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Mary Wickes: I Know I've Seen That Face Before
Book
The full story of one of Hollywood's most accomplished character actresses. Moviegoers know her as...
Conversations with Amelia
10.0
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1951. More than anything eleven-year-old Hannah Heywood wants to attend a “normal” school. She...
GG
George Gershwin: An Intimate Portrait
Book
George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make...
The King's Intelligencer: The Discovery of the Missing Princes in the Tower
Book
London, 1674: When children’s bones are unexpectedly unearthed in the Tower of London, England’s...
Historical Fiction Mystery
Kristy H (1252 KP) rated As Chimney Sweepers Come to Dust (Flavia de Luce, #7) in Books
Feb 13, 2018
I can't help it. I just find Flavia de Luce absolutely delightful. I want to be her friend, her confidante, her laboratory buddy. I confess that the last Flavia novel, The Dead in their Vaulted Arches, was probably my least favorite of the series (though still a fun read), and I was a bit tentative about this one. And it's true, I missed Buckshaw a lot (though probably not as much as Flavia). This novel finds Flavia in Canada, navigating boarding school after discovery that she's to be inducted in the same secret society as her mother.
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)
Aiming High: The Life of Ski and Travel Pioneer Erna Low
Mark Frary and Roger Lloyd Pack
Book
Erna Low, born in Vienna in 1909, was instrumental in starting what has become a multimillion pound...
Merissa (13197 KP) rated Wilde's Fire (Darkness Falls, #1) in Books
Dec 17, 2018
WOW! My reading list recently has comprised of paranormal (romance or otherwise) and contemporary romance, so I decided to go back to my first love and read a fantasy book that had been on my t-b-r list for nearly a year. WHY did I wait so long to read this? This is fantasy as it's best. I was hooked in from the start and am now desperate to read the next two in this trilogy. How would you react if you meet the man you've been dreaming of for the past 6 years? Throw on top of that that you're in a whole new world with new rules and new... erm... demons!
Kate is a good main female. She is strong and independent but also has her close circle of her sister and her BFF, Brad. She accepts the new world quite well but does have a minor breakdown when things start becoming clear. To be honest, I don't blame her at all. Even with Arland to soften the blow, she's dealing with a lot and she doesn't even know how Arland feels for her. Flanna joins Kate's close circle as her friend and confidante and helps ease some of the transfer over. Kate is very impressive with a sword even though she has no training but she can't shoot an arrow to save her life! It's nice to have a main female that isn't perfect at everything!
Arland is wonderful. He is doing everything he can to protect Kate from things that she is not even aware of yet. He is proud of her and is already having feelings for her. But there is a lot of pressure on him as the leader of the Watchers Hall and also with undercurrents of power.
The ending is so in tune with the rest of the book. This book does not follow the 'normal' set pattern and instead breaks a new trend within it's pages. I thought the ending finished this book and set up the next book brilliantly. It gives you an idea of what Kate is up against and why. Now I need to read the second book to see 'how'. I loved this book and will definitely be reading the next two. Highly recommended.
Kate is a good main female. She is strong and independent but also has her close circle of her sister and her BFF, Brad. She accepts the new world quite well but does have a minor breakdown when things start becoming clear. To be honest, I don't blame her at all. Even with Arland to soften the blow, she's dealing with a lot and she doesn't even know how Arland feels for her. Flanna joins Kate's close circle as her friend and confidante and helps ease some of the transfer over. Kate is very impressive with a sword even though she has no training but she can't shoot an arrow to save her life! It's nice to have a main female that isn't perfect at everything!
Arland is wonderful. He is doing everything he can to protect Kate from things that she is not even aware of yet. He is proud of her and is already having feelings for her. But there is a lot of pressure on him as the leader of the Watchers Hall and also with undercurrents of power.
The ending is so in tune with the rest of the book. This book does not follow the 'normal' set pattern and instead breaks a new trend within it's pages. I thought the ending finished this book and set up the next book brilliantly. It gives you an idea of what Kate is up against and why. Now I need to read the second book to see 'how'. I loved this book and will definitely be reading the next two. Highly recommended.
FDR
Book
One of today's premier biographers has written a modern, comprehensive, indeed ultimate book on the...
Gareth von Kallenbach (980 KP) rated Funny People (2009) in Movies
Aug 9, 2019
We all have our favorite Adam Sandler movies. There are the fans of The Wedding Singer and 50 First Dates and there’s the loyal camp who can quote Happy Gilmore or Big Daddy verbatim. You hear the name Adam Sandler’s and you think goofy, lovable guy. Dependably funny and quotable, from the mid-90’s on, he was the go-to comedian when we looked for an easy laugh. Of late, with the growing list of popular movies under his belt, when you think goofy, lovable funny guy, another name comes up: Seth Rogan. In “Funny People” you get them both.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.