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Kristy H (1252 KP) rated The Shadow Cabinet (Shades of London, #3) in Books
Feb 13, 2018
I read nearly 3/4 of this book curled up in my easy chair while the kids napped, snow falling softly outside. It is rare that I get that much peace and quiet anymore, so I roared through the book, wanting to finish it before the twins awoke and shattered the peace.
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
Dana (24 KP) rated A Gathering of Shadows in Books
Mar 23, 2018
So you all know how I felt about the first book. Yeah, those feeling are continuing over to this one.
I honestly could not put this damn book down if I tried. Which I didn't try because that would have been me depriving myself of something amazing and there is no reason to do that.
If I thought the first book hit my feelings, which it did, this one ran them over with a damn truck.
I loved the addition of Allucard Emery. He was my favorite new character because he is amazing and beautiful and just so great. I love his sass. He is such a great magic mentor for Delilah and I want him to have the world. He deserves to be happy. Anyone who thinks differently can fight me.
I love the idea of this competition. It's cool to see different kinds of magic users with the different elements, but also how they use them. Some are more defensive users, some more attack based. But all of them are really cool. I won't give away too much, but I am happy with the last couple of fights and how they went on. Especially that one. You know which one I'm talking about. Just great stuff there.
I love how Delilah and Kell's relationship is evolving in this book. They don't necessariily see all that much of each other, but when they do, sparks are FLYING. I was listening to the audio book when I was out running errands and in the middle of Michael's, I burst out laughing when they got to the ball part. It was just so cute and fun to see them relaxed for a change. Big fan. I ship them so hard it hurts. So whenever they were cross with each other, in my head, I was pushing them together saying "make up damn it. You will make beautiful children."
Those plot twists though. All of them got me right in the feels.
I will say without shame that I cried in this book. More than once. And almost in public. Those people in Michael's must have thought I was crazy.
The ending was mean. I mean, come on Victoria. That hurt. Why would you put me through that? I mean, yes, it was amazing that you wrote it so well I almost threw the book across the room, but still. My heart. I have to wait a bit until I can read the next one because I don't have any book stores around me to be able to get it and my library doesn't have it in physical copy either. But they do have an audio book version that I am on hold for. So there's that. I cannot wait.
I honestly could not put this damn book down if I tried. Which I didn't try because that would have been me depriving myself of something amazing and there is no reason to do that.
If I thought the first book hit my feelings, which it did, this one ran them over with a damn truck.
I loved the addition of Allucard Emery. He was my favorite new character because he is amazing and beautiful and just so great. I love his sass. He is such a great magic mentor for Delilah and I want him to have the world. He deserves to be happy. Anyone who thinks differently can fight me.
I love the idea of this competition. It's cool to see different kinds of magic users with the different elements, but also how they use them. Some are more defensive users, some more attack based. But all of them are really cool. I won't give away too much, but I am happy with the last couple of fights and how they went on. Especially that one. You know which one I'm talking about. Just great stuff there.
I love how Delilah and Kell's relationship is evolving in this book. They don't necessariily see all that much of each other, but when they do, sparks are FLYING. I was listening to the audio book when I was out running errands and in the middle of Michael's, I burst out laughing when they got to the ball part. It was just so cute and fun to see them relaxed for a change. Big fan. I ship them so hard it hurts. So whenever they were cross with each other, in my head, I was pushing them together saying "make up damn it. You will make beautiful children."
Those plot twists though. All of them got me right in the feels.
I will say without shame that I cried in this book. More than once. And almost in public. Those people in Michael's must have thought I was crazy.
The ending was mean. I mean, come on Victoria. That hurt. Why would you put me through that? I mean, yes, it was amazing that you wrote it so well I almost threw the book across the room, but still. My heart. I have to wait a bit until I can read the next one because I don't have any book stores around me to be able to get it and my library doesn't have it in physical copy either. But they do have an audio book version that I am on hold for. So there's that. I cannot wait.
Bookapotamus (289 KP) rated Baby Teeth in Books
Jun 8, 2018
CREEP AF and FANTASTIC!
This book is CREEPY AF! And I gobbled up every deliciously freaky disturbing morsel of it.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.
Bookapotamus (289 KP) rated How Hard Can It Be? in Books
May 29, 2018
It's all fun and games until someone posts a belfie.
Kate Reddy is back. And her daughters backSIDE is causing some trouble. We jump right into our favorite bad-a$$, anxiety-ridden, take-charge heroine Kate's life as she is approaching 50 and it seems the hilarity and struggles of parenting, working, wife-ing, friendship and everything else in Kate's life is just as amusing as ever.
Kate's daughter Emily has taken a pic of her butt and the crazy life of Kate's we all know and love, just cannot seem to get any more complicated - until it does. She's been out of the workforce, and looking to get back in, She's not having much of any sort of pleasant relations with husband Richard (yes, surprisingly, still married). She's having a mini mid-life crisis trying to accept she's almost 50, her parents are aging, and her kids are now teenagers and the struggles to communicate with these digital-age micro-adults is almost as difficult as communicating with Russian Investors.
As Kate tries to make her way back into the world of investing she once was so good at, she has some pretty cringeworthy experiences, and struggles to find a way in that world as an "aging" woman. We find several comparisons to the past, when just being a mother was the wall between her and success. She finds herself lying to herself and others, trying her best to tiptoe through a marriage in crisis and lack of communication with her children, and praying the looming milestone birthday isn't going to be the demise of any semblance of the woman that she knows she is, and desperately wants to find again. Oh, and did I mention Jack is BACK?!
The book is classic Allison Pearson: witty, entertaining and full of laughs. I didn't realize how much I missed Kate (I totally still picture SJP in every situation...) and I settled into a familiar routine of rooting for her to find her stride and finally be happy with who she is, who she's becoming, and where she might be headed next.
The story is nostalgic of I Don't Know How She Does It, but reads well as a standalone with snippets of backstory that are well-placed and don't interfere. Avoiding any spoilers, I'll just say that I'm pretty sure readers and fans of Kate Reddy will be pleased at how it all turns out. How Hard Can It Be? was refreshing but familiar and it felt like an old friend was back in my life.
Thanks to NetGalley and St. Martin's Press for the Advanced Copy and opportunity to review this book.
Kate Reddy is back. And her daughters backSIDE is causing some trouble. We jump right into our favorite bad-a$$, anxiety-ridden, take-charge heroine Kate's life as she is approaching 50 and it seems the hilarity and struggles of parenting, working, wife-ing, friendship and everything else in Kate's life is just as amusing as ever.
Kate's daughter Emily has taken a pic of her butt and the crazy life of Kate's we all know and love, just cannot seem to get any more complicated - until it does. She's been out of the workforce, and looking to get back in, She's not having much of any sort of pleasant relations with husband Richard (yes, surprisingly, still married). She's having a mini mid-life crisis trying to accept she's almost 50, her parents are aging, and her kids are now teenagers and the struggles to communicate with these digital-age micro-adults is almost as difficult as communicating with Russian Investors.
As Kate tries to make her way back into the world of investing she once was so good at, she has some pretty cringeworthy experiences, and struggles to find a way in that world as an "aging" woman. We find several comparisons to the past, when just being a mother was the wall between her and success. She finds herself lying to herself and others, trying her best to tiptoe through a marriage in crisis and lack of communication with her children, and praying the looming milestone birthday isn't going to be the demise of any semblance of the woman that she knows she is, and desperately wants to find again. Oh, and did I mention Jack is BACK?!
The book is classic Allison Pearson: witty, entertaining and full of laughs. I didn't realize how much I missed Kate (I totally still picture SJP in every situation...) and I settled into a familiar routine of rooting for her to find her stride and finally be happy with who she is, who she's becoming, and where she might be headed next.
The story is nostalgic of I Don't Know How She Does It, but reads well as a standalone with snippets of backstory that are well-placed and don't interfere. Avoiding any spoilers, I'll just say that I'm pretty sure readers and fans of Kate Reddy will be pleased at how it all turns out. How Hard Can It Be? was refreshing but familiar and it felt like an old friend was back in my life.
Thanks to NetGalley and St. Martin's Press for the Advanced Copy and opportunity to review this book.
Bookapotamus (289 KP) rated Do This For Me in Books
May 29, 2018
Can I give a 5 star rating for PART of a book?!? I was ALL-IN from page one of this book. The beginning was so fast, so awesome, with such manic intensity - I was like, this chick is BAD ASS! I TORE through the first quarter of this book. And then... meh. I guess we needed a bit of a breather because the first quarter of this book is one serious wild ride. It got back to it's intense awesomeness almost mid-way through, but then I felt it just got sappy and fizzled.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
Bookapotamus (289 KP) rated Educated in Books
May 29, 2018
All the stars in the Idaho Sky! Tara Westover is so very brave. And her book is hands-down, 5+ stars amazing. This is by far the most riveting memoir I've ever read. I am so fascinated by cult-like religions, as well as homesteaders/survivalists and end-of-the-world preppers - and this quenched every thirst I've ever had for all those things and infinitely beyond. This was the extreme of both of those worlds. I cannot believe this is real life. The epitome of "you can't make this sh*t up," I imagine those words running through Tara's head often.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
Phillip McSween (751 KP) rated Dogma (1999) in Movies
Jul 28, 2018
Funny and Deep
Talk about off the beaten path. Dogma is at weird as it comes. Offensive to some, hilarious to others, if you can take it for what it is and not get overly deep about it, you'll find yourself watching a quality comedy. The plot? A little complicated to explain without using more words than I would like. I will say that it involves two fallen angels who are looking for a way back into heaven.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Lee (2222 KP) rated Overlord (2018) in Movies
Nov 5, 2018 (Updated Nov 6, 2018)
Brutal and intensely enjoyable
Overlord follows a group of WWII soldiers on a mission to bring down a radio tower in a remote French town. It opens with our team of soldiers traveling by plane, one of a large number of aircraft and warships all heading towards enemy territory during the dead of night. As they near their destination, things heat up. Bullet fire begins raining up from the enemy on the ground and things become very intense, with our soldiers having to evacuate the plane quickly. We are then treated to a stunning one shot sequence following the soldiers as they parachute to the ground, surrounded by explosions, bullets and complete chaos.
Down on the ground, the team (what's left of them) regroup and begin making their way towards the radio tower in order to carry out their mission. They have Nazi soldiers and landmines to contend with though, eventually coming across a local woman from the town they're headed to, and she leads them back to the home she shares with her younger brother and poorly aunt. It turns out that the town is being terrorised by Nazi officers who are randomly killing the towns residents and then doing shocking things with them beneath the radio tower that our soldiers are seeking to destroy.
The thing about Ovelord, for me, is that it never goes full on crazy with all the zombie experiment stuff that they show you in the trailers. Up until this moment in the town, and throughout the rest of the movie to a certain degree, Overlord is basically just a really solid war story in a similar vein to something like Saving Private Ryan. An intense opening, a journey across enemy territory by a team of soldiers, some scenes within a war-torn village. Time is dedicated to introducing and developing the characters and, even if the odd one is a little bit stereotypical, the whole thing feels very well done and hugely enjoyable. It's a fair while before you get any hint of anything more than that and when you do, it's not a complete From Dusk Till Dawn style flip either. It's not over the top and is in a similar tone and style to what's come up until that point. I felt that made it all the more believable, and even more terrifying.
The practical effects relating to the creatures the Nazi soldiers are creating are extremely effective and disturbing at times. They had the desired effect of either making me squirm in my seat, jump out of my skin or grin from ear to ear at how cool it all was! I absolutely loved this movie. Brutal, intensely enjoyable and with a satisfying ending. Loved it.
Down on the ground, the team (what's left of them) regroup and begin making their way towards the radio tower in order to carry out their mission. They have Nazi soldiers and landmines to contend with though, eventually coming across a local woman from the town they're headed to, and she leads them back to the home she shares with her younger brother and poorly aunt. It turns out that the town is being terrorised by Nazi officers who are randomly killing the towns residents and then doing shocking things with them beneath the radio tower that our soldiers are seeking to destroy.
The thing about Ovelord, for me, is that it never goes full on crazy with all the zombie experiment stuff that they show you in the trailers. Up until this moment in the town, and throughout the rest of the movie to a certain degree, Overlord is basically just a really solid war story in a similar vein to something like Saving Private Ryan. An intense opening, a journey across enemy territory by a team of soldiers, some scenes within a war-torn village. Time is dedicated to introducing and developing the characters and, even if the odd one is a little bit stereotypical, the whole thing feels very well done and hugely enjoyable. It's a fair while before you get any hint of anything more than that and when you do, it's not a complete From Dusk Till Dawn style flip either. It's not over the top and is in a similar tone and style to what's come up until that point. I felt that made it all the more believable, and even more terrifying.
The practical effects relating to the creatures the Nazi soldiers are creating are extremely effective and disturbing at times. They had the desired effect of either making me squirm in my seat, jump out of my skin or grin from ear to ear at how cool it all was! I absolutely loved this movie. Brutal, intensely enjoyable and with a satisfying ending. Loved it.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Batman: Arkham Knight in Video Games
Jun 19, 2019
Playing as Batman never gets old for fans of the Caped Crusader and in the latest video game offering Arkham Knight from Warner Bros Interactive and Rocksteady Studios, fans can once again climb, soar, and now drive through the streets of Gotham City to make the world a safer place.
After the Scarecrow has launched an attack on the city, it is up to Batman to save the day as the mass exodus caused by the attack has left Gotham a shell of its former self and allowed more of the seedy underbelly of the city to come to ground.
As Batman investigates he encounters all sorts of foes ranging from Poison Ivy to the Arkham Knight who stand in his way. Of course there are legions of henchmen and goons for you to fight through and the free-form combat that has been established in the previous games in the series really shines as the action is as fast and smooth as you would want.
Driving segments played a big part in the game and while I loved racing through the city, I did find the vehicle combat a bit linear and repetitive for my taste, but there are some great side missions such as one in the sewers with the Riddler that will put your driving skills to the test.
What I loved about the game was that the city was a true living and breathing city. It is vast, complex, and something to enjoy when you’re gliding or rappelling your way across the rooftops.
The plot of the game is also a huge selling point as it is filled with twists and turns that will keep you hooked during the entire time that you are playing the game.
From the great graphics and action, the sound quality in the game really makes things come to life, especially the thuds of your fists hitting the next bad guy who was crazy enough to think that they could get away from Batman.
If you are a fan of the previous Batman games in the series, there is much to like about Arkham Knight as aside from the Batmobile issues, I had very little to complain about. The control system works well, the graphics, and sound are first-rate, and the storyline is gripping and engaging.
I look forward to playing the game again and focusing more on the side quests, but for now, let me say that Batman: Arkham Knight is a must own for fan of the series as it is on par with the amazing Arkham Asylum for the best Batman adaptation to date.
http://sknr.net/2015/07/28/batman-arkham-knight/
After the Scarecrow has launched an attack on the city, it is up to Batman to save the day as the mass exodus caused by the attack has left Gotham a shell of its former self and allowed more of the seedy underbelly of the city to come to ground.
As Batman investigates he encounters all sorts of foes ranging from Poison Ivy to the Arkham Knight who stand in his way. Of course there are legions of henchmen and goons for you to fight through and the free-form combat that has been established in the previous games in the series really shines as the action is as fast and smooth as you would want.
Driving segments played a big part in the game and while I loved racing through the city, I did find the vehicle combat a bit linear and repetitive for my taste, but there are some great side missions such as one in the sewers with the Riddler that will put your driving skills to the test.
What I loved about the game was that the city was a true living and breathing city. It is vast, complex, and something to enjoy when you’re gliding or rappelling your way across the rooftops.
The plot of the game is also a huge selling point as it is filled with twists and turns that will keep you hooked during the entire time that you are playing the game.
From the great graphics and action, the sound quality in the game really makes things come to life, especially the thuds of your fists hitting the next bad guy who was crazy enough to think that they could get away from Batman.
If you are a fan of the previous Batman games in the series, there is much to like about Arkham Knight as aside from the Batmobile issues, I had very little to complain about. The control system works well, the graphics, and sound are first-rate, and the storyline is gripping and engaging.
I look forward to playing the game again and focusing more on the side quests, but for now, let me say that Batman: Arkham Knight is a must own for fan of the series as it is on par with the amazing Arkham Asylum for the best Batman adaptation to date.
http://sknr.net/2015/07/28/batman-arkham-knight/