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Kristy H (1252 KP) rated Not If I Save You First in Books
Jun 21, 2019
Maddie and Logan were best friends when they were kids. Granted, it was under slightly unusual circumstances: Logan's dad was President, and Maddie's dad was one of his Secret Service agents. So when something happens that causes Maddie's dad to move the two of them to an isolated cabin in the middle of Alaska, everything in Maddie's life changes. She has no contact with the outside world beyond letters--no Internet, no phone, no anything. Just a tiny cabin, a few library books, and her Dad. Maddie learns to become self-sufficient, and she learns to be alone. Then, suddenly, six years later, Logan turns up at her door. In Alaska. Before she knows it, someone attacks Maddie and Logan. Maddie has no choice but to put her wilderness skills to the test to save them both. Maddie's pretty angry that she hasn't heard from Logan in the past six years, but she's going to have to get over it for a bit, while the two cling for life in the cold.
"She was through with waiting for letters, for phone calls, for people and friends. Maddie was absolutely through with looking back."
So this is a totally crazy and wild book (just read that plot summary), but it's also really fun and an enjoyable read. I've never read anything by Ally Carter before, but this book inspired me to grab a couple others by her. It's exactly what it claims to be.
Even though they are tramping through the Alaskan wilderness, trying to save their own lives, Maddie and Logan's banter is pretty great. The story is dramatic at times, but also romantic and cute at others. It's complete and utter escapism, but that's what I wanted when I picked it up.
Overall, a really fun, quick read. I felt transported to Alaska, and I enjoyed the back-and-forth between Maddie and Logan. 3.5 stars.
"She was through with waiting for letters, for phone calls, for people and friends. Maddie was absolutely through with looking back."
So this is a totally crazy and wild book (just read that plot summary), but it's also really fun and an enjoyable read. I've never read anything by Ally Carter before, but this book inspired me to grab a couple others by her. It's exactly what it claims to be.
Even though they are tramping through the Alaskan wilderness, trying to save their own lives, Maddie and Logan's banter is pretty great. The story is dramatic at times, but also romantic and cute at others. It's complete and utter escapism, but that's what I wanted when I picked it up.
Overall, a really fun, quick read. I felt transported to Alaska, and I enjoyed the back-and-forth between Maddie and Logan. 3.5 stars.
Eamon T.Hennedy (4 KP) rated The Mindy Project - Season 1 in TV
Jun 21, 2019 (Updated Jun 21, 2019)
The first season of Mindy Kaling's comedy drama, along with its second, is probably one of the best romantic comedies to come from American network television in a while. In fact, the one that is equal to it is New Girl and they were both on Fox at the same time and shared the same night in the UK where they aired on E4.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
Bong Mines Entertainment (15 KP) rated The Juice: Vol. 1 by Emotional Oranges in Music
Jun 21, 2019
Emotional Oranges is an enigmatic outfit based in Los Angeles, California. Not too long ago, they released a music video for their “Good to Me” single, which is featured on their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
Fred (860 KP) rated The Grinch (2018) in Movies
Dec 26, 2019
Dr. Seuss lite
Everyone knows & loves Chuck Jones' animated version from the 60s & I'm sure most people know the live-action Jim Carrey version as well. Whether you like that one or not is up to you. I did like it. Anyway, here we get a new animated version, full-length movie. How is it? Well, it's hit & miss.
Let's start with the Grinch himself. He's kind of toned down in this version & not really as mean as he should be. Yeah, sure he tries to stop Christmas, but his reasoning for it is different than the original. But we deal with it because he still wants to stop Christmas from coming. He almost seems like he's a nice guy pretending to be mean.
One of the greatest things in the original animated version is the song "You're a Mean One, Mr. Grinch" sung by Thurl Ravenscroft. Even the Jim Carrey version, was good. But the version in this film is absolutely horrendous. It borders on annoying. Actually, it may have crossed the border. The only thing saving it was they only used about 4 lines from the song.
My main problem with the movie is it's Dr. Seuss lite. What I mean by that is that they hardly use any of Seuss' crazy language. I remember words like floo-floobers, kazay, zoozits, tar-tinkers & things like that. There was nothing like that in this film. Even lines from the book were hardly used. It doesn't feel like Dr. Seuss at all. It's almost like they never read the book. They changed the story, the ending & add useless characters like Fred the reindeer.
As for the good. Well, the voice acting is good & the animation is very good. The story works well enough, even with the changes. All in all, it is enjoyable. It's not as good as the Jim Carrey version & nowhere near as good as the Chuck Jones version. Would I watch it again. Maybe. But I'd watch the others before this one.
Let's start with the Grinch himself. He's kind of toned down in this version & not really as mean as he should be. Yeah, sure he tries to stop Christmas, but his reasoning for it is different than the original. But we deal with it because he still wants to stop Christmas from coming. He almost seems like he's a nice guy pretending to be mean.
One of the greatest things in the original animated version is the song "You're a Mean One, Mr. Grinch" sung by Thurl Ravenscroft. Even the Jim Carrey version, was good. But the version in this film is absolutely horrendous. It borders on annoying. Actually, it may have crossed the border. The only thing saving it was they only used about 4 lines from the song.
My main problem with the movie is it's Dr. Seuss lite. What I mean by that is that they hardly use any of Seuss' crazy language. I remember words like floo-floobers, kazay, zoozits, tar-tinkers & things like that. There was nothing like that in this film. Even lines from the book were hardly used. It doesn't feel like Dr. Seuss at all. It's almost like they never read the book. They changed the story, the ending & add useless characters like Fred the reindeer.
As for the good. Well, the voice acting is good & the animation is very good. The story works well enough, even with the changes. All in all, it is enjoyable. It's not as good as the Jim Carrey version & nowhere near as good as the Chuck Jones version. Would I watch it again. Maybe. But I'd watch the others before this one.
Gareth von Kallenbach (980 KP) rated Get Him to the Greek (2010) in Movies
Aug 8, 2019
Russell Brand created one of the more memorable characters of 2008 in Forgetting Sarah Marshall with his role as Aldous Snow. Get Him to the Greek is by and large an extension of his role in that movie, but ramped up in the “crazy rock star” department. Jonah Hill, playing the ambitious record company intern Aaron Green tries to bring Aldous Snow from London to Los Angeles to play a show at the Greek Theater. The problem with this simplistic plot is that it doesn’t lead to any character development, and only leads to more jokes. While surprisingly funny in some parts, the characters don’t really make a splash unless they’re doing something ridiculous, which happens quite often.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
Leanne Crabtree (480 KP) rated Tell Me It's Real (At First Sight, #1) in Books
Nov 18, 2019
Well, right from the start this had me laughing as Paul introduced himself. It was very frank and pretty much laugh-out-loud at times. He doesn't have the best opinion of himself, bless him, but he's so fun. And then he meets eyes with Vince while out at his friends drag queen performance at a bar/club and things go from there. Vince is not backing down about his intentions to date Paul, while Paul cannot believe that this younger, attractive, really nice if slightly dumb man, wants him and fights it tooth and nail.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
Phillip McSween (751 KP) rated Chloe (2010) in Movies
Dec 3, 2019
Decent Beginning Then All Downhill
A woman struggling in her marriage hires a call girl to come on to her husband to see if he will cheat. If Chloe sounds like a recipe for disaster in real life, just wait until I dive into the movie! It’s not a complete failure, but it fails enough for me to highly recommend avoiding it.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
JT (287 KP) rated The A-Team (2010) in Movies
Mar 10, 2020
It might be seen as a risk to make a film off the back of a successful T.V. show, especially if you take Transformers as the prime example of poor execution, but the A-Team was the big budget blockbuster that everyone expected it to be.
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
Kristy H (1252 KP) rated You Are Not Alone in Books
Mar 19, 2020
A few seconds change Shay Miller's life forever. It's almost ironic, as Shay, 31, and a market researcher, is obsessed with data. She's been keeping data books since age eleven, listing statistics and facts the way other girls write in diaries. Shay's recently lost her job, and her roommate and best friend, Sean, spends more time with his girlfriend than her. She feels hopeless and isolated. Then everything changes, and Shay finds herself swept up in the glamorous world of the Moore sisters, Cassandra and Jane. They have a way of making Shay feel different. They also seem to be everywhere, shaping Shay's life in strange ways.
I've learned by now when I pick up a book by the Hendricks-Pekkanen duo that I need to just suspend disbelief for a bit and go with it. If I can do that and enjoy the ride, then the book is a fun little escape mechanism. When looked at via this prism, You Are Not Alone was very successful.
The book is told from different points of view that often stray into various time periods, and it took me a while to keep all the characters straight. Cassandra and Jane have a host of friends, and I had to bookmark the page that introduced them all so I could remember who was who for a while. There seem to be unreliable narrators galore for a while--can we trust Shay? The sisters? Their friends?
I don't want to get too much into the plot and give anything away. It's a crazy story and again, not really probable (I hope). However, it's highly addictive, and I found the book to be compulsively readable. I also really grew to like Shay, even if I was suspicious about her.
There are some great twists and turns in this thriller, which I really enjoyed. I liked how this one kept me guessing, even if there was an eye roll or two in there too. It was definitely wild! 4 stars.
I've learned by now when I pick up a book by the Hendricks-Pekkanen duo that I need to just suspend disbelief for a bit and go with it. If I can do that and enjoy the ride, then the book is a fun little escape mechanism. When looked at via this prism, You Are Not Alone was very successful.
The book is told from different points of view that often stray into various time periods, and it took me a while to keep all the characters straight. Cassandra and Jane have a host of friends, and I had to bookmark the page that introduced them all so I could remember who was who for a while. There seem to be unreliable narrators galore for a while--can we trust Shay? The sisters? Their friends?
I don't want to get too much into the plot and give anything away. It's a crazy story and again, not really probable (I hope). However, it's highly addictive, and I found the book to be compulsively readable. I also really grew to like Shay, even if I was suspicious about her.
There are some great twists and turns in this thriller, which I really enjoyed. I liked how this one kept me guessing, even if there was an eye roll or two in there too. It was definitely wild! 4 stars.
Kristy H (1252 KP) rated Josh and Hazel's Guide to Not Dating in Books
Apr 23, 2020
I've read a variety of Christina Lauren novels by now, and this was one of my favorites. For a short minute, I thought Hazel was going to be too zany and over the top for me, and then I got to know her. I then fell in love with her, and I was immediately rooting for our caring, funny, and yes, sometimes, crazy heroine. The best part was that Josh was great in his own reliable, sweet way, too. There's nothing better than a romance where you care for both partners. They were an excellent couple, and I wanted nothing more than to see Josh and Hazel get together. The two had wonderful chemistry and the whole book just had me grinning goofily.
Josh and Hazel are both damaged and wary, but not in that annoying way that has you rolling your eyes and wishing they'd just get over it all. Josh's girlfriend has hurt him and Hazel is constantly passed over by guys who think she's too over the top. Neither deserve this pain, and you quickly want them to get together and be healed. Of course it isn't that easy. When they come up with the double date angle (but not dating each other), laughter ensues, as well as some heartbreak.
There aren't too many side characters in this one: the focus is on Hazel and Josh, but I really enjoyed Hazel's mom, as well as Josh's sister, Emily. And there's plenty of fun to be had with some of the folks we encounter on the blind dates. Josh and Hazel seem so real; our writing duo capture them quite well. Hazel's zest for life coupled with her vulnerability, for instance, shine brightly. And Josh, well, I just wanted to hug him sometimes.
In the end this a really fun, sweet book. It's humorous yet realistic and tender. I adored Hazel and Josh-they were one of my favorite couples in a while. 4+ stars.
Josh and Hazel are both damaged and wary, but not in that annoying way that has you rolling your eyes and wishing they'd just get over it all. Josh's girlfriend has hurt him and Hazel is constantly passed over by guys who think she's too over the top. Neither deserve this pain, and you quickly want them to get together and be healed. Of course it isn't that easy. When they come up with the double date angle (but not dating each other), laughter ensues, as well as some heartbreak.
There aren't too many side characters in this one: the focus is on Hazel and Josh, but I really enjoyed Hazel's mom, as well as Josh's sister, Emily. And there's plenty of fun to be had with some of the folks we encounter on the blind dates. Josh and Hazel seem so real; our writing duo capture them quite well. Hazel's zest for life coupled with her vulnerability, for instance, shine brightly. And Josh, well, I just wanted to hug him sometimes.
In the end this a really fun, sweet book. It's humorous yet realistic and tender. I adored Hazel and Josh-they were one of my favorite couples in a while. 4+ stars.