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Gareth von Kallenbach (980 KP) rated The Astronaut Farmer (2006) in Movies
Aug 14, 2019
Charles Farmer (Billy Bob Thornton) is a man with a dream. Unlike some men, he does not dream of wealth, fame, or material goods, instead he dreams simply of traveling into space. While to most who share Charles’s dream would be resigned to simply leave it at that, Charles is not like most men and is determined to make his dream a reality.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
Gareth von Kallenbach (980 KP) rated My Super Ex-Girlfriend (2006) in Movies
Aug 14, 2019
William Shakespeare once wrote that “Hell Hath No Fury Like A Woman Scorned”. Never was a phrase more prophetic than in the case of the new Ivan Reitman comedy My “Super-Ex Girlfriend” which is a clever twist on the obsessive lover genre made popular by films such as “Fatal Attraction”.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
Gareth von Kallenbach (980 KP) rated Anacondas: The Hunt for the Blood Orchid (2004) in Movies
Aug 14, 2019
Deep in the dense jungles of Borneo, a research team has come hoping to succeed where famed explorer Ponce De Leon once failed. History notes that De Leon ventured to Florida looking for the fabled Fountain of Youth that would endow all who drank from it with eternal youth and life.
The modern quest is taken up by a research team who believe that the rare Blood Orchid, which blooms every seven years is the key to eternal youth, as the small samples they obtained shows that the plant allows for greater cell reproduction and thus an end to aging.
With visions of billions of dollars in their heads, the team sets off to collect several samples of the orchid, as they only have a week to do so before they must wait another seven years for the flower to bloom again. Complicating matters is that the team has arrived during rainy season, and as such there is only one boat captain named Johnson (Johnny Messner), who will attempt to take the team down river in the dangerous conditions. The trip turns out to be even more dangerous than expected, and the team leader Dr. Byron (Matthew Marsden), offers and additional $50,00 to Johnson unbeknownst to his team to push on, no matter what.
When the boat jams a rudder due to debris and ends up on the bad side of a waterfall, the team finds themselves without any transportation and forced to trek across the jungle to not only catch other transportation, but to reach the Orchids in time. Unbeknownst to the team, they have entered an area of the jungle that is teaming with giant and deadly anacondas and the team is soon under attack by the large and deadly creatures that strike without warning and vanish almost as quickly as they appear.
Fractions soon arise as many in the team want to abandon the quest for the orchid and return to safety, while Byron insists that to give up now would be crazy and despite the risk, the prize the orchid promises is well worth the risk.
What follows is the typical cat and mouse game that while short on suspense does have some surprises and laughs along the way.
The snake effects are done via CGI this time out instead of animatronics, and the technology allows an even greater range of motion for the snakes, which adds to the suspense factor, as the snakes are able to appear as full body creatures rather then a simple head. The cast is solid especially Messner and Kadee Strickland as a scientist named Sam. The remainder of the cast has a bit of depth even those whose entire purpose is to become snake chow. Yes, the film is a B-Movie, and is light on plot, realism, and depth, but for late summer entertainment, “Anacondas” has enough bite to keep you interested.
The modern quest is taken up by a research team who believe that the rare Blood Orchid, which blooms every seven years is the key to eternal youth, as the small samples they obtained shows that the plant allows for greater cell reproduction and thus an end to aging.
With visions of billions of dollars in their heads, the team sets off to collect several samples of the orchid, as they only have a week to do so before they must wait another seven years for the flower to bloom again. Complicating matters is that the team has arrived during rainy season, and as such there is only one boat captain named Johnson (Johnny Messner), who will attempt to take the team down river in the dangerous conditions. The trip turns out to be even more dangerous than expected, and the team leader Dr. Byron (Matthew Marsden), offers and additional $50,00 to Johnson unbeknownst to his team to push on, no matter what.
When the boat jams a rudder due to debris and ends up on the bad side of a waterfall, the team finds themselves without any transportation and forced to trek across the jungle to not only catch other transportation, but to reach the Orchids in time. Unbeknownst to the team, they have entered an area of the jungle that is teaming with giant and deadly anacondas and the team is soon under attack by the large and deadly creatures that strike without warning and vanish almost as quickly as they appear.
Fractions soon arise as many in the team want to abandon the quest for the orchid and return to safety, while Byron insists that to give up now would be crazy and despite the risk, the prize the orchid promises is well worth the risk.
What follows is the typical cat and mouse game that while short on suspense does have some surprises and laughs along the way.
The snake effects are done via CGI this time out instead of animatronics, and the technology allows an even greater range of motion for the snakes, which adds to the suspense factor, as the snakes are able to appear as full body creatures rather then a simple head. The cast is solid especially Messner and Kadee Strickland as a scientist named Sam. The remainder of the cast has a bit of depth even those whose entire purpose is to become snake chow. Yes, the film is a B-Movie, and is light on plot, realism, and depth, but for late summer entertainment, “Anacondas” has enough bite to keep you interested.
Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
BackToTheMovies (56 KP) rated The Captor (2019) in Movies
Jun 21, 2019
2019 certainly seems to be the year of Ethan Hawke slaying it in movies! The Kid was a powerhouse performance enough to warrant and the year off but then The Captor is released and once again. Wow. Ethan Hawke only goes and blows the bloody doors off this real-life true story about a bank robbery in Stockholm. This is our The Captor review.
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Darren (1599 KP) rated The Veil (TBD) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Wounds (2019) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Natacha (374 KP) rated The Beauty of Darkness (The Remnant Chronicles #3) in Books
Jul 9, 2019 (Updated Jul 13, 2019)
Contains spoilers, click to show
That was one of the hardest books I had to rate and review. The reason is that the adult part of me had very specific expectations while my young teenager self was reminding me that this is a YA book. More details.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.