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Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
The basic plot involves 2 missing girls: the 1989 kidnap and murder of a 7 year old and the more recent disappearance of Press Director Mikami's teenage daughter. With the anniversary of the original crime coming up, Mikami is charged with organizing a PR visit by the police commissioner to the family of the murdered 7 year old and discovers a previously unseen clue in the case files along the way. The insight into the minutiae of Japanese daily life is fascinating: the sense of failure Mikami feels from having been transferred to criminal investigations to press director, cops stopping to purchase a visiting gift of rice crackers before stopping at the victim's home, Mikami's knowledge from the glimpse of a home shrine that a key witness has passed away.
While this can be a slow read, I suggest sticking with it. Take it in small doses. It's worth it.
Sassy Brit (97 KP) rated Before I Met Him in Books
Jun 5, 2019
Wow! As depressing as this sounds this is a fantastic, gory, and engrossing read. Before I Met Him blends the psychological thrills expected in a crime book with elements of pure horror. Who wouldn’t want the abused to get their own back? But is there ever a right way to do it? Is an eye for any eye justice, or plain old revenge? If you can’t hunt the one that did it to you, will any other abuser do? There are just some of the questions this book had me thinking as I dissected each twist and turn and raced towards the blood curdling end.
It’s dark, sadistic, and totally creepy. It’s another brilliant, well-written John Nicholl book!
Bloody marvellous!
Literally.
Lindsay (1717 KP) rated Counterpunch in Books
Jun 14, 2019 (Updated Jun 14, 2019)
We also learn that Mo is struggling with not only the loss of her dad but on top of that we get hear about an assault on Mo. Her mother is worried and knows something is wrong when her daughter do not come home after 3 hours of waiting.
We are some what left in the dark as to who exactly attacked Mo? How it ends you will be surpised to no end. It leaves you wondering did Mo's mother help or did she kill the wrong man? The cops seem to have hunch but is it right?
The author does have us hang on to find out what happens next. I would suggest this book for children at least be ages 15 and up. Though I am only suggesting that and it is really up to the parents of the child or children. They can decide for themselves. This book has death and crime and like I said an assault.
Erika (17788 KP) rated The Dead Don't Die (2019) in Movies
Jun 15, 2019
Bill Murray (who was previously in Zombieland), and Adam Driver are the main characters, as cops in a small town (maybe in NY?), and their chemistry is deadpan and hilarious. Driver mentions multiple times throughout the film that 'This is going to end badly', finally Murray's character asks him why he keeps saying that. Driver's character responds that he read the entire script. Murray proceeds to call Jim Jarmusch an a-hole, since he didn't get the whole script. I about died of laughter over that.
Tilda Swinton's character is completely whack-a-doo, and cuts off zombies' heads with ease with a samurai sword. Because, as everyone knows, kill the head.
The entire movie is absurdist, and the humor might not be for everyone. It's gotten really bad reviews from a lot of critics, so I may be in the minority. Chloë Sevigny's character was the only one that completely annoyed me.
It's ultimately an homage to zombie films and, of course, an allegory of modern times, with people being absorbed in their mobile phones, unaware of the real world around them.
The Crime Factory: The Shocking True Story of a Front-line CID Detective
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Welcome to the Criminal Investigation Department, aka the Crime Factory. Where the cops take and...
Kiss the Blood off My Hands: On Classic Film Noir
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Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers,...