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Nicole Hadley (380 KP) rated The Girl Who Saved Christmas in Books
Jun 14, 2018
The Girl Who Saved Christmas by Matt Haig is a very charming story that can be enjoyed by children and adults alike. It is the story of Amelia Wishart, who is the first child ever to receive a gift from Father Christmas. She never loses hope throughout the misery she encounters in her very young life and however much she would like to stop believing in magic and goodness, she never fully does. Her hope made that first visit possible, and, just a couple of years later, her hope might just save Christmas itself.
The story takes place in two locations that couldn't be more different: Elfhelm, where it is clean and only ever gets as cold as you want it to be, and in 1841 London, where it is dirty, cold and unfriendly place to orphans.
The characters in the story are quite fun. Amelia and Father Christmas both have strong personalities with a firm determination to get things done. Mr. Creeper is just as his name predicts, he is creepy and not a nice man at all. The guest appearances of a ruling head of state and a famous author are perfect. One passage was hilarious and it took me several minutes to sop laughing before I could continue reading. I was amused.
I recommend this book for read-a-loud's to children and for middle grade readers.
I received this book from NetGalley via Random House Children's Knopf Books for Young Readers in exchange for an honest review.
The story takes place in two locations that couldn't be more different: Elfhelm, where it is clean and only ever gets as cold as you want it to be, and in 1841 London, where it is dirty, cold and unfriendly place to orphans.
The characters in the story are quite fun. Amelia and Father Christmas both have strong personalities with a firm determination to get things done. Mr. Creeper is just as his name predicts, he is creepy and not a nice man at all. The guest appearances of a ruling head of state and a famous author are perfect. One passage was hilarious and it took me several minutes to sop laughing before I could continue reading. I was amused.
I recommend this book for read-a-loud's to children and for middle grade readers.
I received this book from NetGalley via Random House Children's Knopf Books for Young Readers in exchange for an honest review.
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I was sent [b:Fear Week|17157832|Fear Week|Andrew McBurnie|http://d202m5krfqbpi5.cloudfront.net/books/1356078463s/17157832.jpg|23580878] by [a:Andrew McBurnie|2920822|Andrew McBurnie|http://d202m5krfqbpi5.cloudfront.net/authors/1377149028p2/2920822.jpg], the author, in exchange for an honest review. The plot appealed to me as I'd never heard of, let alone read anything about the Cuban missile crisis, and I wanted a chance to learn about that and the Cold War.
The story centres around Adrian Thorby and the events that happen to him over the week of the Cuban missile crisis. His age is never mentioned, but I'd put it at around 13. The tension between America and Russia is affecting Hull in 1962, but those aren't the only things that worry Adrian that week.
Generally, when starting a book I read as little of the blurb as possible, so I was a little shocked when, on the second page, there's the line:
<blockquote>"He felt his willy twitching..."</blockquote>
Don't get me wrong, it's realistic, but I hadn't been expecting it! There was more on this subject throughout the book, and at times it was somewhat awkward, but this was probably proportionate to the embarrassment Adrian was feeling!
McBurnie created really realistic relationships between the characters, whether Adrian's family or friends. I loved the sibling rivalry, and could really relate to the sense of panic Adrian's friend Tim and he felt when they 'lost' his brother's book.
It took me a little while to get into this, but once I did, I enjoyed it. It's a creeper! McBurnie captures the little things really well - fears about the nuclear threat, and family niggles, for example. I also thought that, once it got going, the story managed to evoke the history it was representing. The casual acceptance of caning in school helped with a lot of this, haha!
The story centres around Adrian Thorby and the events that happen to him over the week of the Cuban missile crisis. His age is never mentioned, but I'd put it at around 13. The tension between America and Russia is affecting Hull in 1962, but those aren't the only things that worry Adrian that week.
Generally, when starting a book I read as little of the blurb as possible, so I was a little shocked when, on the second page, there's the line:
<blockquote>"He felt his willy twitching..."</blockquote>
Don't get me wrong, it's realistic, but I hadn't been expecting it! There was more on this subject throughout the book, and at times it was somewhat awkward, but this was probably proportionate to the embarrassment Adrian was feeling!
McBurnie created really realistic relationships between the characters, whether Adrian's family or friends. I loved the sibling rivalry, and could really relate to the sense of panic Adrian's friend Tim and he felt when they 'lost' his brother's book.
It took me a little while to get into this, but once I did, I enjoyed it. It's a creeper! McBurnie captures the little things really well - fears about the nuclear threat, and family niggles, for example. I also thought that, once it got going, the story managed to evoke the history it was representing. The casual acceptance of caning in school helped with a lot of this, haha!
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Merissa (12776 KP) rated Voklane (Gen-Heirs: The Guardians of Sziveria, #8) in Books
Aug 14, 2024
VOKLANE is the eighth and final book in the Gen-Heirs series and what a bittersweet moment this is. I have loved all of these books, some more than others, and was so happy to see them go out with a bang, rather than a whimper!
Delanee and Voklane have been dancing around each other for a few books now, and I was really looking forward to their story. I was NOT disappointed. From the sparks that were constantly flying, to the protectiveness that worked both ways, there was so much to enjoy. I loved how the long story arc came to its conclusion, giving a satisfactory ending, although I personally think she got off lightly considering what she had arranged for others!
Because of Delanee, I also got to spend some time with my favourite family and look forward to seeing more of them in the future! I also go to see a creeper get his comeuppance, so that was worth it! 😆
A smooth writing style with some steam, this story not only gave Ryan and Delanee the spotlight, but also managed to give an update on all the other couples in a way that was completely natural to the storyline. And all that did was make me want to read them all again, so I say job well done!
A superb series that I am not ready to let go of just yet, and HIGHLY RECOMMENDED by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2024
Delanee and Voklane have been dancing around each other for a few books now, and I was really looking forward to their story. I was NOT disappointed. From the sparks that were constantly flying, to the protectiveness that worked both ways, there was so much to enjoy. I loved how the long story arc came to its conclusion, giving a satisfactory ending, although I personally think she got off lightly considering what she had arranged for others!
Because of Delanee, I also got to spend some time with my favourite family and look forward to seeing more of them in the future! I also go to see a creeper get his comeuppance, so that was worth it! 😆
A smooth writing style with some steam, this story not only gave Ryan and Delanee the spotlight, but also managed to give an update on all the other couples in a way that was completely natural to the storyline. And all that did was make me want to read them all again, so I say job well done!
A superb series that I am not ready to let go of just yet, and HIGHLY RECOMMENDED by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2024
Acanthea Grimscythe (300 KP) rated Nails (2017) in Movies
May 12, 2018
Contains spoilers, click to show
If you’re looking for a film packed with clichés and continuity issues, I recommend Nails – an Irish film currently available on Netflix. I ended up watching it yesterday with my sister-in-law and while it isn’t absolutely awful, it was definitely something I won’t be watching again.
The movie begins with a bam, jumping immediately into what can be read in the above synopsis. There’s not much of a build up and the characters are awfully flat. In fact, we don’t really get much of a chance to learn anything about them other than that Dana Milgrom, the main character, is helpless and dismissed by her healthcare professionals, and Steve Milgrom is a cheating asshole (because hey, what movie does that not happen in?). There’s also a daughter, and while she plays a major role toward the end of the film, she’s fairly minor otherwise.
What bothers me most about Nails isn’t its dry characters, though. The film is riddled with continuity errors. For instance, Dana is struck by a car and hits the pavement, but her face appears to have been severely burnt after the fact. Also Dana’s broken arm somehow heals faster than her face. Similarly, her stitches don’t lighten up or begin to heal. Later, there’s a scene where she’s tossed haphazardly over a wheelchair, then magically has repositioned herself.
As for clichés, here’s a list of them:
-Creepy scenes accompanied with ear shattering music
-Borderline creeper psychiatrist
-Eric Nilsson is an “angel of mercy” that killed five children then, surprise, killed himself in the same room Dana just happens to be stuck in.
-Hospital has a prior nefarious history and record of poor choices
Steve’s affair
-The dismissal of Dana’s concerns as being a mental issue (though this does have some importance when you consider the current mental health battles, it is hugely overplayed in horror movies without actually addressing the issue itself)
This is just a short compilation of issues I found with the movie. It’s one saving grace really is the type of monster being radically different from what you usually see. I felt Nails, the entity itself, was unique enough to save this movie from a one skull rating. Nonetheless, it could have been a lot better.
The movie begins with a bam, jumping immediately into what can be read in the above synopsis. There’s not much of a build up and the characters are awfully flat. In fact, we don’t really get much of a chance to learn anything about them other than that Dana Milgrom, the main character, is helpless and dismissed by her healthcare professionals, and Steve Milgrom is a cheating asshole (because hey, what movie does that not happen in?). There’s also a daughter, and while she plays a major role toward the end of the film, she’s fairly minor otherwise.
What bothers me most about Nails isn’t its dry characters, though. The film is riddled with continuity errors. For instance, Dana is struck by a car and hits the pavement, but her face appears to have been severely burnt after the fact. Also Dana’s broken arm somehow heals faster than her face. Similarly, her stitches don’t lighten up or begin to heal. Later, there’s a scene where she’s tossed haphazardly over a wheelchair, then magically has repositioned herself.
As for clichés, here’s a list of them:
-Creepy scenes accompanied with ear shattering music
-Borderline creeper psychiatrist
-Eric Nilsson is an “angel of mercy” that killed five children then, surprise, killed himself in the same room Dana just happens to be stuck in.
-Hospital has a prior nefarious history and record of poor choices
Steve’s affair
-The dismissal of Dana’s concerns as being a mental issue (though this does have some importance when you consider the current mental health battles, it is hugely overplayed in horror movies without actually addressing the issue itself)
This is just a short compilation of issues I found with the movie. It’s one saving grace really is the type of monster being radically different from what you usually see. I felt Nails, the entity itself, was unique enough to save this movie from a one skull rating. Nonetheless, it could have been a lot better.
Emma @ The Movies (1786 KP) rated The Turning (2020) in Movies
Mar 2, 2020
On reflection, I'm going to have to apologise to Like A Boss for saying it was the worst film I saw in January.
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html