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Merissa (12128 KP) rated The Night House in Books

Nov 8, 2019

The Night House

J.C. McKenzie | 2019 | Romance, Science Fiction/Fantasy

8.0

(1 Ratings)

Book Rating

THE NIGHT HOUSE is a standalone post-apocalyptic fantasy romance that seamlessly blends medieval knights and sword-play from a different planet with current day earth.

This was a fantastic read, ticking most of my boxes. Thane and Taya have sparks flying aplenty when they are meet and these continue throughout the book. I loved not only Thane though, but his whole team. They were all strong characters with a strong sense of duty and loyalty. Once Taya was part of their team, that was it. No stupidity or senseless behaviour, just helping the newbie out where possible.

If I could give out half stars, this would be a four and a half! The reason for that half star being knocked off would be the ending. It felt very quick to me, almost as if the author was running out of available words in her word count. Big build-up followed by events happening very quickly and not taking up much page space. Still, I loved this book anyway, so perhaps that's why it seemed to end too quickly!

If you like fantasy and contemporary genres merged together, then I would definitely recommend this book!

Kudos

Awix (3310 KP) rated Waves (2019) in Movies

Jan 22, 2020

Waves (2019)

2019 | Drama

9.3

(3 Ratings)

Movie Rating

Powerful, visually dazzling contemporary drama. The lives of an African-American family in Florida begin to unravel when their son, perhaps pushed too hard by a driven father, develops a painkiller addiction and discovers his girlfriend is pregnant. Very much in the same kind of vein as Moonlight, but I found this to be much more powerful in addition to being incredibly creative visually - the screen is filled with a bravura mixture of colour and movement.

For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.