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Kristy H (1252 KP) rated The Woman in Cabin 10 in Books
Feb 8, 2018
Laura (Lo) Blackstock is excited to finally get the opportunity of her travel journalism career: a chance to cover the launch of a luxury cruise ship, the Aurora. The ship is headed to Norway, and Lo has the ability to mingle with a set of wealthy passengers and make some connections to jump-start her writing career. But before she even sets foot on the boat, Lo is reeling from a break-in at her apartment, which leaves her anxious, exhausted, and--through a series of unfortunate events--on the outs with her boyfriend, Jonah. Still, at first the Aurora seems gorgeous and luxurious, if a bit small for Lo's claustrophobia. But her first evening on board, after an evening of dining and drinking, Lo is awoken to the sound of an argument in cabin 10 next door, and she's convinced she sees a woman tossed overboard. But no one on the ship believes her, and the woman she knows she met earlier in cabin 10, when asking to borrow mascara, is gone--nowhere on the boat. Lo knows realistically this isn't possible: it's a small boat and people can't just disappear. But she also knows who she saw and what she saw. Is she going crazy? And is someone on the boat now out to get her?
This was an interesting and suspenseful thriller. I agree with the comparisons to an Agatha Christie novel: with the setting of the novel being a ship, you have a limited cast of characters (and suspects), which heightens some of the intrigue. Ware does an excellent job of setting the scene, and you can practically feel yourself trapped in this opulent yet slightly claustrophobic, endlessly rocking luxury cruise-liner. Lo is set up rather quickly as unreliable narrator: she's clearly anxious after her break-in, prone to drinking, and reeling from a lack of sleep. Therefore, from the outset, we're not sure if we can trust what we're reading or what seems to be unfolding on this ship. One of my favorite things about this novel is that it certainly keeps you guessing -- I was constantly coming up with (and discarding) various theories as I read, placing blame on a new character every few chapters. And, of course, always harboring that seed of doubt that Lo just made the entire thing up. While we hear entirely from Lo, Ware places a few newspaper stories at the end of each chapter, which just add to your doubt and confusion.
As for Lo, she's not the most enjoyable of main characters and due to our limited set of characters, we don't have many others, so most of the tale hinges on her. She's a bit annoying and whiny and prone to overthinking and bad decisions. She can get frustrating at times, to say the least. The story itself isn't really creepy or spooky, but it's definitely interesting and, as I said, keeps you guessing until nearly the very end. A few of the plot points seem a bit haphazard, as if things were just jammed together randomly into the story, but I suppose they all work together at the end.
Overall, this is certainly an engaging and suspenseful thriller. If you enjoy a fast-paced whodunnit, this one is for you. 3.5 stars.
This was an interesting and suspenseful thriller. I agree with the comparisons to an Agatha Christie novel: with the setting of the novel being a ship, you have a limited cast of characters (and suspects), which heightens some of the intrigue. Ware does an excellent job of setting the scene, and you can practically feel yourself trapped in this opulent yet slightly claustrophobic, endlessly rocking luxury cruise-liner. Lo is set up rather quickly as unreliable narrator: she's clearly anxious after her break-in, prone to drinking, and reeling from a lack of sleep. Therefore, from the outset, we're not sure if we can trust what we're reading or what seems to be unfolding on this ship. One of my favorite things about this novel is that it certainly keeps you guessing -- I was constantly coming up with (and discarding) various theories as I read, placing blame on a new character every few chapters. And, of course, always harboring that seed of doubt that Lo just made the entire thing up. While we hear entirely from Lo, Ware places a few newspaper stories at the end of each chapter, which just add to your doubt and confusion.
As for Lo, she's not the most enjoyable of main characters and due to our limited set of characters, we don't have many others, so most of the tale hinges on her. She's a bit annoying and whiny and prone to overthinking and bad decisions. She can get frustrating at times, to say the least. The story itself isn't really creepy or spooky, but it's definitely interesting and, as I said, keeps you guessing until nearly the very end. A few of the plot points seem a bit haphazard, as if things were just jammed together randomly into the story, but I suppose they all work together at the end.
Overall, this is certainly an engaging and suspenseful thriller. If you enjoy a fast-paced whodunnit, this one is for you. 3.5 stars.
Kristy H (1252 KP) rated The Woman in Blue (Ruth Galloway, #8) in Books
Feb 8, 2018
The eighth book in Elly Griffths' Ruth Galloway series finds much of the action taking place in Walsingham, an English town famous for its religion. Cathbad, Ruth's druid friend, is in town housesitting for a friend, when he sees a lovely woman in a dress and cloak in the nearby cemetery. Cathbad believes he's had a vision of the Virgin Mary, but something doesn't seem right about the whole episode. In the morning, a young woman is found dead in Walsingham - wrapped in blue cloth. At the same time, Ruth is receiving emails from an old friend, Hilary, now a priest. She's receiving threatening letters from someone who clearly isn't happy about women in the priesthood and wants Ruth's help. Are the letters and the death connected? When Hilary comes to Walsingham to attend a conference for women priests, Ruth finds herself in the middle of it all. As does DCI Harry Nelson, of course, who is tracking not only the woman's killer, but Hilary's letter writer. A religious zealot? An angry misogynist? What really is happening in Walsingham?
I've made it clear by now that I'm a huge fan of Griffths' Galloway series. I think of Ruth as an old friend. Curling up with one of these books is like going home, or talking to a familiar and beloved friend. The characters' quirks make you laugh simply because you know them so well. Crazy Cathbad, Nelson and his mannerisms (and uptight ways), and, of course, Ruth's wit and sarcastic observances. A simple mention of Ruth being unable to find anything in her pocketbook, or how shared food doesn't have calories - somehow Griffiths can make straightforward sentences like these only add to Ruth's lovable character. She's created a cast of characters who are so well-done, so simply "them," that you look forward to returning to their world. (That's not to say you couldn't pick up this book first, without reading the others in the series. They do stand alone. You'd just be missing out, in my opinion, on lots of wonderful earlier Ruth and Nelson.)
The eight installment differed a bit, to me, as it focused a bit more on the personal side of things, mainly the Ruth and Nelson story (or, truly, the Ruth, Nelson, and Michelle triangle). This was certainly good, albeit stressful, as it's difficult when you're favorite characters aren't getting along. Still, the developments in this novel are necessary in the trajectory to move all three characters forward. The religious plot was a little confusing for me, at times - between a lot of British references I don't always quite get (I wasn't reading this one in my Nook, so it was harder to look things up) and just my overall lack of religious knowledge - but the mystery was still enjoyable and plotted well. The supporting cast of characters introduced in this tale rounded out the story well, and I was truly left wondering until nearly the end about "whodunit."
All in all, another great Ruth tale, which made me laugh out loud several times (I still wish Ruth could just be my friend, and my twins could play with Kate). Combined with a strong mystery, it's hard to go wrong here.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 02/04. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
I've made it clear by now that I'm a huge fan of Griffths' Galloway series. I think of Ruth as an old friend. Curling up with one of these books is like going home, or talking to a familiar and beloved friend. The characters' quirks make you laugh simply because you know them so well. Crazy Cathbad, Nelson and his mannerisms (and uptight ways), and, of course, Ruth's wit and sarcastic observances. A simple mention of Ruth being unable to find anything in her pocketbook, or how shared food doesn't have calories - somehow Griffiths can make straightforward sentences like these only add to Ruth's lovable character. She's created a cast of characters who are so well-done, so simply "them," that you look forward to returning to their world. (That's not to say you couldn't pick up this book first, without reading the others in the series. They do stand alone. You'd just be missing out, in my opinion, on lots of wonderful earlier Ruth and Nelson.)
The eight installment differed a bit, to me, as it focused a bit more on the personal side of things, mainly the Ruth and Nelson story (or, truly, the Ruth, Nelson, and Michelle triangle). This was certainly good, albeit stressful, as it's difficult when you're favorite characters aren't getting along. Still, the developments in this novel are necessary in the trajectory to move all three characters forward. The religious plot was a little confusing for me, at times - between a lot of British references I don't always quite get (I wasn't reading this one in my Nook, so it was harder to look things up) and just my overall lack of religious knowledge - but the mystery was still enjoyable and plotted well. The supporting cast of characters introduced in this tale rounded out the story well, and I was truly left wondering until nearly the end about "whodunit."
All in all, another great Ruth tale, which made me laugh out loud several times (I still wish Ruth could just be my friend, and my twins could play with Kate). Combined with a strong mystery, it's hard to go wrong here.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 02/04. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Kristy H (1252 KP) rated Small Admissions in Books
Feb 13, 2018
Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
Emma Montague is an Englishwoman living in the U.S. She left behind her parents as soon as she could: feeling trapped by her mother's snobbery and outgoing personality, so different from Emma's quiet and introverted self. But life in the high-powered banking world in New York City isn't exactly for Emma either. She finds everyone so false: women who only care about clothes and finding a man, too many nights at bars, and pressure to use dating apps. Her one long-term relationship winds up nowhere, and so Emma finds herself on the move again: this time to the beach town of Westport, CT. She takes a break from banking and finds herself renting a house in this seaside town. Emma quickly finds herself falling for landlord, Dominic, a bartender in Westport. A father to six-year-old Jesse, Dominic seems to be the opposite of Emma in every way. Emma isn't sure that the two could ever really be together, but she can't seem to stop her heart from falling for Dominic. Are they meant to be?
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.
Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.
That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.
All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.
Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.
I would like to start off by saying to Owlcrate, amazing job at curating this book for the box. I was stoked when I opened the box to see this one in there because this was on my wish list!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
Zuky the BookBum (15 KP) rated The Ridge in Books
Mar 15, 2018
When I saw John Rector had another novel coming out I was really excited. I read a previous book of his, <i>Ruthless</i>, which I really enjoyed, so I was sure I was going to like this one, but it didn't live up to my expectations.
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
Heather Cranmer (2721 KP) rated Bad Girls Don't Die (Bad Girls Don't Die, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Hazel (1853 KP) rated And Then We Ran in Books
Dec 7, 2018
<I>I received this book for free through Goodreads First Reads.</I>
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. <I>And Then We Ran</I> by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate <i>And Then We Ran</i>, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. <i>And The We Ran</i> is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
<i>And Then We Ran</i> is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. <I>And Then We Ran</I> by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate <i>And Then We Ran</i>, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. <i>And The We Ran</i> is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
<i>And Then We Ran</i> is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
It all starts on the first day of school in class when a gorgeous looking boy walks through the door and catches Scarlett's eye. Scarlett is Noah's Tour guide as they have almost every class together, they instantly become good friends. Noah is a very curious character and Scarlett likes it, he seems so much older than the other boys and really listens, over the weeks they grow closer, so close even that Scarlett confides in a secret that she hasn't told anyone before. She can't remember anything from the age of 4 and below due to a fire.
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars