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Gareth von Kallenbach (980 KP) rated Flyboys (2006) in Movies
Aug 14, 2019
Prior to the sinking of the Lusitania in 1915, the U.S. was mainly a spectator during what would eventually be called World War I.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
Gareth von Kallenbach (980 KP) rated Deuce Bigalow: European Gigolo (2005) in Movies
Aug 14, 2019
Europe. The very name brings up images of rich traditions, centuries-old stunning architecture, fine cuisine, historic artwork, and of course culture and sophistication. Europe has endured wars, plagues, and hordes of unruly soccer fans and has remained intact. Perhaps its greatest challenge is about to arrive in the form of Deuce Bigalow, pool cleaner, fish lover, and male Gigolo.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Emma @ The Movies (1786 KP) rated Booksmart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Due to terrible scheduling I managed to miss the Booksmart Unlimited Screening. (Who puts them on a bank holiday?!) Thankfully it appeared again in the listings and I pootled off out to see it!
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Phillip McSween (751 KP) rated Hannie Caulder (1971) in Movies
Oct 31, 2019
You'll Have a Blast Watching This
Set in the western frontier days, a woman seeks revenge after a gang of bandits abuse her and kill her husband.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.
Darren (1599 KP) rated Iron Man (2008) in Movies
Oct 24, 2019
Characters – Tony Stark is a billionaire playboy engineer who has been developing the latest weapons to defend the home land, he looks down on most the people he meets including the soldiers showing around the warzone. He gets captured and designs a weapon that sees him escape, he makes himself Iron Man which will keep him alive, which sees him looking at life through different eyes, where he doesn’t want to supply weapons in conflict. Rhodey is the military best friend of Tony’s he uses the weapons created to help his men, he can get tired of Tony’s partying lifestyle. Obadiah Stane ran Stark enterprise after Tony’s parents death, he has mentored Tony in business, but is left with a difficult decision after Tony’s decision to stop making weapons. Pepper Potts is Tony’s assistant, she handles the affairs while he gets on with his business.
Performances – Robert Downey Jr is fantastic in the leading role, we can believe his confidence and cocky nature that he is showing through the film. Terrence Howard is playing a more grounded character, he would go onto be replaced in this role, he just doesn’t have the complete opposite against that Robert brings. Jeff Bridges is strong as the villainous businessman who is controlled by greed. Gwyneth Paltrow does a solid job as Pepper, where she is going to become a character we get to know through the franchise.
Story – The story shows us how Tony Stark went from businessman to Iron Man after learning the cost of his weapons which are being used on both sides of the war and must stop the man running his family’s company into the ground with these action. For origin stories we get to see the change in Tony’s mentality over the course of the story which is what will make somebody a hero. We don’t get the completely over the top destruction, with most of the fight scenes blending into the story where we see Tony learning how to control his suit. We get the first steps into the Marvel Cinematic Universe which brings the franchise to life with this just needing to give the hero an early villain that will make him a new hero in the world.
Action/Sci-Fi – The action in this film comes war sequences and how Tony learns about his suits capabilities, the first mission shows what we are going to see in the future. The sci-fi elements in this film comes from how the suit is created to keep Tony alive and the new levels of technology involved.
Settings – The film takes us to a couple of locations, Miami where Tony lives shows his playboy lifestyle, the Afghan locations show how the war is being fought with the two different sides and the same weapons.
Special Effects – The effects used in this film show us the scale of what Tony will have do to survive, we have the idea of his heart that never looks out of place.
Scene of the Movie – Iron Man’s first mission.
That Moment That Annoyed Me – Rhodey isn’t the most interesting character in this film.
Final Thoughts – This is a wonderful beginning to the franchise which would go onto change how cinema is experienced, it has the origin of an unknown character to the casual fans of comic book movies, which works for laughs and action, without being a comedy.
Overall: Fun, entertaining and enjoyable.
Performances – Robert Downey Jr is fantastic in the leading role, we can believe his confidence and cocky nature that he is showing through the film. Terrence Howard is playing a more grounded character, he would go onto be replaced in this role, he just doesn’t have the complete opposite against that Robert brings. Jeff Bridges is strong as the villainous businessman who is controlled by greed. Gwyneth Paltrow does a solid job as Pepper, where she is going to become a character we get to know through the franchise.
Story – The story shows us how Tony Stark went from businessman to Iron Man after learning the cost of his weapons which are being used on both sides of the war and must stop the man running his family’s company into the ground with these action. For origin stories we get to see the change in Tony’s mentality over the course of the story which is what will make somebody a hero. We don’t get the completely over the top destruction, with most of the fight scenes blending into the story where we see Tony learning how to control his suit. We get the first steps into the Marvel Cinematic Universe which brings the franchise to life with this just needing to give the hero an early villain that will make him a new hero in the world.
Action/Sci-Fi – The action in this film comes war sequences and how Tony learns about his suits capabilities, the first mission shows what we are going to see in the future. The sci-fi elements in this film comes from how the suit is created to keep Tony alive and the new levels of technology involved.
Settings – The film takes us to a couple of locations, Miami where Tony lives shows his playboy lifestyle, the Afghan locations show how the war is being fought with the two different sides and the same weapons.
Special Effects – The effects used in this film show us the scale of what Tony will have do to survive, we have the idea of his heart that never looks out of place.
Scene of the Movie – Iron Man’s first mission.
That Moment That Annoyed Me – Rhodey isn’t the most interesting character in this film.
Final Thoughts – This is a wonderful beginning to the franchise which would go onto change how cinema is experienced, it has the origin of an unknown character to the casual fans of comic book movies, which works for laughs and action, without being a comedy.
Overall: Fun, entertaining and enjoyable.
Natari (73 KP) rated Christmas At The Palace in Books
Jul 19, 2019
This book takes a very ordinary romance between two people and places it in an extraordinary circumstance. Boy meets girl, girl and boy fall in love. Ordinary. But boy is a prince of England and girl is a doctor in love with her career and charity work. But that isn't the only conflicts in this romance. They don't fall out over "PUTTING THE DISHES IN THE VICINITY OF THE DISHWASHER IS NOT DOING THE DISHES" like ordinary couples, but there are many ups and downs in their whirlwind romance. That is what makes the story fun to read. Stories need conflict, and human relationships provide such novelties aplenty in various guises.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
Midge (525 KP) rated Shallow Water in Books
Jan 23, 2019 (Updated Jan 23, 2019)
Lots of suspense (1 more)
Great lead characters
Nail-biting Thriller!
"Shallow Water" is a nail-biting, edge-of-your-seat story that has a bit of everything. From tension, fear, and panic to drama, romance and conflict, and joy and sorrow, there really is something for everyone. It is a suspenseful, psychological thriller fiction novel set in wonderfully scenic Pt. Redwood on California’s rural Mendocino coast.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
Gareth von Kallenbach (980 KP) rated Hunter Killer (2018) in Movies
Jul 2, 2019
The Hunt for Red October. Crimson Tide. Das Boot. These are the some of the greatest submarine movies ever made. Hunter Killer is not on that list.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
Phil Leader (619 KP) rated The Court of the Air (Jackelian, #1) in Books
Nov 11, 2019
The land of Jackals is under threat. Ancient foes are threatening its people and its borders. Who can save the land?
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Phil Leader (619 KP) rated The Desert Spear in Books
Nov 12, 2019
The Desert Spear is the second book in the Demon Cycle by Peter V Brett. The first book is The Painted Man which introduces a world where demons rise at night and try to kill people, the only protection from them being to draw 'wards' which the demons are unable to cross.
I approached this second book in two minds. I liked the first book, the concept is excellent and well imagined. The main protagonist is interesting and the directions taken are unexpected. The only let down for me was that apart from the Painted Main himself, I found the other 'main' characters a little less interesting. Leesha's story was interesting and gave insights into Brett's world. However Rojer's story left me cold to be honest, he didn't seem to add very much to the book. I was a little concerned that this second book might be the same for me.
I needn't have worried. The first third of the book concerns the back story of Jardir, a desert warrior prince who appears as a second tier (though instrumental) character in the first book. In this book he is definitely a leading character. He has declared himself the Deliverer and is determined to unite all of humanity under his banner to fight the demons, as has been long foretold. He is determined and quite prepared to take cities by force if required. The back story explains what drives him and also the reasons for his actions in the first book.
Meanwhile the Painted Man is being called the Deliverer by the free peoples of the North, something he strenuously denies. But there can only be one Deliverer and as Jardir encroaches on the North their worlds will come into conflict.
This is a long book - the paperback I read ended on page 750 - and there is a lot to read. Brett is all about character development and there are a lot of characters in this book, some new some returning ones. Rojer is a much better character in this book, possibly because he is not required to carry the storyline but instead can provide a different point of view on events. Leesha is once again a main character and of course the Painted Man plays his part, fighting demons both physical and his own mental demons. There is a lot of dialogue as the story and plot are very much personality driven. There are of course scenes of demon fights large and small but they in no way make up the bulk of the book.
There is another plot strand that I won't give away here but adds more dimension to the demon threat and provides some excellent moments.
The writing is excellent and the characterisation outstanding. This is one of those books which makes you wonder why there is such snobbery in the wider fiction community for 'niche' genres such as fantasy. I would hold the writing and characters from this book against any established classic.
Despite my reluctance to pick this book up, I really enjoyed it and am very much looking forward to the third installment - The Daylight War. It promises to be an absolute corker.
If you liked the first book just for the demon fights and skimmed all the talking and character development in the middle then this is not for you. However if you found at least one character from the first book interesting and worth following, read this book.
I approached this second book in two minds. I liked the first book, the concept is excellent and well imagined. The main protagonist is interesting and the directions taken are unexpected. The only let down for me was that apart from the Painted Main himself, I found the other 'main' characters a little less interesting. Leesha's story was interesting and gave insights into Brett's world. However Rojer's story left me cold to be honest, he didn't seem to add very much to the book. I was a little concerned that this second book might be the same for me.
I needn't have worried. The first third of the book concerns the back story of Jardir, a desert warrior prince who appears as a second tier (though instrumental) character in the first book. In this book he is definitely a leading character. He has declared himself the Deliverer and is determined to unite all of humanity under his banner to fight the demons, as has been long foretold. He is determined and quite prepared to take cities by force if required. The back story explains what drives him and also the reasons for his actions in the first book.
Meanwhile the Painted Man is being called the Deliverer by the free peoples of the North, something he strenuously denies. But there can only be one Deliverer and as Jardir encroaches on the North their worlds will come into conflict.
This is a long book - the paperback I read ended on page 750 - and there is a lot to read. Brett is all about character development and there are a lot of characters in this book, some new some returning ones. Rojer is a much better character in this book, possibly because he is not required to carry the storyline but instead can provide a different point of view on events. Leesha is once again a main character and of course the Painted Man plays his part, fighting demons both physical and his own mental demons. There is a lot of dialogue as the story and plot are very much personality driven. There are of course scenes of demon fights large and small but they in no way make up the bulk of the book.
There is another plot strand that I won't give away here but adds more dimension to the demon threat and provides some excellent moments.
The writing is excellent and the characterisation outstanding. This is one of those books which makes you wonder why there is such snobbery in the wider fiction community for 'niche' genres such as fantasy. I would hold the writing and characters from this book against any established classic.
Despite my reluctance to pick this book up, I really enjoyed it and am very much looking forward to the third installment - The Daylight War. It promises to be an absolute corker.
If you liked the first book just for the demon fights and skimmed all the talking and character development in the middle then this is not for you. However if you found at least one character from the first book interesting and worth following, read this book.