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A Star Is Born (1954)
A Star Is Born (1954)
1954 | Drama, Musical, Romance
A Long Winding Road In Need of a Detour
An aspiring actress gets a her big break when discovered by an alcoholic film star.

Acting: 10
Apparently her first film since four years prior, Judy Garland makes the stage sizzle playing the main role of Vicki Lester. I loved her passion and charisma and the way she delivers her lines with a charm that just lights up the screen. There are a number of other shining roles as well, including a fun performance from James Brown playing the role of Glenn Wiliams.

Beginning: 3

Characters: 10
Although you don’t really get to fully see her development until two thirds of the way into the movie, Vicki Lester is definitely a character an audience can get behind. I rooted for her success in hopes that she would steer clear of the trap the movie was clearly setting for her. That’s the thing about movies, sometimes the audience can see from a mile away something it takes ages for the characters themselves to see. The movie would have been unbearable without solid characters to carry it through.

Cinematography/Visuals: 8

Conflict: 8
There were a lot of pitfalls Vicki had to deal with along the way, namely her alcoholic husband who continues to bring her down. Had they delved into her backstory a lot quicker, I would’ve given this category a perfect score as her upbringing provided another potential pitfall for her future. Overall, with everything going on in the film, it’s clear the winding road is only leading to one place.

Entertainment Value: 8

Memorability: 7

Pace: 4
This version is the longest of the four coming in at almost three hours. Seeing how the other three were able to tell the same story with considerably less time, there is no reason for this version to be so long. It gets boring in a few spots and had me longing for the conclusion. While there are a number of shining moments, a slow pace kept this to a one-watch movie for me.

Plot: 10

Resolution: 10

Overall: 78
A Star is Born is just unnecessarily long. I was expecting a legit reason for the length but, after watching the other three movies, I was at a loss. To hold an audience’s attention for almost three hours means you need plenty of meat for your story. The movie is good, but merely one-watch good. Unfortunately that’s not quite good enough.
  
The Hunt for Red October (1990)
The Hunt for Red October (1990)
1990 | Action, Mystery
Boring
I spent a minute trying to figure out a logline for this movie and I couldn’t quite get a grasp on how to put it into words. Something about a submarine led by a defective Soviet commander headed for American soil and special agent Jack Ryan (Alec Baldwin) having to hunt him down. That’s the best I can do.

Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.

Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.

Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.

Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.

Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.

Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.

Memorability: 4

Pace: 2

Plot: 10

Resolution: 2

Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.
  
The Secret of Roan Inish (1995)
The Secret of Roan Inish (1995)
1995 | Action, Drama, Family
7
8.0 (2 Ratings)
Movie Rating
Not Great Overall
A young girl suspects that her long lost brother might have become a seal living by the sea. I know it sounds farfetched but The Secret of Roan Inish is actually based in Irish folktales.

Acting: 10
Loved all the performances here all around. Jeni Courtney is solid in the lead role as Fiona. She really fleshes out a character you can get behind and root for throughout the duration of the movie.

Beginning: 8
Intriguing start although it didn’t hook me in all the way. I was curious to see more after the first ten minutes, but didn’t necessarily need to. All in all, it was a good setup for the remainder of the story.

Characters: 10
All of the characters involved in the story are fun and full of energy. Fiona was strong for sure. However, I think my favorite character was Eamon played by Richard Sheridan. Fun characters definitely helped the story advance along more smoothly.

Cinematography/Visuals: 3
The cinematics definitely left a lot to be desired. Sadly it took away from the overally enjoyment of the movie. To be fair, it doesn’t seem like the budget was extremely high, but at times it honestly felt like I was watching a PBS show.

Conflict: 3

Entertainment Value: 4

Memorability: 5
Even as I rewatch the movie, I’m struggling to remember parts that really stuck out. It’s not impactful nor does it hit you with any kind of punch. It’s the kind of movie you put on to perhaps keep a fidgety kid occupied. Even then, I’m not sure if kids today would sit still and watch this for long enough.

Pace: 10
Story moves along fairly quickly. Nice blend of exposition and action. It allows you to get attached to the characters while smoothly advancing things. Definitely didn’t feel like 103 minutes.

Plot: 10

Resolution: 3
Wasn’t in love with the resolution as it left me with an actual lack of completion. I wanted more closure of sorts, but it wasn’t to be. Had the ending been slightly better, I could see moving this movie up into C-range.

Overall: 66
Even what little hope I had that The Secret of Roan Inish would be good was dashed. A number of others out there, critics and audience members alike, seem to disagree and I’m ok with that. It’s possible that I missed the mark of what this movie was intended to hit. I won’t apologize for that, I’ll just say it wasn’t my cup of tea and leave it at that.
  
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Adam Silvera recommended The Young Elites in Books (curated)

 
The Young Elites
The Young Elites
Marie Lu | 2014 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
7.7 (11 Ratings)
Book Favorite

"A Game of Thrones meets X-Men in this 14th-century fantasy from Marie Lu (the Legend trilogy), in a world where "fear is power." Sixteen-year-old Adelina Amouteru is a malfetto, one whose appearance is "marked" by the blood fever that crippled the country of Kenettra and claimed her mother's life. The blood fever took Adelina's left eye, turned her hair silver, and gave her a power that's remained dormant--until the fateful night her merchant father agrees to trade her to a suitor in exchange for cleared debts. Adelina runs away from home, and once her father catches up with her, she taps into a great hatred within and conjures forth phantoms that quickly cause his death. It was an accident, but the Inquisitors arrest Adelina and sentence her to burn at the stake--a common punishment for malfettos--for the murder of her father. Master Teren Santoro, the 19-year-old Lead Inquisitor of Kenettra, works to cleanse the world of malfettos with ""demon"" abilities. When it comes time to burn Adelina in the central market square, Enzo Valenciano, a malfetto known widely as The Reaper, melts her shackles with his burning touch and releases her. He takes her to Estenzia, the northern port capital, where Enzo introduces Adelina to the world of the Dagger Society--a group of Young Elites with dangerous powers--and their mission to find malfettos like themselves before the Inquisition can. Adelina must pass a series of tests before she can undertake bigger missions with the other six Young Elites who can control their talents, and it's here with the Dagger Society that she discovers her ability to conjure illusions is rooted in darkness. But when Teren Santoro takes her younger sister hostage in exchange for information on the identities, location and plans of the Young Elites, Adelina is compelled to betray them, even if it means leaving the undiscovered malfettos all over the world prey to the Inquisitors, and risking her own death as punishment at the hands of the Elites. In Lu's compelling new novel, the characters are morally complex (the Young Elites are not fully innocent, there are depths to Adelina's darkness and layers to the cross Teren bears)--and no one is safe in the book's final conflict. What at first appears to be romance-lite unfolds in tricky and interesting ways. The many twists, cinematic battles and the overriding epic fantasy will keep readers hooked for book two, which teases to be quite the game-changer. Bring it on."

Source
  
Trouble In Paradise (1932)
Trouble In Paradise (1932)
1932 | Comedy, Drama
10
10.0 (1 Ratings)
Movie Rating
Highly Entertaining
I love that I don’t have to score on a curve when watching the classics. Movies like Trouble In Paradise really do stand the test of time and are quality movies in comparison with even today’s standards. Sure, techniques may have been adjusted for today’s time, but the movie as is is truly a joy. in Trouble In Paradise, two crooks in love plan a heist against a perfume company executive, but the plot truly thickens when things don’t quite go as planned.

Acting: 10
When it comes to performances, each person played their part extremely well. However, I have to give the biggest nod to Herbert Marshall as Gaston. He handles the role with a suave nature that takes over every scene he appears in. He handles the emotional brunt of the movie in a way where you can truly see how torn he is.

Beginning: 10

Characters: 10
Gaston will make you laugh but he will also make you feel. He is a flawed character with many layers. I love that you really don’t know what he’s going to do next. While I thoroughly enjoyed the two female leads as well, Gaston carried the movie in my opinion.

Cinematography/Visuals: 10
The movie takes you all over Paris from grand hotels to expansive ballrooms. I enjoyed how director Ernst Lubitsch captures the sleight of hand from the thieves. There were also a few shots hit from different angles to capture point-of-view that I especially appreciated. Overall, the cinematography added to the beauty of the film.

Conflict: 10

Entertainment Value: 9
What makes this film so entertaining and separates it from other classics is that feeling of the unknown. I couldn’t guess what was going to happen if I tried and it made me appreciate the movie that much more. In addition, not only does it have its hilarious moments but some emotional ones as well. Trouble In Paradise takes you on a rollercoaster from start to finish.

Memorability: 10

Pace: 10

Plot: 10
Great story that keeps you guessing. Also, the movie proves that less is more with a plot that’s extremely easy to follow but also intuitive. In the end it’s a story that leaves much for interpretation and lets you decide how you think things unfold.

Resolution: 10

Overall: 99
From the beginning, this movie grabs your attention and holds it until the last shot. The more I thought about Trouble In Paradise, the more it captivated me. If you are looking for a quality classic, look no further.
  
It: Chapter Two (2019)
It: Chapter Two (2019)
2019 | Horror, Thriller
Contains spoilers, click to show
Saw this before starting my shift the Saturday of opening weekend. I would have rated this higher if it hadn't hurt my fanboy feelings as much as it did, but I am of two minds about this movie.

Visually, it's stunning. The differences in the color palette between the teenage and adult version of the Losers Club and the tunnels beneath the house on Neibolt street was great, just like in the first movie. Andy Muschietti did a great job capturing the frenetic dread during the final conflict with Pennywise. The acting is great. And I'm very pleased at how effective the movie is with horror in the light, instead of relying o the dark for tension.

The dialogue is fun and Bill Hader knocked it out of the park. I enjoyed the departure from the source material in regard to the specifics of the final confrontation, which changed the specifics, but managed the retain the theme and feeling of the book's conclusion.

Now the bad:

At times, It: Chapter Two felt like a high concept comedy starring Bill Hader. Now I understand and appreciate the character of Ritchie and his wisecracking timbre, but at times, it felt a bit much and took me out of the tension of the story.

I wasn't a huge fan of some of the characterisations of the adult versions of the characters. Specifically, Eddie and Mike. For Mike, one would have thought that given the he is the entire reason the the Losers reunite, he would have had some kind of plan better than "get everyone together and hope that's enough." The way he tries to convince them all to stick around and fight It seems contrived, considering that the film very much moves away from the idea of Bill being the leader of the group.

As far as Eddie, I felt like it was a missed opportunity with regard to him facing his fears. In the novel, adult Eddie is still very much ruled by his own fears. It didn't feel like a very big moment for him to overcome his fear in the movie, because there is very little prove-up for his fearfulness as an adult.

There were certain things I wasn't very much of a fan of, like the abbreviated inclusion of Henry Bowers, and the decided lack of a cosmic Turtle, but all in all, it was an enjoyable movie, with a couple of legitimately creepy scenes on it.
  
    Russian Front

    Russian Front

    Games and Entertainment

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    Russian Front is our most ambitious strategy game yet, an operational-level game with a wider scope...