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Emma @ The Movies (1786 KP) rated The Girl Before in Books
Feb 21, 2021
The Girl Before has left me uncertain. I'm going to try and explain that, but having pondered it for some time I'm still not exactly sure how I feel about it.
The books is split into short chapters from one of two points of view, Emma, the previous tenant and Jane, the new tenant. This works well although took me slightly longer to get used to, not because of the characters or the story line, but because of the writing itself.
Something I noticed fairly quickly was that there are whole sections of this book where speech is basically ignored. It'll appear as you would expect it to in the writing but there are no speech marks to highlight it. At the time of reading it was horrendously annoying, having just flicked through a few pages while writing this I have noticed that all the speech marks are used in Jane's chapters and not in Emma's. I can only assume that it's meant to reflect the two different characters and their personalities, but frustrating is the only way to describe it. I constantly noticed it as I read but made no link to any reason for it until this very minute. If it is a device, I can't say it was very successful, honestly it felt more like a massive error had been made in editing.
That aside, the author has created some very engaging characters. You pick up enough about them as you progress through the book to pick up things of the upcoming story and that always entices you to read on. The book also has a lot of unsettling male characters in it. The women in comparison seem relatively normal. This could be another way to get you on board with the two leads of the book and make you protective of them. But again, that's not something I noticed until after I'd finished the book.
What is there to say about that ending? Unexpected? Overkill?
I enjoy a twist and turn as much as the next person but this book throws them at you. Kudos to the author again for crafting the story well, I did not guess all the twists that it ended up taking. Some were necessary but others seemed to just be there to have a conclusion to every piece of the story. An effort which didn't entirely feel pleasing.
It was an entertaining read, and at just over 400 pages it's easy to whizz through in a day. There's a preview at the end for Believe Me. Reading it just now I'm drawing parallels between how chapters are designed to match their character, I don't think it's for me as a style but the story itself is mildly intriguing. Hopefully it showcases some more well developed characters.
The books is split into short chapters from one of two points of view, Emma, the previous tenant and Jane, the new tenant. This works well although took me slightly longer to get used to, not because of the characters or the story line, but because of the writing itself.
Something I noticed fairly quickly was that there are whole sections of this book where speech is basically ignored. It'll appear as you would expect it to in the writing but there are no speech marks to highlight it. At the time of reading it was horrendously annoying, having just flicked through a few pages while writing this I have noticed that all the speech marks are used in Jane's chapters and not in Emma's. I can only assume that it's meant to reflect the two different characters and their personalities, but frustrating is the only way to describe it. I constantly noticed it as I read but made no link to any reason for it until this very minute. If it is a device, I can't say it was very successful, honestly it felt more like a massive error had been made in editing.
That aside, the author has created some very engaging characters. You pick up enough about them as you progress through the book to pick up things of the upcoming story and that always entices you to read on. The book also has a lot of unsettling male characters in it. The women in comparison seem relatively normal. This could be another way to get you on board with the two leads of the book and make you protective of them. But again, that's not something I noticed until after I'd finished the book.
What is there to say about that ending? Unexpected? Overkill?
I enjoy a twist and turn as much as the next person but this book throws them at you. Kudos to the author again for crafting the story well, I did not guess all the twists that it ended up taking. Some were necessary but others seemed to just be there to have a conclusion to every piece of the story. An effort which didn't entirely feel pleasing.
It was an entertaining read, and at just over 400 pages it's easy to whizz through in a day. There's a preview at the end for Believe Me. Reading it just now I'm drawing parallels between how chapters are designed to match their character, I don't think it's for me as a style but the story itself is mildly intriguing. Hopefully it showcases some more well developed characters.
Gareth von Kallenbach (971 KP) rated Wind River (2017) in Movies
Jul 11, 2019
Between Sicario and Hell or High Water (both of which landed on my year-end best lists for 2015 and 2016 respectively), Taylor Sheridan has already proven to be an incredible talent at crafting slow-burning thrillers that also serve as in-depth character studies. His new film, third as a screenwriter and second as a director, may move at quite a faster pace than his previous two screenplays, but it is no less accomplished, either in plot or in character development. Though some may leave the theater feeling that they haven’t seen anything new, and they’d be right to as there isn’t anything particularly flashy or unique in the direction or cinematography, Wind River however finds its strength in its simplicity. It’s a simple story concerning the death of a young girl on a Wyoming reservation, of the tracker (Jeremy Renner) for whom the circumstance strikes too close to home, and of the presumably untested FBI agent (Elizabeth Olsen) forced to face the darker side of her chosen profession.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
Kristy H (1252 KP) rated Remain Silent in Books
Jun 11, 2020
In the third book in Steiner's Manon Bradshaw series, we find Manon at work part-time in cold cases, leaving her "time" to raise her toddler, Teddy, and teenage son, Fly. She's adjusting to domestic living with Mark and all the bliss that comes with it: who will take out the garbage, pick up the kids, cook dinner, and more. Then Teddy and Manon take a walk to the park and discover a body: a Lithuanian immigrant named Lukas hanging from a tree, a note attached to his body. Manon's annoying and perhaps clueless boss assigns her to lead the case--with her faithful partner Davy Walker--and Manon is back, attempting to juggle work, motherhood, and what could be a very dangerous murder case.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Kyera (8 KP) rated You're Never Weird on the Internet (Almost) in Books
Feb 1, 2018
Maybe you picked this up because you watched Buffy that one time and wanted to know what that red-headed chick who wasn't Willow was all about
or more likely, you are a fan of one of her many endeavors (and why shouldnt you be?). She is a super-hardworking person who seems to be doing what she loves, and in my humble opinion, completely killing it. She shares her awkwardness and how even she fangirls when meeting famous people she loves.
How can I describe this book? Imagine talking to your best friend about everything in your life: your childhood, your hopes and fears, and most importantly all things geeky (comics, video games, and the internet). That is how I felt when I was reading this book. Yes, I was a fan of Felicias already but reading this book felt more like talking to your best friend than some impersonal narrative that you just picked up off the shelf at random. Felicia is witty, funny, and down to earth. (A bit neurotic, her words, but we still love her for it.) Her candor is endearing and makes the book incredibly relatable. Her love of video games, comics, crafting and just the simple art of creating definitely speaks to her readers (I know I definitely relate). Plus, the pictures peppered throughout are just adorable.
She took her life into her own hands and with an incredible amount of hard work, created Geek & Sundry. She filled the book with her life and quite a few really good pieces of advice (as well as motivational phrases). As I sit here in my exploding TARDIS skirt (thank you mom for helping me make it), embracing my quirkiness and inner geek, I hope Felicia would be proud. I hope that people are inspired by her book, like I am inspired and take a chance. Do what they love.
Check out all of her projects with Geek & Sundry, as well as past projects like my love Dr. Horribles Sing-Along Blog, the show that started it all the Guild and her appearances on Supernatural! And if anyone could get me a signed copy of her book, I would love you forever. I take my book collection very seriously and would love to have this sitting on my shelf (rather than residing digitally in the nethersphere of my kindle.) Random fun fact, one of my exes and I used to sing My Eyes. I, of course, sang Pennys part (and when I was alone I would also be Dr. Horrible, duh). It was my favourite song from the show and Im still obsessed with it. I also found it on Sing (karaoke app, I spend too much time on there) just so that I could record it as a duet (and then sing both parts because why not?). Enough about me, go buy her wonderful book immediately and read it.
How can I describe this book? Imagine talking to your best friend about everything in your life: your childhood, your hopes and fears, and most importantly all things geeky (comics, video games, and the internet). That is how I felt when I was reading this book. Yes, I was a fan of Felicias already but reading this book felt more like talking to your best friend than some impersonal narrative that you just picked up off the shelf at random. Felicia is witty, funny, and down to earth. (A bit neurotic, her words, but we still love her for it.) Her candor is endearing and makes the book incredibly relatable. Her love of video games, comics, crafting and just the simple art of creating definitely speaks to her readers (I know I definitely relate). Plus, the pictures peppered throughout are just adorable.
She took her life into her own hands and with an incredible amount of hard work, created Geek & Sundry. She filled the book with her life and quite a few really good pieces of advice (as well as motivational phrases). As I sit here in my exploding TARDIS skirt (thank you mom for helping me make it), embracing my quirkiness and inner geek, I hope Felicia would be proud. I hope that people are inspired by her book, like I am inspired and take a chance. Do what they love.
Check out all of her projects with Geek & Sundry, as well as past projects like my love Dr. Horribles Sing-Along Blog, the show that started it all the Guild and her appearances on Supernatural! And if anyone could get me a signed copy of her book, I would love you forever. I take my book collection very seriously and would love to have this sitting on my shelf (rather than residing digitally in the nethersphere of my kindle.) Random fun fact, one of my exes and I used to sing My Eyes. I, of course, sang Pennys part (and when I was alone I would also be Dr. Horrible, duh). It was my favourite song from the show and Im still obsessed with it. I also found it on Sing (karaoke app, I spend too much time on there) just so that I could record it as a duet (and then sing both parts because why not?). Enough about me, go buy her wonderful book immediately and read it.
Gareth von Kallenbach (971 KP) rated The Last of Us Remastered in Video Games
Jun 19, 2019
There are those who think that remakes of films and games are a bad idea
as they believe that they show a lack of creativity and originality.
However when a game is remastered it can be another story entirely.
Many classics from the past have had a graphical update especially PS 1-2
classics that were brought up to modern standards for the PS 3.
However when a game is remastered less than a year after the original game
was released, many are sure to have questions.
With The Last of Us Remastered, Naughty Dog has given Playstation 4 fans
what they have wanted, a top-flight game with a winning online component
and the amazing DLC that extended the story behind the award winning
original game for the PS 3.
The original game was a defining statement for the PS 3 but the game
pushed the system to the limits and with the PS 4 following soon after and
not being backwards compatible, a PS 4 version of the game was the best
option.
The game shines as the graphics have been taken to an even higher level
and the faster frame rates and smooth play let you really enjoy the
immersive world of the game as well as taking the horror to the next
level.
Playing as survivors from a Zombie like outbreak, players embark on an
escort mission to take a young girl to safety who may just hold the fate
of humanity in her blood.
The horror, violence, weapon crafting, and great narrative are all here,
and better than ever.
As a fan of the game, I had wondered if remastered graphics would be
enough to get players to want to play through a game again or if it was
mainly for those who had yet to purchase the game.
I have enjoyed the multiplay although I did have some long waits in my
connection, which thankfully have been addressed in the latest patch.
My wife had a interest in the PS 3 version of the game although horror
games are not her thing. When I started up the PS 4 version of the game
she was riveted to the tense opening scenes and narratives.
In the end there will be those who say that they do not want to play for a
game they have only recently purchased but Naughty Dog reduced the price $10.00 and added on the bonus content to make the investment a much better deal.
When you look at all the DLC content, episodes, as well as the ability to
screen cap and stream your action on the PS 4, to say nothing of the jaw
dropping visuals, The Last of Us Remastered is a must own for PS 4 fans as
they have made a near perfect game even better.
http://sknr.net/2014/08/12/the-last-of-us-remastered/
as they believe that they show a lack of creativity and originality.
However when a game is remastered it can be another story entirely.
Many classics from the past have had a graphical update especially PS 1-2
classics that were brought up to modern standards for the PS 3.
However when a game is remastered less than a year after the original game
was released, many are sure to have questions.
With The Last of Us Remastered, Naughty Dog has given Playstation 4 fans
what they have wanted, a top-flight game with a winning online component
and the amazing DLC that extended the story behind the award winning
original game for the PS 3.
The original game was a defining statement for the PS 3 but the game
pushed the system to the limits and with the PS 4 following soon after and
not being backwards compatible, a PS 4 version of the game was the best
option.
The game shines as the graphics have been taken to an even higher level
and the faster frame rates and smooth play let you really enjoy the
immersive world of the game as well as taking the horror to the next
level.
Playing as survivors from a Zombie like outbreak, players embark on an
escort mission to take a young girl to safety who may just hold the fate
of humanity in her blood.
The horror, violence, weapon crafting, and great narrative are all here,
and better than ever.
As a fan of the game, I had wondered if remastered graphics would be
enough to get players to want to play through a game again or if it was
mainly for those who had yet to purchase the game.
I have enjoyed the multiplay although I did have some long waits in my
connection, which thankfully have been addressed in the latest patch.
My wife had a interest in the PS 3 version of the game although horror
games are not her thing. When I started up the PS 4 version of the game
she was riveted to the tense opening scenes and narratives.
In the end there will be those who say that they do not want to play for a
game they have only recently purchased but Naughty Dog reduced the price $10.00 and added on the bonus content to make the investment a much better deal.
When you look at all the DLC content, episodes, as well as the ability to
screen cap and stream your action on the PS 4, to say nothing of the jaw
dropping visuals, The Last of Us Remastered is a must own for PS 4 fans as
they have made a near perfect game even better.
http://sknr.net/2014/08/12/the-last-of-us-remastered/
LeftSideCut (3778 KP) rated Day Shift (2022) in Movies
Oct 12, 2022
Vampires vs. The Bronx, Night Teeth, and now Day Shift. Someone over at Netflix really likes investing in vampire horror-comedies of varying quality. Day Shift, for the most part, is a competent and entertaining action flick, thanks in no small part to the cast. Jamie Foxx has shown time and again that he's more than capable of taking on lead duties, whether he's winning Oscars for music biopics, or kicking vampire ass up and down California. His chemistry with Dave Franco lays the foundation for much of the films humour, and introduces a kind of buddy cop dynamic into the mix. The cast is further bolstered with some smaller roles from industry veteran Peter Stormare, and living legend Snoop Dogg (patiently waiting for a Big John spin-off project).
The action scenes are a whole lot of fun. The vampires contort and twist in horrible ways, and are dispatched in equally horrible ways. There's plenty of blood and viscera, limbs flying about the place, decapitations. It's all well choreographed, fast paced, and hugely entertaining.
There's a lot going for Day Shift, but it does faulter at times. After an exciting opening scene, there's quite a lengthy dip in pacing. This leads to a lot of exposition dumps and world building. Crafting lore for a new IP is something that can be tricky to navigate, and Day Shift misses the mark in this instance. It's all well and good providing the audience with background information that would be everyday knowledge for these characters, but it's executed in a way that feels wayward and messy, and almost 100% through dialogue. And example of a film that does this kind of thing well would be Zombieland. Withing minutes, we know plenty of in-universe rules for surviving the zombie apocalypse, and it's done in a fun, breezy, and brisk manner. In contrast, Day Shift puts a pin in any sort of excitement to throw all sorts of exposition at us in a way that feels like it's relying on potential sequels for any kind of pay off. It's just a little deflating, and not even Foxx's charisma can keep it from becoming boring.
To add to the negative side of things, the villain of the piece is aggressively forgettable. There's a semi-clever reference to how estate realtors are evil, but other than that, she's just an uninspired bad guy that causes the protagonists mild peril. The narrative also suffers from the age old issue of characters doing stupid things to drive the plot forward. Some of the events that unfold don't make a huge amount of sense with what we've been told previously.
Despite these misgivings and a messy middle, Day Shift ends on a high note, with an entertaining final third, and ultimately manages to be a perfectly passable popcorn movie. What it lacks in substance, it's makes up for in style, and will surely leave most with a smile on their faces by the time the credits roll.
The action scenes are a whole lot of fun. The vampires contort and twist in horrible ways, and are dispatched in equally horrible ways. There's plenty of blood and viscera, limbs flying about the place, decapitations. It's all well choreographed, fast paced, and hugely entertaining.
There's a lot going for Day Shift, but it does faulter at times. After an exciting opening scene, there's quite a lengthy dip in pacing. This leads to a lot of exposition dumps and world building. Crafting lore for a new IP is something that can be tricky to navigate, and Day Shift misses the mark in this instance. It's all well and good providing the audience with background information that would be everyday knowledge for these characters, but it's executed in a way that feels wayward and messy, and almost 100% through dialogue. And example of a film that does this kind of thing well would be Zombieland. Withing minutes, we know plenty of in-universe rules for surviving the zombie apocalypse, and it's done in a fun, breezy, and brisk manner. In contrast, Day Shift puts a pin in any sort of excitement to throw all sorts of exposition at us in a way that feels like it's relying on potential sequels for any kind of pay off. It's just a little deflating, and not even Foxx's charisma can keep it from becoming boring.
To add to the negative side of things, the villain of the piece is aggressively forgettable. There's a semi-clever reference to how estate realtors are evil, but other than that, she's just an uninspired bad guy that causes the protagonists mild peril. The narrative also suffers from the age old issue of characters doing stupid things to drive the plot forward. Some of the events that unfold don't make a huge amount of sense with what we've been told previously.
Despite these misgivings and a messy middle, Day Shift ends on a high note, with an entertaining final third, and ultimately manages to be a perfectly passable popcorn movie. What it lacks in substance, it's makes up for in style, and will surely leave most with a smile on their faces by the time the credits roll.
Movie Metropolis (309 KP) rated Mr. Holmes (2015) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Sir Ian McKellen is magnificent
Sherlock Holmes is hot property at the moment. Robert Downey Jr has played the titular detective in two box-office behemoths and Benedict Cumberbatch is supremely popular across the globe for his take on the character.
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Gareth von Kallenbach (971 KP) rated Kwaan in Video Games
Jun 19, 2019
This game reminds me an awful lot of proteus. Very little is told to you. Wandering around a pixelated island trying to sort things out. The point and click mechanics might make you nostalgic. A peppy atmosphere and creative out lets might have you coming back to see what the community has done to the trees and chalk boards.
The game is in early access and it does show. Platforming is going to take a long while to get used to. You get around by shooting a string and pulling yourself up to a point where he can swing to get to the platform sometimes this can be very frustrating. This could be fixed by letting you slide down on the string but that has yet to be seen.
Appearance I genuinely liked the sprite animation, seems like something you might see in say a late Nintendo to early super Nintendo. Intricate works of player art can be found here and there. The over world if bright and colorful during the day.
Quest systems and leveling are something I didn’t quite get here. The story is told in the back ground and you have to go hunting for it. I got caught up in the bright atmosphere and exploring that I really did not get around to that part of the game. There is quite a bit to explore if you have the time and patience.
Ambient music is here and it does suite the mood. I do feel like it’s on an endless loop. Not to mention in the version I’m playing on there is no option menu at all. So either mute all sounds or mute it in the volume mixer. Small problem I know but several small issues can culminate into a bit one.
Velocity is another challenge, you can find yourself making a gap sometimes. Other times you will not be so lucky. Getting your string to attach to a flock of seagulls or a school of fish can feel almost impossible. Spikes and death traps are abound. When you overcome these obstacles for say a treasure chest it can be a bit underwhelming.
The mystery to it all feels very cryptic. I for the life of me could not find anything out. Admittedly I’m terrible at these kind of puzzles. Some clues would be much appreciated. End of the world is coming is about the only thing I could figure out.
The intention of the game feels good. I can see a lot of love and time went into crafting this world. Even with all its color, ambiance and charm I can see the flaws. Early accesses is a phrase I think is more than apt here. However this could be something very special with just a few tweaks.
In the end I could only recommend this game to those willing to support a modern point and click platformer. If you grew up with platformers like Mario and castlevania this might just be a bit to different. Unless you’re willing to look past the controls and or love retro sprites.
http://sknr.net/2015/04/10/kwaan-a-point-and-click-adventure/
The game is in early access and it does show. Platforming is going to take a long while to get used to. You get around by shooting a string and pulling yourself up to a point where he can swing to get to the platform sometimes this can be very frustrating. This could be fixed by letting you slide down on the string but that has yet to be seen.
Appearance I genuinely liked the sprite animation, seems like something you might see in say a late Nintendo to early super Nintendo. Intricate works of player art can be found here and there. The over world if bright and colorful during the day.
Quest systems and leveling are something I didn’t quite get here. The story is told in the back ground and you have to go hunting for it. I got caught up in the bright atmosphere and exploring that I really did not get around to that part of the game. There is quite a bit to explore if you have the time and patience.
Ambient music is here and it does suite the mood. I do feel like it’s on an endless loop. Not to mention in the version I’m playing on there is no option menu at all. So either mute all sounds or mute it in the volume mixer. Small problem I know but several small issues can culminate into a bit one.
Velocity is another challenge, you can find yourself making a gap sometimes. Other times you will not be so lucky. Getting your string to attach to a flock of seagulls or a school of fish can feel almost impossible. Spikes and death traps are abound. When you overcome these obstacles for say a treasure chest it can be a bit underwhelming.
The mystery to it all feels very cryptic. I for the life of me could not find anything out. Admittedly I’m terrible at these kind of puzzles. Some clues would be much appreciated. End of the world is coming is about the only thing I could figure out.
The intention of the game feels good. I can see a lot of love and time went into crafting this world. Even with all its color, ambiance and charm I can see the flaws. Early accesses is a phrase I think is more than apt here. However this could be something very special with just a few tweaks.
In the end I could only recommend this game to those willing to support a modern point and click platformer. If you grew up with platformers like Mario and castlevania this might just be a bit to different. Unless you’re willing to look past the controls and or love retro sprites.
http://sknr.net/2015/04/10/kwaan-a-point-and-click-adventure/
Gareth von Kallenbach (971 KP) rated Meet the Robinsons (2007) in Movies
Aug 14, 2019
The magicians at Disney have done it again in crafting one of the most enjoyable family films in recent memory. In Meet the Robinsons, audiences are introduced to Lewis, a young orphan who spends his time between adoption interviews tinkering away with all manner of strange inventions.
Lewis is approaching his 13th Birthday, and has given up hope of being adopted, after 150+ adoption interviews have failed to find him a family. In a desire to learn why his mother put him up for adoption, Lewis crafts a new invention that he hopes will not only answer this question, but also win him a prize at the school science fair.
As Lewis is preparing his memory scanner for the show, he is approached by a boy named Wilbur Robinson who tells him to watch out for a man in a bowler hat, as he has designs on the memory scanner.
Lewis and Wilbur are unaware that the Man in the Bowler Hat has indeed already arrived, and has sabotaged the memory scanner causing Lewis to be humiliated when his experiment goes horribly wrong.
Unknown to Lewis, a dastardly plan is underway and while Lewis attempts to make sense of his misfortune and lack of a family, Wilbur whisks Lewis into the future via a time machine in an effort to thwart the Bowler Hat Guy from changing the future for the worse.
During the arrival in the future, the time machine is damaged, and since it is one of only two known to exist, Lewis is forced to make repairs to the ship in order to return to his own time.
It is learned that Wilbur’s father has invented the time machines, and when the Man in the Bowler Hat stole one of the machines, Wilbur took the other one in an attempt to set things right, and is not able to ask for help from his father, less he suffer punishment.
With the very future he knows in danger, Wilbur agrees to help Lewis see his real mother if he is able to fix the time machine, but they both have to deal with The Man in the Bowler Hat and Wilbur’s quirky family if they are to save the day.
The film is a real joy, and the amazing animation was made even better by seeing the film in Direct 3D. I highly suggest seeing the film in this format if there is a theater near you showing the film in 3D.
Many family films strive to offer something that viewers of all ages can enjoy, but few have done as well as “Robinsons“ as the laughs were easily enjoyed by all ages, without being cutesy or forced.
My wife and I really enjoyed the T-Rex character, and hope that should there be future installments of this series, that he gets a larger part in the future.
The film was well paced and never seemed to drag or have a lull in rich visuals to feast your eyes upon while you enjoy a well rounded story and interesting characters.
My advice, put the Robinsons in your future.
Lewis is approaching his 13th Birthday, and has given up hope of being adopted, after 150+ adoption interviews have failed to find him a family. In a desire to learn why his mother put him up for adoption, Lewis crafts a new invention that he hopes will not only answer this question, but also win him a prize at the school science fair.
As Lewis is preparing his memory scanner for the show, he is approached by a boy named Wilbur Robinson who tells him to watch out for a man in a bowler hat, as he has designs on the memory scanner.
Lewis and Wilbur are unaware that the Man in the Bowler Hat has indeed already arrived, and has sabotaged the memory scanner causing Lewis to be humiliated when his experiment goes horribly wrong.
Unknown to Lewis, a dastardly plan is underway and while Lewis attempts to make sense of his misfortune and lack of a family, Wilbur whisks Lewis into the future via a time machine in an effort to thwart the Bowler Hat Guy from changing the future for the worse.
During the arrival in the future, the time machine is damaged, and since it is one of only two known to exist, Lewis is forced to make repairs to the ship in order to return to his own time.
It is learned that Wilbur’s father has invented the time machines, and when the Man in the Bowler Hat stole one of the machines, Wilbur took the other one in an attempt to set things right, and is not able to ask for help from his father, less he suffer punishment.
With the very future he knows in danger, Wilbur agrees to help Lewis see his real mother if he is able to fix the time machine, but they both have to deal with The Man in the Bowler Hat and Wilbur’s quirky family if they are to save the day.
The film is a real joy, and the amazing animation was made even better by seeing the film in Direct 3D. I highly suggest seeing the film in this format if there is a theater near you showing the film in 3D.
Many family films strive to offer something that viewers of all ages can enjoy, but few have done as well as “Robinsons“ as the laughs were easily enjoyed by all ages, without being cutesy or forced.
My wife and I really enjoyed the T-Rex character, and hope that should there be future installments of this series, that he gets a larger part in the future.
The film was well paced and never seemed to drag or have a lull in rich visuals to feast your eyes upon while you enjoy a well rounded story and interesting characters.
My advice, put the Robinsons in your future.