
Kristy H (1252 KP) rated As Chimney Sweepers Come to Dust (Flavia de Luce, #7) in Books
Feb 13, 2018
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)

Aiming High: The Life of Ski and Travel Pioneer Erna Low
Mark Frary and Roger Lloyd Pack
Book
Erna Low, born in Vienna in 1909, was instrumental in starting what has become a multimillion pound...

Herald
Book
Eighteen-year-old Larin Thompson was a product of abuse and neglect, thinking her life couldn’t...

Merissa (12911 KP) rated Wilde's Fire (Darkness Falls, #1) in Books
Dec 17, 2018
Kate is a good main female. She is strong and independent but also has her close circle of her sister and her BFF, Brad. She accepts the new world quite well but does have a minor breakdown when things start becoming clear. To be honest, I don't blame her at all. Even with Arland to soften the blow, she's dealing with a lot and she doesn't even know how Arland feels for her. Flanna joins Kate's close circle as her friend and confidante and helps ease some of the transfer over. Kate is very impressive with a sword even though she has no training but she can't shoot an arrow to save her life! It's nice to have a main female that isn't perfect at everything!
Arland is wonderful. He is doing everything he can to protect Kate from things that she is not even aware of yet. He is proud of her and is already having feelings for her. But there is a lot of pressure on him as the leader of the Watchers Hall and also with undercurrents of power.
The ending is so in tune with the rest of the book. This book does not follow the 'normal' set pattern and instead breaks a new trend within it's pages. I thought the ending finished this book and set up the next book brilliantly. It gives you an idea of what Kate is up against and why. Now I need to read the second book to see 'how'. I loved this book and will definitely be reading the next two. Highly recommended.

FDR
Book
One of today's premier biographers has written a modern, comprehensive, indeed ultimate book on the...

Gareth von Kallenbach (980 KP) rated Funny People (2009) in Movies
Aug 9, 2019
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.

Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.

To Miss with Love
Book
From the whistle-blowing teacher behind the headlines: one inspirational teacher, one extraordinary...

iZombie - Season 3
TV Season
iZombie is a one-hour drama co-created and executive produced by Rob Thomas and Diane...

Kristy H (1252 KP) rated Saving Ruby King in Books
Jun 18, 2020
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.