father's lack of approval affected them throughout life and in relationships.
Journaling is a wonderful way to talk to God and to see how He works in our lives. This journal that is given to Allison is extraordinaire! With the changing entries that she sees in her journal, Allison is able to see who she really is and how loved and important she is to herself and those around her.
There are lessons to be learned in this novel; we really do need to look deep inside ourselves, checking our character to see if it stands up to what God wants us to be and turn to God in difficult situations. Trust God, listen for what He has for you in life.
I loved the concept of this novel. The author has done a wonderful job of putting this story together. The characters were very true to life and easy to connect with. The storyline was flowing and a fast read. I truly enjoyed this book and I look forward to reading more from James L. Rubart.
Phil Leader (619 KP) rated Emperor of Thorns in Books
Nov 12, 2019
Emperor of Thorns is the third in the Broken Empire Trilogy of books. Having read and enjoyed the first two books immensely (Prince of Thorns and King of Thorns) I was really looking forward to this installment and had high hopes. I was not disappointed.
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
Piper (13 KP) rated Doctor Sleep (2019) in Movies
Nov 27, 2019
Impressive Casting (2 more)
Excellent Ending
Beautifully Shot
Ridiculous Running Time (1 more)
Low On Scares
Doctor Sleep: The Long Haul
Contains spoilers, click to show
Watch enough horror movies, and you develop a certain tolerance: that said, I don't think you'd have to watch many to see this film and still not be scared. There are a couple of grisly moments, and Flanagan does an excellent job of building tension, but I had the feeling coming out of this film that I hadn't just seen a horror film at all. And I think that might have been the point: this was more about the story than the scares.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
Sophia (Bookwyrming Thoughts) (530 KP) rated Seizure (Virals, #2) in Books
Jan 23, 2020
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/03/review-seizure-by-kathy-reichs.html">Bookwyrming Thoughts</a>
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
Darren (1599 KP) rated The Killing Death (2008) in Movies
Aug 6, 2019
Story: The Killing Death starts when two detectives Frank (Dangerfield) who is about to retire and Jimmy (Trubiak) who is on his first case, must figure out the connection between a string of murders, with the suspect Chicago Phil (Reimer) committing a string of murders around town, each suspect is introduced to give him a fresh kill.
The closer the detectives get to solving the case, the increased number of bodies that keep turning up, can they solve the case before it is too late.
Thoughts on The Killing Death
Characters – Frank is an aging detective that has always finished his cases, he is about to retire and now he wants to finish this last case before he goes, Jimmy is the rookie working his first case, he is learning from Frank too, proving he needs to solve the case to make it. Chicago Phil is a pizza delivery guy that has a habit of killing his clients, he is trying to make a perfect pizza along the way.
Performances – This is a hard film to criticise because of the fact it is micro budget, the problem with the acting comes from the fact that nothing feels natural in how things are delivered.
Story – The story here follows two detectives trying to solve the case of a serial killer in their town. The outside of this story seems simple and one that could be enjoyed, only for it to come up very short in delivery, the killer and weapon of choice does seem to become random, even though we have a couple of scenes where it is clear choice, the detectives seem to just be making up their own story to make the case easy to close and apart from investigating the case, they never seen to search for answers. For a micro-budget story this does do what it needs to by laying out the format, only it just doesn’t come close to becoming easy to enjoy.
Comedy/Horror – The comedy in this film does come from how awkward the two detectives are when it comes to communication, it is very hard to see these jokes coming off. The horror is only around the kills, which are meant to show a serial killer at work.
Settings – The film uses the different houses that could have a pizza delivery as the main locations, which work for the film.
Special Effects – The effects for a micro budget are the strongest part of the film, they show how certain things can work in films.
Scene of the Movie – Take it easy.
That Moment That Annoyed Me – Most of the comedy.
Final Thoughts – This is a micro budget film that does try to give us something original even though it does miss for the most part on comedy, it is a film that looks like the people behind it enjoyed making.
Overall: Sometimes you just need to enjoy what you do.
The closer the detectives get to solving the case, the increased number of bodies that keep turning up, can they solve the case before it is too late.
Thoughts on The Killing Death
Characters – Frank is an aging detective that has always finished his cases, he is about to retire and now he wants to finish this last case before he goes, Jimmy is the rookie working his first case, he is learning from Frank too, proving he needs to solve the case to make it. Chicago Phil is a pizza delivery guy that has a habit of killing his clients, he is trying to make a perfect pizza along the way.
Performances – This is a hard film to criticise because of the fact it is micro budget, the problem with the acting comes from the fact that nothing feels natural in how things are delivered.
Story – The story here follows two detectives trying to solve the case of a serial killer in their town. The outside of this story seems simple and one that could be enjoyed, only for it to come up very short in delivery, the killer and weapon of choice does seem to become random, even though we have a couple of scenes where it is clear choice, the detectives seem to just be making up their own story to make the case easy to close and apart from investigating the case, they never seen to search for answers. For a micro-budget story this does do what it needs to by laying out the format, only it just doesn’t come close to becoming easy to enjoy.
Comedy/Horror – The comedy in this film does come from how awkward the two detectives are when it comes to communication, it is very hard to see these jokes coming off. The horror is only around the kills, which are meant to show a serial killer at work.
Settings – The film uses the different houses that could have a pizza delivery as the main locations, which work for the film.
Special Effects – The effects for a micro budget are the strongest part of the film, they show how certain things can work in films.
Scene of the Movie – Take it easy.
That Moment That Annoyed Me – Most of the comedy.
Final Thoughts – This is a micro budget film that does try to give us something original even though it does miss for the most part on comedy, it is a film that looks like the people behind it enjoyed making.
Overall: Sometimes you just need to enjoy what you do.
BankofMarquis (1832 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Delivers EXACTLY what is expected - and that's a good thing
If you are heading into the multi-plex to check out FAST AND FURIOUS PRESENTS: HOBBS & SHAW, the 9th(!) entry in the Fast and Furious Universe, you pretty much know (and expect) what you are about to watch.
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Debbiereadsbook (1478 KP) rated Hunter's Desire (Dark Reserves #2) in Books
Apr 27, 2020
bloody LOVED this!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Matthew Krueger (10051 KP) rated A Nightmare on Elm Street in Video Games
Feb 26, 2020 (Updated Feb 26, 2020)
Why?????
A Night on Elm Street- based on the movie franchise turned into a video game. A video game that is both awful and hard as hell. So this and the Friday The 13th video game, came out around the sane time. With Friday The 13th coming out first in 1989 in NA and A Nightmare on Elm Street in 1990 in NA.
So what do think the genre for A Nightmare on Elm Street should be then? Platformer, you say. Yes Platformer, you heard that right. A platformer, for a horror film thats now turned into a video game and whats the first thing you think when you think of A Nighmare on Elm Street? Platforming, no, well tell the people who made this video game then.
The plot: "The game manual contains the following synopsis...
You ARE Freddy Krueger. A horde of obnoxious teenagers is trying to get rid of you by finding your scattered bones and burying them. The only way to stop them is to kill them. You can travel along Elm Street through the electrical and plumbing lines or step into a mirror and step in another room.
The kids have weapons to battle you with and some of them even possess powerful "Dream Alter Egos" ...but if you can strike before they wake, they'll trouble you no more. So sharpen up your finger razors and get ready to slash, 'cause Freddy's here!"
Gameplay:
The player takes on the role of an ordinary teenager. 7 Additional teenagers can be controlled by up to three other players with the use of the NES Four Score. The objective is to scour the vicinity of Elm Street, collect the bones of the supernatural serial killer Freddy Krueger and dispose of them in the local high school's furnace.
The game takes place in the neighborhood of Elm Street and is played from a side-scrolling perspective.
Being attacked a certain number of times will cause the player to lose a life. Because the game takes place around midnight, certain areas are initially locked off from the player and require a key to be collected for later access.
When all the bones are collected, a boss battle with Freddy will commence. Defeating Freddy will both allow the player to exit the area and earn the player a key that allows access to a new area.
A game mechanic unique to the title is the "Sleep Meter". The meter indicates how close the player character is to falling asleep. If even one of the player characters falls asleep, all of the player characters will be transported to an alternate version of the environment referred to as the "Dream World", where the player is more vulnerable to attacks from Freddy. The Sleep Meter decreases automatically, but does so at a slower pace when the player character stays in motion.
I have played thia game, time and time again and overall, i would rather watch the movies than this game.
So what do think the genre for A Nightmare on Elm Street should be then? Platformer, you say. Yes Platformer, you heard that right. A platformer, for a horror film thats now turned into a video game and whats the first thing you think when you think of A Nighmare on Elm Street? Platforming, no, well tell the people who made this video game then.
The plot: "The game manual contains the following synopsis...
You ARE Freddy Krueger. A horde of obnoxious teenagers is trying to get rid of you by finding your scattered bones and burying them. The only way to stop them is to kill them. You can travel along Elm Street through the electrical and plumbing lines or step into a mirror and step in another room.
The kids have weapons to battle you with and some of them even possess powerful "Dream Alter Egos" ...but if you can strike before they wake, they'll trouble you no more. So sharpen up your finger razors and get ready to slash, 'cause Freddy's here!"
Gameplay:
The player takes on the role of an ordinary teenager. 7 Additional teenagers can be controlled by up to three other players with the use of the NES Four Score. The objective is to scour the vicinity of Elm Street, collect the bones of the supernatural serial killer Freddy Krueger and dispose of them in the local high school's furnace.
The game takes place in the neighborhood of Elm Street and is played from a side-scrolling perspective.
Being attacked a certain number of times will cause the player to lose a life. Because the game takes place around midnight, certain areas are initially locked off from the player and require a key to be collected for later access.
When all the bones are collected, a boss battle with Freddy will commence. Defeating Freddy will both allow the player to exit the area and earn the player a key that allows access to a new area.
A game mechanic unique to the title is the "Sleep Meter". The meter indicates how close the player character is to falling asleep. If even one of the player characters falls asleep, all of the player characters will be transported to an alternate version of the environment referred to as the "Dream World", where the player is more vulnerable to attacks from Freddy. The Sleep Meter decreases automatically, but does so at a slower pace when the player character stays in motion.
I have played thia game, time and time again and overall, i would rather watch the movies than this game.