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David Byrne recommended Muito (Dentro Da Estrela Azulada) by Caetano Veloso in Music (curated)

 
Muito (Dentro Da Estrela Azulada) by Caetano Veloso
Muito (Dentro Da Estrela Azulada) by Caetano Veloso
1978
(0 Ratings)
Album Favorite

"There was a record store in the Times Square subway station, and another one on 42nd Street, both of which had big “international sections,” as they called it. It included everything from the rest of the world, all on vinyl, but with no information. You’d look at the cover and go, What’s this like? It was a total crapshoot. But occasionally, I’d hear something that would blow my mind, like a Fela Kuti record; the first one I picked up was called Expensive Shit, and obviously I picked that up because of the title. The covers were the best—like Cambodian pop records with a bunch of people in traditional garb, all holding electric guitars—and you’d look at them for clues. You’d think, What in the world could that be? You’d buy it, and it would be pretty cool. In 1986, I did a fiction film called True Stories. I guess you would call it a musical comedy. We were doing the mixing in San Francisco, so I’d go down to the big Tower Records on North Beach and go to the international section. One day, I came back with a whole bunch of Brazilian records, because I had maybe heard of a couple of the artists, but didn’t really know what their records were like. One was a Caetano Veloso record called Muito, and then there was a Milton Nascimento record, and probably a Gilberto Gil record, and those blew my mind. They had elements that were psychedelic and that had a Brazilian feel. They were really beautiful, but then I dug a little bit more and found out they were also really political. These guys had been exiled, thrown in jail. I was connecting with it, and I realized that my generation didn’t know any of this music. So I asked our record label, “Can we license this music, and can I make a compilation of my favorite cuts?” That one record led to another one: There was a Brazilian series, then a Cuban series, because Cuban music had not been available in the United States for decades. And I started my own label, Luaka Bop."

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James Bagshaw recommended track Trouble by The Music Machine in Ultimate Turn On by The Music Machine in Music (curated)

 
Ultimate Turn On by The Music Machine
Ultimate Turn On by The Music Machine
2006 | Rock
(0 Ratings)
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Trouble by The Music Machine

(0 Ratings)

Track

"For me, this is the best guitar fuzz sound on record; it’s absolutely brilliant. I’ve been trying to get that sound and I’ve never got close, I’ve no idea what it is, apparently The Music Machine made their own pedals. They’re well-known to people who are into garage, psych-y stuff and I discovered them via Nuggets or Rubble compilation, or something like that. It’s strange, I love that song - I’m not hugely keen on the vocal but it doesn’t really matter to me on this song, it suits its purpose. It’s like the opposite of The Zombies’ Colin Blunstone’s voice. It’s not sweet and melodic, it’s gritty and punky and not my usual sort of thing but it screams attitude to me. It’s the sleaziest thing I’ve ever heard and it’s very, very inspiring for production. It’s the whole groove of it, the whole thing, but it all comes back to that guitar fuzz sound. With bands like The Beatles there’s so many books that go into the recording techniques, but not so with The Music Machine. Personally, I’ve learnt that the problem with fuzz tones is that, for example, people say you can get the fuzz sound from The Rolling Stones’ ‘Satisfaction’ by buying a Maestro Fuzz-Tone pedal, but I’ve seen countless demo’s of them and it sounds nothing like it, because it all depends on all the elements, like whether the guitar went straight into the board or if it was played through a broken speaker, or any number of things. There’s no way of knowing for sure. Maybe it’s because it was the ‘60s. Things weren’t documented but I still do it now, I get a sound and I won’t make notes on it because it’s like, “Why would I sit there and make notes on exactly what I did?”, so it becomes kind of lost and when people ask, “How did you get that sound?”, I don’t remember. Maybe it’s something that’s meant to happen - almost like you’re not meant to know, for ‘Trouble’ maybe it was the sound of the leather gloves they wore. The Music Machine had a very strange look, I think the singer wore a single leather glove and the rest of them wore roll necks and medallions."

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Hazel (1853 KP) rated Divergent Thinking: YA Authors on Veronica Roth's Divergent Trilogy in Books

Dec 17, 2018  
DT
Divergent Thinking: YA Authors on Veronica Roth's Divergent Trilogy
Leah Wilson | 2014
8
8.0 (1 Ratings)
Book Rating
My rating: 4.5

<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>

For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.

Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.

What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.

What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.

To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.