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Gareth von Kallenbach (971 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
“Inherent Vice” Follows Doc (Joaquin Phoenix), a private investigator, as he falls down a dark rabbit hole into a world of crime and systemic corruption.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Leanne Crabtree (480 KP) rated Scorched (Sapphire City, #1) in Books
Jan 6, 2021
I received this ARC via Netgalley in exchange for an honest review.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
Ross (3282 KP) rated Doors: Twilight in Books
Mar 24, 2021
Great idea, poorly executed
The idea behind the Doors books is that of three different versions of a story with a shared beginning, but the stories diverge when the characters go through one of three (actually five but two are ignored as far as I'm aware!) doors. A team of people, each hired for their own area of expertise, are tasked with rescuing a rich German man's daughter who has wandered down into the mysterious cellar of their former family home, where a series of doors are believed to lead to strange new places.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
Rachel King (13 KP) rated The Lost Angel in Books
Feb 11, 2019
This book had almost too much going on, with an extensive glossary in the beginning pages - complete with color photos - that I needed to read beforehand to keep up with the plot. Javier Sierra made a point of mixing fact with fiction in this novel, and the book reads like an extensive 'conspiracy theory.' My husband is much more familiar with many aspects of the plot, and I often asked him if what I was reading about was really true or not. The book opens with a quotation of Genesis 6: 2-3, which states "...the sons of God saw that the daughters of man were beautiful; and they took wives for themselves of all whom they chose. And the Lord said, 'My Spirit shall not strive with man forever, for he is indeed flesh; yet his days shall be one hundred and twenty years.'" This is followed by a quote from John Dee, who figures prominently in the plot, though I did not find the quote to be especially inspiring.
The main focus of the book is about a group of people who consider themselves descendants of those angels that joined with "the daughters of man," and want to find a way to get back into heaven. They will use any means necessary to accomplish this -- murder, deceit, even putting the whole planet in jeopardy.
The main character, Julia Alvarez, is a psychic who is completely duped by their antics. I understand that the author means for the reader to feel sympathy for the angelic descendants through Julia's narration, but the way that Julia allows herself to be used and deceived by even her own husband disgusts me. She believes whatever they tell her and does not question anything. In fact, anyone that does question this main family is characterized as foolish and forgettable, such as Ellen Watson and Inspector Figueiras.
There was one main problem I had with the plot, which is that in the Bible, the angels that mate with human women are 'fallen' because they disobeyed God, which is never addressed. What is also never addressed is any scriptural substantiation for what they believed about Noah and the ark. They believed they could force God to take them back into heaven with their thrown-together mish-mash of technology. How is that believable? God kicked the angels out - they certainly can't force their way back in! Not to mention, this family does not back up their belief that they are descendants of angels with actual scientific proof, such as DNA tests, even though they all claim to be men (and woman) of science.
Overall, the book twists a blasphemous tale of Biblical scripture, using factual information to support a fictitious plot. It has suspense, intrigue, and even a bit of romance, but the end is neither believable nor enjoyable. While books of this nature became popular thanks to the works of Dan Brown, (yes, I've read his stuff, too), I found this book to be merely an okay read.
The main focus of the book is about a group of people who consider themselves descendants of those angels that joined with "the daughters of man," and want to find a way to get back into heaven. They will use any means necessary to accomplish this -- murder, deceit, even putting the whole planet in jeopardy.
The main character, Julia Alvarez, is a psychic who is completely duped by their antics. I understand that the author means for the reader to feel sympathy for the angelic descendants through Julia's narration, but the way that Julia allows herself to be used and deceived by even her own husband disgusts me. She believes whatever they tell her and does not question anything. In fact, anyone that does question this main family is characterized as foolish and forgettable, such as Ellen Watson and Inspector Figueiras.
There was one main problem I had with the plot, which is that in the Bible, the angels that mate with human women are 'fallen' because they disobeyed God, which is never addressed. What is also never addressed is any scriptural substantiation for what they believed about Noah and the ark. They believed they could force God to take them back into heaven with their thrown-together mish-mash of technology. How is that believable? God kicked the angels out - they certainly can't force their way back in! Not to mention, this family does not back up their belief that they are descendants of angels with actual scientific proof, such as DNA tests, even though they all claim to be men (and woman) of science.
Overall, the book twists a blasphemous tale of Biblical scripture, using factual information to support a fictitious plot. It has suspense, intrigue, and even a bit of romance, but the end is neither believable nor enjoyable. While books of this nature became popular thanks to the works of Dan Brown, (yes, I've read his stuff, too), I found this book to be merely an okay read.
Movie Metropolis (309 KP) rated Jack Reacher: Never Go Back (2016) in Movies
Jun 11, 2019
As average as you can get
The lacklustre box-office performance of Jack Reacher in 2012 seemed to scupper plans for the film to become the first in a new Tom Cruise-led action franchise to rival the likes of Mission Impossible and its mixed critical response only added to its woes.
Fast forward four years and we’ve got the sequel that no-one was really asking for. But is Jack Reacher: Never Go Back the improvement that was so sorely needed and could it act as a catalyst to turn this popular novel series into a proper film franchise?
Investigator Jack Reacher (Tom Cruise) springs into action after the arrest of Susan Turner (Cobie Smulders), an Army major accused of treason. Suspecting foul play, Jack embarks on a mission to prove that the head of his old unit is innocent. After crossing paths with the law, Reacher must now go on the lam to uncover the truth behind a major government conspiracy that involves the death of U.S. soldiers.
Director Edward Zwick (Blood Diamond, The Last Samurai) shoots the action realistically but even a commanding turn from Tom Cruise can’t save a bland script, so-so special effects and a plot so unoriginal, it would be easy to swap out Cruise for Liam Neeson and call it Taken 4. Or Matt Damon and label it Bourne 6? You get where I’m going with this, right?
It’s all been done so many times before and there are no twists and turns or anything remotely unusual to give the film a USP. Instead, the scriptwriters, of which there are three here, force our two central characters into a game of cat and mouse so lazy, the bad guys show up literally minutes after our heroes, with no explanation whatsoever of how they came to be in the vicinity.
Surely it wouldn’t have been difficult to add some extra exposition into the script. Cyborg baddies with GPS tracking systems implanted into their brains perhaps? I’ll save that idea for another day.
Nevertheless, the action is confidently choreographed with a Halloween parade finale being utilised rather well and Cruise plays the titular role well, despite being 54 this year. However, the supporting cast are drowned out by some horrendous dialogue and a story that doesn’t really know what to do with anyone apart from Jack Reacher himself.
And that really is about it. Jack Reacher: Never Go Back is the most satisfactory film of the year by some margin. It’s not terrible by any means and it certainly isn’t fantastic, but it makes for a passable trip to the cinema, though one that you’ll probably have forgotten about by the time you get to your front door. It’s just that middle of the road.
https://moviemetropolis.net/2016/10/21/as-average-as-you-can-get-jack-reacher-never-go-back-review/
Fast forward four years and we’ve got the sequel that no-one was really asking for. But is Jack Reacher: Never Go Back the improvement that was so sorely needed and could it act as a catalyst to turn this popular novel series into a proper film franchise?
Investigator Jack Reacher (Tom Cruise) springs into action after the arrest of Susan Turner (Cobie Smulders), an Army major accused of treason. Suspecting foul play, Jack embarks on a mission to prove that the head of his old unit is innocent. After crossing paths with the law, Reacher must now go on the lam to uncover the truth behind a major government conspiracy that involves the death of U.S. soldiers.
Director Edward Zwick (Blood Diamond, The Last Samurai) shoots the action realistically but even a commanding turn from Tom Cruise can’t save a bland script, so-so special effects and a plot so unoriginal, it would be easy to swap out Cruise for Liam Neeson and call it Taken 4. Or Matt Damon and label it Bourne 6? You get where I’m going with this, right?
It’s all been done so many times before and there are no twists and turns or anything remotely unusual to give the film a USP. Instead, the scriptwriters, of which there are three here, force our two central characters into a game of cat and mouse so lazy, the bad guys show up literally minutes after our heroes, with no explanation whatsoever of how they came to be in the vicinity.
Surely it wouldn’t have been difficult to add some extra exposition into the script. Cyborg baddies with GPS tracking systems implanted into their brains perhaps? I’ll save that idea for another day.
Nevertheless, the action is confidently choreographed with a Halloween parade finale being utilised rather well and Cruise plays the titular role well, despite being 54 this year. However, the supporting cast are drowned out by some horrendous dialogue and a story that doesn’t really know what to do with anyone apart from Jack Reacher himself.
And that really is about it. Jack Reacher: Never Go Back is the most satisfactory film of the year by some margin. It’s not terrible by any means and it certainly isn’t fantastic, but it makes for a passable trip to the cinema, though one that you’ll probably have forgotten about by the time you get to your front door. It’s just that middle of the road.
https://moviemetropolis.net/2016/10/21/as-average-as-you-can-get-jack-reacher-never-go-back-review/
Cyn Armistead (14 KP) rated More Holmes for the Holidays in Books
Mar 1, 2018
[a:Martin H. Greenberg|6436872|Martin H. Greenberg|http://www.goodreads.com/assets/nophoto/nophoto-M-50x66.jpg] and company have provided a fine collection of Sherlockian holiday stories that fit in quite well with the traditional set.
"The Christmas Gift" by Anne Perry is a nice little piece about a stolen Stradivarius and a couple who want to marry against the wishes of the young lady's father. There is an excellent red herring, one of the few in this anthology.
In "The Four Wise Men" by Peter Lovesey, Watson must answer a call to duty from his former commanding officer in the Army, in order to help guard a medieval treasure in a Christmas pageant. The game is soon afoot, and Sherlock's powers of observation are as keen as ever.
Barbara Paul's "Eleemosynary, My Dear Watson" gives Holmes a jewel theft and a kidnapping to solve, which he does in his inimitable way. One clue seemed slightly too obvious to me, but it may not to other readers.
In "The Adventure of the Greatest Gift" by Loren D. Estleman, Holmes receives a wax cylinder containing a recording of a song popular in America. He takes it as a warning of a crime which could lead to war between Britain and France, and of course he leaps into action. This is Mycroft Holmes' only appearance in the volume.
There's plenty of misdirection in "The Case of the Rajah's Emerald" by Carolyn Wheat. Somehow, though, I suspected one of the great revelations in this one from the beginning, but I couldn't tell you exactly why. It didn't ruin the story for me, and there was still a surprise at the end.
On the other hand, Edward D. Hoch's "The Christmas Conspiracy" managed to take me completely unawares. I couldn't fathom why the crime would be committed or by whom, despite having a major clue dropped by one character. Very well done!
"The Music of Christmas" by L.B. Greenwood telegraphed the identity of the criminal from the start, but was well worth reading. One of the characters also tugged at the heartstrings.
Bill Crider's "The Adventure of the Christmas Bear" is largely memorable because of the appearance of Oscar Wilde as a character.
"The Adventure of the Naturalist's Stock Pin" by Jon L. Breen gives us Charles Darwin as Holmes' client. The mystery is less Sherlockian than some of the others, but I didn't mind reading it.
Daniel Stashower's "The Adventure of the Second Violet" was an interesting twist on a well-known Christmas story. I cannot say more without spoiling it, but he has a nice touch.
"The Human Mystery" by Tanith Lee is as dark as I expect from her, and was a depressing ending to the collection. It was, however, very well-written.
The anthology left me hungry for more Holmes, and wishing that I weren't between seasons of BBC's Sherlock or that I had another collection of stories on hand. That's the sign of a success, I think.
"The Christmas Gift" by Anne Perry is a nice little piece about a stolen Stradivarius and a couple who want to marry against the wishes of the young lady's father. There is an excellent red herring, one of the few in this anthology.
In "The Four Wise Men" by Peter Lovesey, Watson must answer a call to duty from his former commanding officer in the Army, in order to help guard a medieval treasure in a Christmas pageant. The game is soon afoot, and Sherlock's powers of observation are as keen as ever.
Barbara Paul's "Eleemosynary, My Dear Watson" gives Holmes a jewel theft and a kidnapping to solve, which he does in his inimitable way. One clue seemed slightly too obvious to me, but it may not to other readers.
In "The Adventure of the Greatest Gift" by Loren D. Estleman, Holmes receives a wax cylinder containing a recording of a song popular in America. He takes it as a warning of a crime which could lead to war between Britain and France, and of course he leaps into action. This is Mycroft Holmes' only appearance in the volume.
There's plenty of misdirection in "The Case of the Rajah's Emerald" by Carolyn Wheat. Somehow, though, I suspected one of the great revelations in this one from the beginning, but I couldn't tell you exactly why. It didn't ruin the story for me, and there was still a surprise at the end.
On the other hand, Edward D. Hoch's "The Christmas Conspiracy" managed to take me completely unawares. I couldn't fathom why the crime would be committed or by whom, despite having a major clue dropped by one character. Very well done!
"The Music of Christmas" by L.B. Greenwood telegraphed the identity of the criminal from the start, but was well worth reading. One of the characters also tugged at the heartstrings.
Bill Crider's "The Adventure of the Christmas Bear" is largely memorable because of the appearance of Oscar Wilde as a character.
"The Adventure of the Naturalist's Stock Pin" by Jon L. Breen gives us Charles Darwin as Holmes' client. The mystery is less Sherlockian than some of the others, but I didn't mind reading it.
Daniel Stashower's "The Adventure of the Second Violet" was an interesting twist on a well-known Christmas story. I cannot say more without spoiling it, but he has a nice touch.
"The Human Mystery" by Tanith Lee is as dark as I expect from her, and was a depressing ending to the collection. It was, however, very well-written.
The anthology left me hungry for more Holmes, and wishing that I weren't between seasons of BBC's Sherlock or that I had another collection of stories on hand. That's the sign of a success, I think.
Gareth von Kallenbach (971 KP) rated Captain America: The Winter Soldier (2014) in Movies
Jun 19, 2019
For Captain Steve Rogers (Chris Evans), the two years following his exploits in “The Avengers” has not been easy. He is still coming to grips with being a man out of time, as the world around him is a much more dangerous and complicated place than the one he grew up in.
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
Darren (1599 KP) rated 2012 (2009) in Movies
Jun 20, 2019
Based on Mayan superstition this is the end of the world, now how do man survive this?
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
Gareth von Kallenbach (971 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
Gareth von Kallenbach (971 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.