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The Judge (2014)
The Judge (2014)
2014 | Comedy, Drama
Family dramas are nothing new for most people but for hotshot defense lawyer Hank Palmer (Robert Downey Jr.), things are about to get supremely intense following the passing of his mother. Forced to go back to the small Indiana town that he grew up in, Hank has very much become the victim of his success in Chicago. While he has material goods and a wonderful daughter, his marriage is falling apart and he returns home out of a sense of duty, eager to get away from their at his earliest opportunity. His brothers Glen and Dale (Vincent D’Ofrio and Jeremy Strong), are happy to see him but unfortunately the visit brings up old wounds between Hank and his father Judge Palmer (Robert Duvall).

The duo have a very bitter history between them and at their mothers wake things can best be described as icily civil between them. Hank looks forward to catching the early flight out in the morning eager to put the town behind him forever when early the next morning their lives take a change when the judges prize Cadillac is discovered to have damage consistent from a collision.

These feisty and defiant judge claims he hit nothing and he maintains this stance even when the police show up and he is suspected of vehicular homicide. Further compounding the case is that the victim was known to the judge and had been recently released after being sentenced for murder. The fact that the two individuals had a prior and bitter history with one another makes the judge a prime candidate for vehicular homicide.

Despite his best wishes and in defiance of his father, Hank decides to represent his father and pending trial as he clearly sees that his father’s representative (Dax Sheppard), is no match for the hotshot prosecutor (Billy Bob Thornton), that is been brought in to prosecute the judge. In what can best be described as a hate/hate relationship Hank is supremely conflicted but wants to do right by his father.

Further complicating matters is the emergence of his old high school girlfriend Samantha (Vera Farmiga), who causes Hank to revisit childhood memories both painful and pleasant. Along the way new discoveries are made that causes Hank to reevaluate his father as well as his life and family and take stock of his priorities.

The film has some funny and tender moments in between the courtroom proceedings which at times our little incredulous yet always captivating.

The cast is first-rate specifically Downey Jr. and Duvall who do Oscar quality work in their roles. While some may be quick to dismiss the film is courtroom procedural, I found “The Judge” to be a very interesting and engaging human drama about very real characters and their all too relatable clauses human beings. These are not Teflon superheroes but rather real flesh and blood people confronted with problems and emotions that people in the audience should be able to rate late to even if they had not experienced them first-hand.

The supporting cast was fantastic and the pacing of the film helped to move things along despite the nearly two-hour runtime. The film is rated R due to some very intense moments and conversations between the characters but stands out as one of the more memorable and enjoyable films of 2014 .

http://sknr.net/2014/10/10/judge/
  
Along Came a Spider (Alex Cross, #1)
Along Came a Spider (Alex Cross, #1)
James Patterson | 1993 | Fiction & Poetry, Mystery, Thriller
8
8.3 (32 Ratings)
Book Rating
Good start to Long Running Crime Series
7.5 for me, rounded up for an enjoyable audio experience.

I listened to the unabridged audio book of this narrated by Charles Turner who did a good job of reading this long crime thriller. I had a poor experience with my first Patterson but this was a good recovery for me.

This book introduces us to Alex Cross (there are A LOT of Cross books) and I think I can see why. Cross is a likeable cop and psychologist, dedicated both to his job and two children what he is raising motherless with the help of his no nonsense grandmother (Nana Moma.) He’s got a lot going on, although besides Cross and Nana the rest of the characters were fairly bland and oddly not a lot of time seemed to be spent working with his partner.

The book gets off to a nice quick paced start and really gets you motoring through it. Cross is redirected from a multiple murder investigation in a poor area of the city to assist in the case of the kidnapping of some rich kids which sets a feeling of tension. There is a theme throughout of white / black tension which despite this book been 25 years old still seems all too relevant.

I did find the book to stall somewhat in the middle; especially when it came to some dull courtroom antics. The ending picked up for me and I was left satisfied. Although there was a tad too much relationship stuff for my liking it wasn’t completely over the top.

Willing to carry on with this series and see where we go with Cross next.
  
Just Mercy (2019)
Just Mercy (2019)
2019 | Drama
Fact-based courtroom drama. Idealistic young lawyer Bryan Stevenson (Jordan), fresh out of Harvard, heads down to Alabama and sets up an agency to provide legal support to people with no other recourse. He comes across the case of convicted murderer Walter McMillian (Foxx), which strikes him as deeply compromised. But can he overcome a prejudiced system and win his client justice?

I was all set to be very glib and cynical about what looks like - from the trailer at least - another box-ticking exercise in liberal angst about the Plight of Black America, calculated to have a presence during awards season. Well, to some extent this is that kind of a movie, but it is also a genuinely involving, powerful and moving drama - it's the kind of film that gets past your defences and forces you to care, thanks to basic film-making virtues, a compelling story, and strong performances. Anyone doubting that Michael B Jordan is now a significant leading man should check out his performance here: he brings strength, dignity, and nobility, as you would expect, but there is also a willingness to show naivety and vulnerability. Obviously this is part of a tradition of films about racism in America that includes To Kill a Mockingbird and In the Heat of the Night, but by focusing mainly on the legal plotline and saving its political points until near the end, it makes them all the more impactful when they land. Jordan gets stuck with a bit too much speechifying as the film goes on, and a couple of the supporting performances are arguably overcooked, but otherwise this is an extremely accomplished film.