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Ascension (The Gates Legacy, #3)
8
8.0 (1 Ratings)
Book Rating
4.5 Stars
I have adored these books from the very start, and once again, this third offering from Ms Font doesn't fail to please. We pick right back up with our motley crew of vamps and humans as they do battle against the crazy Goran and his misguided attempts to control absolutely everything (he's a tad on the barmy side, but he's a good character to read so we'll let it slide a little longer).

As always, there was a superb continuation from the second book in the series. As someone who knew what was going on, it was excellent to dive straight back into the action, although I have to admit, I needed to check oddments as my brain hadn't retained all the facts it needed. As a new reader, you'd need to go right back to the start, but given how amazing they are, you shouldn't mind it that much.

Unlike the other books, I did find Ascension to be a little slower starting, but if you should encounter the same issue, please, for the love of everything, do not stop reading! Because my oh my! Once that snowball reaches the top of the hill, it powers down with a force that is unbelievably intoxicating. The last 10% in particular was phenomenal writing and it was quite impossible to put it down. I was left with a real sense of whiplash, just as things appeared to have settled down, and it all went to hell in a fast car all over again! Be warned though, you will definitely need some tissues, that's all I'm saying!

The characters, as you would expect from Font, are all absolutely excellent. The old cast are fabulous (but we already knew that!) and the new additions blend in effortlessly and are a pleasure to read. With all that's going on, it would be easy to get lost and start wondering who's who, but Font is very good at making sure that, despite the multiple points of view she writes from, the reader always knows exactly what they need to know about the characters and the action - but you'll never know more than you need to, it's a supreme balancing act that is brilliant to read. As always, I'm a huge fan of the multiple POVs and I love being able to get inside all the characters heads, without getting lost along the way.

And so, to wrap it up. This is yet another excellent read from Font that I can highly recommend to all who enjoy action, excellent characters, brilliant vampire lore and that extra little twist of something special. I've honestly never read a series quite like this, but I am already on tenterhooks waiting for the next part of the Gates Legacy to find out where else this brilliant story can now go. Seriously though, if you haven't already tried this series, buckle up and block out your schedule for a week or so and get where the action is, because this series is going from strength to strength.

*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
  
Carrie
Carrie
Stephen King | 2011 | Fiction & Poetry, Horror, Science Fiction/Fantasy
8
8.3 (71 Ratings)
Book Rating
Full review can be found on my blog - www.diaryofdifference.com
I am probably one of the last people on Earth that hasn’t read a Stephen King book. Carrie is the first book I decided to read. People have been suggesting it to me for a while, and it seemed like a nice short bit of introduction to Stephen’s horror world.

Also, a special thank you to my friend Dave, for constantly recommending Stephen King books to me, until I finally decided to listen to him. He seemed to be right!

Now - Carrie.

A book about a girl that lives with her crazy religious mother in a creepy house. A girl who is being bullied at school all the time. A story about a girl that has the ability to move objects as she wishes. And a prom night, where everything escalates.

Carrie is a sixteen year old girl. And she has been raised by her mother, who is a religious person in a - not healthy way. When Carrie misbehaves, she is sent to a closet to pray for the whole day. Even though Carrie doesn’t share her mother’s beliefs, she can’t really stand up and fight for herself.

The plot gets a grip when Carrie has her first period at the age of sixteen. She thinks she will bleed to death. And all her classmates are laughing at her, because she is stupid. And throw tampons her way. And as I am reading this, I keep thinking - what kind of mother won’t tell her child about menstruation, and puberty, and all the normal teenage phases a kid has to go through while growing up?

This moment, in the school bathroom, is the moment Carrie finds out about her powers.
And a few weeks later, a terrible thing happens.

This is a horror story, but the horror doesn’t lie in what Carrie did, but what led her to do that. Who it is to blame, and why things escalated the way they did.

Stephen King described bullying in its most painful and real way, and the consequences it can lead to. And it does happen, in every school, to a lot of children all over the world each day. A sometimes, most of the times, they are bullied only because they are different, not because they are bad.

This is a story that silently stands up to bullying, and by doing that raises such a strong voice in every corner of the world.

And remember - if you are the bully - think twice before you say things. Words can hurt, and they can result in bad things happening. Think twice about why you say what you say. The classmate of yours might have a talent you don’t know of.

And if you are the bullied child - also remember - you are kind and beautiful, no matter what everyone says. You shouldn’t let people bring you down. And we have all been bullied while growing up. Once you reach a certain age, people stop caring, and you stop caring what people think, and then, finally, you can be comfortable and happy with who you are!
  
The Hunger Games: Catching Fire (2013)
The Hunger Games: Catching Fire (2013)
2013 | Action, Sci-Fi
The international success of “The Hunger Games” has had fans the world over eagerly awaiting the next film in the series. Since “The Hunger Games” earned record box office, star Jennifer Lawrence has gone on to win an Academy Award and has become a rising star in Hollywood.

 

“The Hunger Games: Catching Fire” picks up nearly a year after the events of the first film, as Katniss (Jennifer Lawrence), struggles to deal with the events of what happened to her a year earlier. She and Peeta (Josh Hutcherson), put up a brave front for the cameras as a united couple, but in actuality, they live apart in the Victor’s Village of District 12.

 

Katniss spends much of her time with her mom and sister and has fallen back into a relationship with her childhood friend Gale (Liam Hemsworth).

 

Shortly before Katniss and Peeta are to embark on a Victory Tour of the districts, Katniss is visited by President Snow (Donald Sutherland), who tells Katniss in no uncertain terms that he is not happy with how she showed him up at the conclusion of the past games and if she values her life as well as that of her loved ones, then she had better make him believe that she and Peeta are still an item.

 

The tour gets off to a rough start when dissent appears in the assembled crowds, and protestors are dealt with in a brutal fashion by the assembled Peacekeepers. Katniss and Peeta are told by their mentor Haymitch (Woody Harrelson), that they can only hope to survive the game and not win, and that they need to follow his advice as well as that of Effie Trinket (Elizabeth Banks), if they want to live a long and happy life.

Depite their best efforts, President Snow is not appeased and to celebrate the 75th anniversary of the games, he orders that the tributes from each district be made up of past winners. The plan to eliminate Katniss once and for all by putting her in the games again with an elite squad of killers in an arena designed by new Gamesmaster Plutarch Heavensbee (Phillip Seymour Hoffman).

 

Forced to make allies to survive the games again, Peeta and Katniss meet charismatic Finnick Odair (Sam Claflin) and crazy Johanna Mason (Jena Malone), as they battle in ta deadly tropical arena to survive.

 

Despite being a bit slow getting started, the movie follows the book fairly closely and has very strong performances form the leads and supporting cast. The film is visually impressive and the action is fast and intense.

 

Despite reading the book and knowing the story, I was drawn in and was caught up in the action from the start and was one of the more enjoyable experience at the movies for me in 2013.

 

So much so, that I am already looking forward to the two-part finale of “Mockingjay” as I cannot wait to see what they come up with next.

http://sknr.net/2013/11/19/the-hunger-games-catching-fire/
  
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Emma @ The Movies (1786 KP) rated Second Act (2018) in Movies

Jun 22, 2019 (Updated Sep 25, 2019)  
Second Act (2018)
Second Act (2018)
2018 | Comedy, Romance
Second Act is what I'm going to call a proper romcom, despite the fact that romance isn't actually that prominent in the story. Jennifer Lopez has the knack of this sort of film, she never seems to age either so I'm hoping that we can get a lot more of these on our screens over the next few years.

There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.

Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.

Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.

Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.

If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.

(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)

What you should do

This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.

Movie thing you wish you could take home

The dress that Maya wears to her interview at F&C is incredible. One of those please!

"The only thing stopping you is you." - This is something I think we should probably all take home from this film
  
Martyrs (2008)
Martyrs (2008)
2008 | Drama, Horror
7
7.5 (10 Ratings)
Movie Rating
Entertaining In a Crazy Way
Sometimes it helps to watch a movie with another person to get an extra perspective on what makes a movie special. I’ll admit, I would have reamed Martyrs on my own merit, but I definitely looked at it differently once I got an alternate opinion from my wife who watched is as well. The movie follows the story of two friends Anna (Morjana Aloui) and Lucie (Mylene Jampanoi). Lucie finds herself looking out for Anna when Anna can’t stop seeing an apparition that makes her do terrible things. Anna’s got a secret that no one believes, including Lucie who has her doubts.

Acting: 10

Beginning: 10
In the beginning we see Anna running away from what can only be seen as an abusive situation. She’s cut up and bleeding. It doesn’t take long to be drawn into her story and want to know more about what happened.

Characters: 6
I appreciated the depth of Anna’s character. She has issues, layers of them. You feel bad for her and terrified of her at the same time. The other characters, however, left a bit to be desired. We don’t really get a deep dive into Lucie’s situation, only that she has this need to take care of Anna. Outside of these two, the rest of the characters definitely fall a bit flat.

Cinematography/Visuals: 8

Conflict: 6
There are some truly tense moments in Martyrs, but a good portion of the movie feels more like torture porn. The action comes in brief pockets and isn’t always effective when it does happen. There were some solid sequences that were truly terrifying, but overall things could have been better.

Entertainment Value: 7
This movie succeeds with intrigue and originality. If charisma alone was enough to pass a movie, my overall score would be a lot higher. I enjoyed the mystery of it all which held my attention throughout the film. Will Lucie get to the bottom of what’s going on with Anna? Is Anna telling the truth? You really don’t know what to expect.

Memorability: 5

Pace: 9

Plot: 5
I think Martyrs eventually becomes a victim of it’s own trope as it focuses too much on leaving you in the dark and not necessarily pushing a legit story. I definitely feel there are certain elements that could have made the story a lot better, but I’m hesitant to dive in too much for fear of ruining the story. The plot progression is mediocre at best and leaves too much to interpretation.

Resolution: 8
For what it’s worth, Martyrs has absolutely one of the craziest endings I have ever seen. If you would have told me at the start of the movie that the road would have led there, I wouldn’t believe you. The shock factor is definitely there.

Overall: 74
Had the story been stronger and a bit more character development considered, Martyrs might have had more success with me. As it stands, I consider it an interesting enough film to watch at least once. it will keep you guessing right up until the end.
  
Jim & Andy: The Great Beyond (2017)
Jim & Andy: The Great Beyond (2017)
2017 |
7
8.8 (4 Ratings)
Movie Rating
Documentaries, they can’t be trusted, can they? There is always a purpose and a message the film-maker’s have manufactured and edited to suit themselves, I find. They often leave you with more questions than answers. The best ones are open to interpretation enough to allow you in; allowing the source material to speak for itself. The worst ones rely on talking heads too much and can feel very manipulative.

Jim and Andy: The Great Beyond, is fortunately much more of the former than the latter. However, two days after watching this mind-blowing exposé of how Jim Carrey behaved on set of the excellent Man On The Moon, playing genius / lunatic Andy Kaufman, I am still left pondering what to think of it all. Is Carrey an ego maniac who belongs in a straight-jacket, or is he a hippie genius, dedicated to his art, who would do anything to achieve a perfect performance?

It focuses on a fully bearded Carrey reliving his memories of 20 years ago. Reinforced by a plethora of behind the scenes footage, which at turns is hilarious, shocking, confusing and revealing, in uncomfortable and fascinating ways. The premise is that at the time of being cast Kaufman’s spirit inhabited Carrey, allowing him to channel the actual man, and BE him, rather than merely play him!

Whatever your thoughts on method acting, and how indulgent that can be, it is always astonishing to see just how far he went! And why everyone else allowed him to get away with it? Director Milos Forman is forced to cope with never talking to “Jim”, only to “Andy”, and seems often at the point of break-down. Fellow cast members seem to deal with it in different ways too. Danny DeVito seems in awe; Courtney Love seems to embrace it; Paul Giamatti seems very uncomfortable. But the whole show goes ahead with Carrey as king. Simply extraordinary!

The thing is, both 1999 Jim and 2017 Jim never seem entirely insane, but rather totally in control and eloquent. It seems as if every “crazy” thing he did was a choice, conscious or unconscious, that as an actor he was happy to be part of; as if the performance was all that mattered. There have always been mental health questions about Carrey, and this throws a bright spotlight on his technique, personality and self-awareness. At some point you just have to say “wow” and to a degree applaud it.

Your enjoyment of it hinges on how much of a Carrey fan you are? If you have never liked or got him as a performer then you will be screaming at the screen in consternation. If you love his work then this is indespesible viewing! Either way, there is something wondrous about it! Just consider, Carrey won a Golden Globe for this role, and remains the only person ever to do so not to be Oscar nominated…

There is also a suggestion the whole thing is a joke, in typical Kaufman style, using the footage to create a trick on the audience… Documentaries, they can’t be trusted, can they? You decide.
  
That's My Boy (2012)
That's My Boy (2012)
2012 | Comedy
Adam Sandler movies have often been a mixed bag. For every “The Wedding Singer” and “50 First Dates” there are several forgettable offerings like “Little Nicky”, “I Now Prounounce You Chuck and Larry”, and “8 Crazy Nights”. To be fair there’ve also been several guilty pleasures such as “Happy Gilmore” and “The Waterboy” along the way. Sadly, his recent offerings, culminating in the disastrous “Jack and Jill”, have given me very low expectations for his new film “That’s My Boy” which pairs Sandler with former Saturday Night Live star Andy Samberg.

Sandler stars as Donny, a down-on his luck former celebrity who gained notoriety after impregnating his teacher at 13. While the teacher (Eva Amurri Martino) went on to a 30-year prison sentence, Donny used his notoriety to become a pop culture sensation. Unfortunately for Donny fame was fleeting and he wasted the money he had accumulated along the way. We soon learn Donny faces a prison sentence unless he comes up with $45,000 to pay back taxes.

Desperate, he turns to his estranged son Todd (Andy Samberg), who has pretty much disowned his father and does not even go by is given birth name. Todd is about to marry a socialite named Jamie (Leighton Meester), and since he is a numbers genius with an extremely bright future with a partnership pending, the arrival of his crude, drunken father, is a disaster in the making. Passing himself off as long-lost friend, Donny attempts to reconnect with his son and naturally this happens over some very vulgar and awkward moments, not all of which are limited to bachelor party scenes.

Of course anybody who has seen any of Sandler’s films will know the formula that follows: crude situations followed by conflict, mixed with celebrity cameos and an ’80s soundtrack tossed in with a few laughs along the way towards a tidy ending. To say that there is a definite formula to his films would be an understatement and Sandler gives the impression that he’s making up many of the scenes as he goes along, all the while sporting a hybrid Boston/Little Nicky accent.

What ultimately sells the film is the energy and effort that the cast puts into their performances. While the plot can be charitably described as disjointed, there are several scenes that are LOL-inducing, especially those with James Caan as an angry priest and with Vanilla Ice and Todd Bridges lampooning their faded glory.

While the film is a bit cruder than most of Sandler’s usual fare it is, for the most part, good-natured and lighthearted. Obviously nobody is expected to take the film seriously. Samberg does a good job playing the restrained uptight Todd, and in the scenes where he lets loose, shows solid working chemistry with Sandler.

While it is not a great cinematic comedy it certainly has more than its fair share of laughs along the way, just as long as you’re willing to overlook the lackluster plot and uneven pacing of the film.