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Hari Nef recommended The Bitter Tears of Petra von Kant (1972) in Movies (curated)

J Cole recommended Tha Carter by Lil Wayne in Music (curated)

LoganCrews (2861 KP) rated Tetro (2009) in Movies
Sep 21, 2020
Representative of late-period Coppola in just about every way: ostentatious visual display (this >> 𝘙𝘰𝘮𝘢 >> 𝘕𝘦𝘣𝘳𝘢𝘴𝘬𝘢 >> 𝘛𝘩𝘦 𝘈𝘳𝘵𝘪𝘴𝘵), uneven and often nonsensically crammed narrative (even if it does [beneficially, this time] lack the ambitious delirium of 𝘠𝘰𝘶𝘵𝘩 𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘠𝘰𝘶𝘵𝘩), underwhelming coda, and an emphasis on weird + sprawling conversations over all else. The final act crumbles mostly, but otherwise found this to be quite enchanting. There's something about watching Vincent Gallo act that's just so magnetizing, I couldn't look away - the dude is crazy good in this (even if you still can't convince me him and Edward Norton are different people). Took me a bit to really get a feel for the fierce lancing of overly-pretentious, dickheaded artists rather than the worship of them as I initially gauged - as well as this just being a rock-solid story of art and family dynamics (helluva twist too [if underplayed], and the segments where trauma is expressed through stage productions are 👌👌). Wish it rebounded in the end but nonetheless it's compelling in spite of its flaws.

Bostonian916 (449 KP) rated Good Time (2017) in Movies
Sep 17, 2020
I have an unfair tendency to sometimes judge actors based on what they are known for early in their careers. I fully understand that this is a corrupt practice. But it is often an accurate representation. Sometimes, though, it is a grossly inaccurate representation. That is indeed the case with Robert Pattinson. I grossly misjudged him based on his early work and the fact that he worked on what I considered hollow projects. I was wrong. And I'm so thankful that I was. Now we are all blessed with the performances that Pattinson is capable of and we are all better for it.
Good Times is a CRAZY story by the Safdies (you may recognize the name from Adam Sandler sleeper Uncut Gems). Criminal underrating of the script writing and storytelling somehow prevented this movie from becoming the smash that it deserved to become. A24 has and continues to churn out quality, lower budget movies that are SOOOOO much better than they have any right to be and Good Times is another wonderful example of this.
Good Times is a CRAZY story by the Safdies (you may recognize the name from Adam Sandler sleeper Uncut Gems). Criminal underrating of the script writing and storytelling somehow prevented this movie from becoming the smash that it deserved to become. A24 has and continues to churn out quality, lower budget movies that are SOOOOO much better than they have any right to be and Good Times is another wonderful example of this.

LoganCrews (2861 KP) rated The Golden Compass (2007) in Movies
Sep 20, 2020
Just nukes the ever-loving fuck out of the book. To turn a pretty bloody and challenging series into this hyperincompetent snooze of shit storytelling, genre rehashing, and violently diluted themes (or what's left of them, if anything) should have been criminalized on arrival. Find me anyone who can tell me what the plot of this is or why anything in it happens, this is 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 of crummy children's fantasy flicks (which were the 2000s answer to the dull, samey YA craze of the 2010s). Oh and those Academy Award winning effects? They're fucking ghoulish. The production is nice but how anyone could think this mess of badly-aged animation and awful greenscreen work looks good is far beyond me. The armored polar bears were pretty dope though, and this wakes up a bit in the weird 15 minutes where a group of crazy institution fanatics start experimenting on children out in like the middle of the arctic for no real reason lmao. But otherwise absolutely not, no thank you.

Kristina (502 KP) rated The Wife Between Us in Books
Dec 7, 2020
Let me start by saying this: That was unexpected. I usually write notes when I read, jot down theories and emotions, express suspicions or ask questions. While reading this book, that same sentence, "that was unexpected", was repeated over and over. So many people have raved over The Wife Between Us, I was curious. Not to say I'm highly disappointed, but I suppose I feel as if the book didn't live up to the hype. Granted, there were several twists and turns - some I was able to guess correctly and others I could never have predicted - but, overall, it was pretty good. The most intriguing part, for me, was trying to figure out if Vanessa was actually crazy, like her mother, and if I was falling for her altered reality. I would read and read, painting Richard as the villain, then she would say or think something that would make me pause and wonder just how like her mother she really could be. That ending, though, was a total bombshell!

Darren Fisher (2465 KP) rated The Boogey Man (1980) in Movies
Dec 12, 2020 (Updated Dec 13, 2020)
"It begins with a horrifying killing and then starts to get bloody!"
The Boogeyman is an uneven state of affairs.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.
The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.
The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.

BookwormLea (3034 KP) rated Shatter Me in Books
Jun 25, 2019
So good, I bought the second book 3 chapters in.
Contains spoilers, click to show
I can't say this for many books anymore, but I was hooked from page 1. The second I read the page about the cross thoughts and repeats being intentional, I was like 'this is gonna be good'. Juliette is so strong and beautiful and Adam is just perfect. The story flows so well and I never wanted to put it down!! And when I did have to, it was all I could think about. I was right there along with the characters, immersed in such a fantastical world Mafi thought up and shared so beautifully with us. It was like every fantasy I've ever had! Powers, romance, heroes and villains. This book will leave you wishing you were a superhero, fighting a battle for the good guys in a future so crazy, it has to be real!!! I can't wait to read book 2!! I actually bought this in paperback a while ago and after reading up to chapter 3, I had to buy the second one too!

LeftSideCut (3776 KP) rated Predator (1987) in Movies
Sep 2, 2019 (Updated Oct 25, 2019)
Dug in like an Alabama Tic
Here we have a shining example of a crazy genre mash up that nails it first try.
Predator starts off as another 80s action fest, full of one liners, muscles, and explosions. It's ridiculous in all the right ways. (Dutch and Dillon's gratuitous muscles hand shake will always remain one of the most stupid-but-incredible shots committed to film)
As we all know, Predator takes a turn near the halfway mark into sci-fi-horror territory, introducing us to one of the most iconic on screen alien species ever.
The Predator design is badass, and the inevitable unmasking is pretty nasty.
As the movie draws to it's climax, the showdown between Dutch and The Predator is exciting and inventive, and cements Predator as one of the very best Arnold Schwarzenegger films.
Throw in a healthy amount of violence and some Little Richard and we have a hugely enjoyable action film to enjoy over and over.
It's a damn shame that none of the sequels have ever come close to the original and best. Maybe one day...
Predator starts off as another 80s action fest, full of one liners, muscles, and explosions. It's ridiculous in all the right ways. (Dutch and Dillon's gratuitous muscles hand shake will always remain one of the most stupid-but-incredible shots committed to film)
As we all know, Predator takes a turn near the halfway mark into sci-fi-horror territory, introducing us to one of the most iconic on screen alien species ever.
The Predator design is badass, and the inevitable unmasking is pretty nasty.
As the movie draws to it's climax, the showdown between Dutch and The Predator is exciting and inventive, and cements Predator as one of the very best Arnold Schwarzenegger films.
Throw in a healthy amount of violence and some Little Richard and we have a hugely enjoyable action film to enjoy over and over.
It's a damn shame that none of the sequels have ever come close to the original and best. Maybe one day...