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2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi

"I kind of briefly threw The Shining out there, so that gets its own due, which means I can fall back on 2001, I suppose? I think that film speaks for itself, if I could explain that film to you, then I’d be… I don’t know what I’d be, one in ten who could explain it to you, but there was a followup called 2010 with Roy Scheider, which wasn’t a great film, but if it did anything, it helped explain 2001 a little bit, but 2001… I remember my father took me to see that in the theater, and that was so awe inspiring, and just to see where the imagination and creativity could go on screen as an 11-year-old kid, or however old I was. And to have seen that film over and over and over again and ask new questions every time I do, it’s been a pretty profound staple in my house for years. Then you get into all the conspiracy stuff. You attach the lunar landing — Kubrick shot the lunar landing stuff in it, and the rear screen projection that was used in the space scenes and in the ape scenes in the beginning, and how conspiracy theorists surmise that that’s what he used to shoot the moon landing. Did you hear all that? The theory is that NASA got a hold of the footage from 2001, saw it, and got Stanley Kubrick to shoot all the moon landing stuff in his studio and broadcast it across the country. Now, they’re not saying that we didn’t go to the moon, they’re saying that what the people in America saw was shot in a studio, because at that time we didn’t want to broadcast to the world what we may or may not have found on the moon — which actually makes more sense then it just being… It’s not, “We didn’t go.” We went. But we didn’t want the Russians to see, or we didn’t want Japan to see, or China to see what we’re discovering, you know? In case there’s anything there, or anything that we could weaponize, so Kubrick shot all this stuff in a sound stage, and that was the agreement. That’s why NASA gave Kubrick a super, super special space lens that he used for Barry Lyndon, because Barry Lyndon wasn’t shot with any lights. It was all natural light… candles, or sunlight, or whatever, so he used the lens, and that’s what allowed the light to get in for the film process, but there’s so many layers to the Kubrick stuff and I just, as a conspiracy theory fan, I like to have that in the back of my brain while I’m watching those films."

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Awix (3310 KP) rated Alternative 3 in TV

May 4, 2019 (Updated May 4, 2019)  
Alternative 3
Alternative 3
1977 | Documentary, Sci-Fi
One of the great TV hoaxes, from back when such things were still considered an acceptable jape. Made, for the most part, with great care and attention to detail, the result is very convincing and unsettling viewing - although the presence of fairly well-known actors in a couple of roles does kind of blow the gaffe a bit, long before the end.

Some people will argue that claims that this is a hoax are just a smokescreen and the makers either stumbled onto the truth or were trying to blow the whistle on a real conspiracy, which is why this show vanished into obscurity for a long while after its transmission. I really don't know, but parts of the story here do seem eerily close to reality, 40 years on, and the questions Alternative 3 raises about how much to trust the media are still pertinent today.
  
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Day of the Caesars (Eagle #16)
6
6.0 (1 Ratings)
Book Rating
The latest (#16) entry in [a:Simon Scarrow|60636|Simon Scarrow|https://images.gr-assets.com/authors/1240832197p2/60636.jpg]'s 'Eagle' series of books, with this one taking place just after the death of Emperor Claudius and the ascension of his heir Nero to the Imperial throne.

Despite his best efforts, it's not long before Prefect Cato - and, by extension, Macro - is drawn into the tangled web of conspiracy around that ascension, in particular by a faction that support the claim of Nero's half-brother Britannicus to that throne.

With further reveals around Cato's deceased wife Julia - was she really unfaithful to him? - and with a little bit of further character development for Macro (who is now even beginning to think about settling down!) this I found to be less action-orientated that many of the previous entries in the series, but still an enjoyable read.