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Night Reader Reviews (683 KP) rated The Figment Wars: Through the Portals in Books
Jan 9, 2020
The Figment Wars: Through The Portals by David R. Lord is a book that I hope to see a sequel to in the coming years. In fact, the ending of the book suggests at least a sequel if not an entire series. I just wonder how such stories can continue without becoming too far fetched or simplified by the childrens stabilizes in this book, but without giving too much away I have to stop there.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Night Reader Reviews (683 KP) rated Ten Minutes On Mars in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Ten Minutes on Mars by Jonathan Fisher is a small collection of eighteen short stories. Some, or rather, most of these stories are a bit on the twisted side so reader be warned. On a deeper level this book appears to explore the darker side of humanity and how we are monsters to each other and to animals.
Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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Matthew Krueger (10051 KP) rated the PlayStation version of Resident Evil in Video Games
Jun 27, 2020 (Updated Jun 27, 2020)
The Atmosphere (2 more)
The Horror
The depending on what you need or think that's important.
The Infested Mansion
Resident Evil- like Silent Hill, the atmosphere of a the horror genre is excellent. Resident Evil ask you the question, if you and your team got stranded and the only place to go is a old creepy manison and survive it, can you do it?. The answer for me, no! But for Chris and Jill their have to, no other choice. Thats what i love about Resident Evil, is the atmosphere of the manison, the creepest, the mystery, the suspense, the thrills and the creatures that live inside of it.
The plot: Chris Redfield and Jill Valentine, are members of an elite task force known as S.T.A.R.S., as they investigate the outskirts of Raccoon City following the disappearance of their team members. They soon become trapped in a mansion infested with zombies and other monsters. The player, having selected to play as Chris or Jill at the start of the game, must explore the mansion to uncover its secrets.
Gameplay: The player's character is a member of a special law enforcement task force who is trapped in a mansion populated by dangerous mutated creatures. The objective of the game is to uncover the mystery of the mansion and ultimately escape alive.
To fulfill the game's objective, the player uncovers various documents that provide exposition about the game's narrative, as well as clues that help them solve various puzzles within the mansion. Key items are also available that give the player access to other items or new areas. The player can arm their character with weapons to defend themselves from enemies, although the ammunition available for each firearm is limited and the player must learn to conserve the ammunition they have for situations where they will really need it
The carrying capacity of the player is limited depending on the character and items that the player does not wish to carry at the moment can be stored into an item box to be retrieved for later use. To save their progress, the player must pick up an ink ribbon and use it on any of the typewriters scattered through key locations in the game. However, the supply of ink ribbons the player can acquire is limited much like the player's ammo and healing supplies. Players will encounter and fight various infected creatures as flesh-eating zombies, undead dogs, giant spiders, and other monsters.
Resident Evil was very well received critically and commercially, and is often credited for defining the survival horror genre. Beyond video games, Resident Evil has been credited with re-popularising zombies in mainstream popular culture from the late 1990s onwards (along with The House of the Dead), leading to a renewed interest in zombie films during the 2000s. Resident Evil has since been hailed as one of the most influential and greatest video games of all time. Its success has spawned a multimedia franchise including video games, films, comics, novels, and other merchandise. The game has received dedicated ports to the Sega Saturn, Windows, and Nintendo DS. In 2002, a remake of the same name was released for the GameCube featuring updated graphics, sound, and changes to the gameplay and story. A high-definition remaster of the GameCube game was released in 2015 for modern platforms.
Resident Evil- is one of my favorite survivor horror games of all time and one of my favorite games of all times. Its intense, thrilling, suspenseful and overall scary. Resident Evil is a must to play, if you haven't already. Will you survivie the manison or not!
The plot: Chris Redfield and Jill Valentine, are members of an elite task force known as S.T.A.R.S., as they investigate the outskirts of Raccoon City following the disappearance of their team members. They soon become trapped in a mansion infested with zombies and other monsters. The player, having selected to play as Chris or Jill at the start of the game, must explore the mansion to uncover its secrets.
Gameplay: The player's character is a member of a special law enforcement task force who is trapped in a mansion populated by dangerous mutated creatures. The objective of the game is to uncover the mystery of the mansion and ultimately escape alive.
To fulfill the game's objective, the player uncovers various documents that provide exposition about the game's narrative, as well as clues that help them solve various puzzles within the mansion. Key items are also available that give the player access to other items or new areas. The player can arm their character with weapons to defend themselves from enemies, although the ammunition available for each firearm is limited and the player must learn to conserve the ammunition they have for situations where they will really need it
The carrying capacity of the player is limited depending on the character and items that the player does not wish to carry at the moment can be stored into an item box to be retrieved for later use. To save their progress, the player must pick up an ink ribbon and use it on any of the typewriters scattered through key locations in the game. However, the supply of ink ribbons the player can acquire is limited much like the player's ammo and healing supplies. Players will encounter and fight various infected creatures as flesh-eating zombies, undead dogs, giant spiders, and other monsters.
Resident Evil was very well received critically and commercially, and is often credited for defining the survival horror genre. Beyond video games, Resident Evil has been credited with re-popularising zombies in mainstream popular culture from the late 1990s onwards (along with The House of the Dead), leading to a renewed interest in zombie films during the 2000s. Resident Evil has since been hailed as one of the most influential and greatest video games of all time. Its success has spawned a multimedia franchise including video games, films, comics, novels, and other merchandise. The game has received dedicated ports to the Sega Saturn, Windows, and Nintendo DS. In 2002, a remake of the same name was released for the GameCube featuring updated graphics, sound, and changes to the gameplay and story. A high-definition remaster of the GameCube game was released in 2015 for modern platforms.
Resident Evil- is one of my favorite survivor horror games of all time and one of my favorite games of all times. Its intense, thrilling, suspenseful and overall scary. Resident Evil is a must to play, if you haven't already. Will you survivie the manison or not!
Sarah (7798 KP) rated Willy's Wonderland (2021) in Movies
Mar 20, 2021
Could’ve been so much better
If you’ve seen the trailer for Willy’s Wonderland, you were no doubt wondering what on earth your eyes had just been witness to, and I’m afraid the full film doesn’t get any less demented. Willy’s Wonderland is a 2021 horror comedy from director Kevin Lewis that is every bit a modern day B-movie, complete with cheesy script and questionable acting. On paper it sounds like it should be entertainingly bad but silly, but unfortunately in reality it’s just bad.
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
A gothic boarding school tale that falls flat
Rose Christie is nervous but excited when she's hired on as the new Head of Classics at Caldonbrae Hall, a boarding school for girls in Scotland. A renowned establishment for 150 years, Caldonbrae is a far step above Rose's current teaching gig and will offer a chance to help her mother, who is struggling with MS. Rose is the first external hire in over a decade, making her an immediate outsider, along with her youthful age. She quickly feels over her head at Caldonbrae, where the teachers and students alike seem to lord over her. But soon Rose realizes that everyone seems to be on to a secret, except her. Why did the last Classics teacher, Jane, leave so suddenly? As Rose learns more about Caldonbrae, she quickly realizes it is nothing like she expected.
"One way or another someone was going to get eaten alive here, Rose realized. She'd be damned if it was her."
I'm a sucker for boarding school stories, but this one did not live up to the promised hype for me. It grew on me a small bit by the end, but when I say this is a slow burning tale, I mean SLOW. I was incredibly tempted to "DNF" this book, but stuck with it, skimming or fast reading portions of it. The big twist, so to speak, doesn't come until halfway through (55% in fact). At that point, we have sat through lots of classics lessons and pontificating about Caldonbrae and gotten to know a lot of girls at the school.
Although, "getting to know" is probably generous, as there's a lack of character development throughout most of MADAM. There are a variety of girls at Caldonbrae thrust upon us, but I found it nearly impossible to keep many of them straight. (It doesn't help that the UK version of schooling is hard to follow, with thirds, fourths, and more tossed about, but rarely ages. Woe to us idiotic Americans!)
We know little about Rose, are offered a scarce backstory, and pieces about her father that are supposed to form her personality seem tossed in haphazardly. Instead she drove me crazy with her dithering and inability to make decisions. Most of the time I just wanted to shake her. She was in an impossible situation, perhaps, but she seemed unable to grasp anything for much of the book, or realize the seriousness of her circumstances.
I think MADAM was going for ominous and creepy--everything building up to its explosive ending (which is hinted at in the beginning pages), but it falls short. Instead, it seems more annoying and perplexing. When the twist is revealed, it's an interesting one, yes, but I couldn't help but question it, wonder how such a thing could be sustainable. MADAM just couldn't keep up the eerie tone it was trying for.
There's definite storytelling potential here, and I did find myself somewhat attached to a few of the girls by the end, when things pick up slightly. MADAM tries to align the classics (think tales of Medea and Antigone and such) with its boarding school girls, but often the tacked on tales of these mythical and classical women feel like unnecessary, added on pieces. It reaches too high, trying for a feminist angle, but falls short, with a fast ending that cannot possibly live up to all those classical, high-reaching aims.
"...she wondered how an establishment that promised to educate 'girls of the world' could somehow make its women feel so small."
Overall, there's a lot going on in MADAM, but it just didn't gel for me. I couldn't root for Rose for most of the novel, and the classic pieces inserted into the plot didn't work. There were sparks I enjoyed, but overall, this wasn't a favorite. 2.5 stars.
"One way or another someone was going to get eaten alive here, Rose realized. She'd be damned if it was her."
I'm a sucker for boarding school stories, but this one did not live up to the promised hype for me. It grew on me a small bit by the end, but when I say this is a slow burning tale, I mean SLOW. I was incredibly tempted to "DNF" this book, but stuck with it, skimming or fast reading portions of it. The big twist, so to speak, doesn't come until halfway through (55% in fact). At that point, we have sat through lots of classics lessons and pontificating about Caldonbrae and gotten to know a lot of girls at the school.
Although, "getting to know" is probably generous, as there's a lack of character development throughout most of MADAM. There are a variety of girls at Caldonbrae thrust upon us, but I found it nearly impossible to keep many of them straight. (It doesn't help that the UK version of schooling is hard to follow, with thirds, fourths, and more tossed about, but rarely ages. Woe to us idiotic Americans!)
We know little about Rose, are offered a scarce backstory, and pieces about her father that are supposed to form her personality seem tossed in haphazardly. Instead she drove me crazy with her dithering and inability to make decisions. Most of the time I just wanted to shake her. She was in an impossible situation, perhaps, but she seemed unable to grasp anything for much of the book, or realize the seriousness of her circumstances.
I think MADAM was going for ominous and creepy--everything building up to its explosive ending (which is hinted at in the beginning pages), but it falls short. Instead, it seems more annoying and perplexing. When the twist is revealed, it's an interesting one, yes, but I couldn't help but question it, wonder how such a thing could be sustainable. MADAM just couldn't keep up the eerie tone it was trying for.
There's definite storytelling potential here, and I did find myself somewhat attached to a few of the girls by the end, when things pick up slightly. MADAM tries to align the classics (think tales of Medea and Antigone and such) with its boarding school girls, but often the tacked on tales of these mythical and classical women feel like unnecessary, added on pieces. It reaches too high, trying for a feminist angle, but falls short, with a fast ending that cannot possibly live up to all those classical, high-reaching aims.
"...she wondered how an establishment that promised to educate 'girls of the world' could somehow make its women feel so small."
Overall, there's a lot going on in MADAM, but it just didn't gel for me. I couldn't root for Rose for most of the novel, and the classic pieces inserted into the plot didn't work. There were sparks I enjoyed, but overall, this wasn't a favorite. 2.5 stars.
Kirk Bage (1775 KP) rated Game Night (2018) in Movies
Jan 22, 2021
Virtual game nights over Zoom have been a big part of many lockdown experiences, so, if you haven’t already, check out this fun, disposable comedy starring Jason Bateman and Rachel McAdams. The two ever reliable leads make this 100 minute romp something worth doing, pitched as it is to tickle you on a superficial level and then leave you alone. Not one minute of meaningful plot or artistic message exists here; this is frat house tomfoolery for the now middle aged mainstream and then a bow to the crowd.
Anyone who has hosted, or been a guest at a dedicated game night will instantly relate to recognisable moments of cringe, such as the person who takes it all far too seriously and must win at all costs; the one who is far too dim to be true, and neither understands the rules nor knows the answers; the couple whose relationship is about to be ruined by how much they disagree; the guys who care much more about the booze, chat and music to care about the game; and the psycho that you didn’t really want to invite but is there in the mix anyway, giving the weirdest answers of all time and bringing down the mood. It’s all there!
When events take a canny twist and a planned fake murder mystery turns into a very real one, there is tons of fun to be had watching the main pair misjudge the amount of danger they are in, believing it all to still be a game. Bateman phones in his usual laconic likeable deadpan schtick, hard to differentiate from his role in half a dozen other films where he plays the likeable everyman, but is never less than watchable – because that’s what he does. McAdams also delivers her ace card, with a guileless charm and sweetness that makes her permanently lovable. She also wins by a point or two on the best lines and laugh out loud moments. If I was keeping score, I’d say she wins this one.
As a couple, their chemistry works a treat and sustains the conceit well for most of the running time. It can feel at times like a bit of a one trick pony, however, and also pushes the boundaries of likability by having quite a mean heart in places, leaning on crass, puerile or macho humour when not entirely necessary – but I guess it knows its target audience and just goes full tilt at that goal.
For that reason, it wouldn’t be something I’d be showing the kids. This is adult humour, for adults – a concept that always makes me slightly uncomfortable, as it will inevitably involve gratuitous violence, nasty misogyny and token gross-outs: the mainstay of comedy films without actual jokes. Game Night just about gets away with it, however, by being smart enough and self-aware enough to know exactly where it sits, shrugging its shoulders and saying “this is what this is” take it or leave it. And I guess there will be as many people who don’t enjoy it as those who do.
Personally, I enjoy what Bateman and McAdams do best enough to play along and enjoy the ride. There is also a terrifically creepy, but note perfect turn from the increasingly reliable Jesse Plemmons, as the lonely neighbour, who steals all the funniest moments the film has to offer. See it for his performance and comic timing if for nothing else. It’s also nice to see Michael C. Hall of Dexter fame turn up for two minutes of mayhem – I don’t see enough of him these days.
In conclusion, neither a winner or a loser. Let’s call it a draw and reset the pieces.
Anyone who has hosted, or been a guest at a dedicated game night will instantly relate to recognisable moments of cringe, such as the person who takes it all far too seriously and must win at all costs; the one who is far too dim to be true, and neither understands the rules nor knows the answers; the couple whose relationship is about to be ruined by how much they disagree; the guys who care much more about the booze, chat and music to care about the game; and the psycho that you didn’t really want to invite but is there in the mix anyway, giving the weirdest answers of all time and bringing down the mood. It’s all there!
When events take a canny twist and a planned fake murder mystery turns into a very real one, there is tons of fun to be had watching the main pair misjudge the amount of danger they are in, believing it all to still be a game. Bateman phones in his usual laconic likeable deadpan schtick, hard to differentiate from his role in half a dozen other films where he plays the likeable everyman, but is never less than watchable – because that’s what he does. McAdams also delivers her ace card, with a guileless charm and sweetness that makes her permanently lovable. She also wins by a point or two on the best lines and laugh out loud moments. If I was keeping score, I’d say she wins this one.
As a couple, their chemistry works a treat and sustains the conceit well for most of the running time. It can feel at times like a bit of a one trick pony, however, and also pushes the boundaries of likability by having quite a mean heart in places, leaning on crass, puerile or macho humour when not entirely necessary – but I guess it knows its target audience and just goes full tilt at that goal.
For that reason, it wouldn’t be something I’d be showing the kids. This is adult humour, for adults – a concept that always makes me slightly uncomfortable, as it will inevitably involve gratuitous violence, nasty misogyny and token gross-outs: the mainstay of comedy films without actual jokes. Game Night just about gets away with it, however, by being smart enough and self-aware enough to know exactly where it sits, shrugging its shoulders and saying “this is what this is” take it or leave it. And I guess there will be as many people who don’t enjoy it as those who do.
Personally, I enjoy what Bateman and McAdams do best enough to play along and enjoy the ride. There is also a terrifically creepy, but note perfect turn from the increasingly reliable Jesse Plemmons, as the lonely neighbour, who steals all the funniest moments the film has to offer. See it for his performance and comic timing if for nothing else. It’s also nice to see Michael C. Hall of Dexter fame turn up for two minutes of mayhem – I don’t see enough of him these days.
In conclusion, neither a winner or a loser. Let’s call it a draw and reset the pieces.
Lee (2222 KP) rated Ready or Not (2019) in Movies
Sep 27, 2019
Ready or Not opens with a gleefully intense and shocking scene. It serves to give us a taste of the kind of twisted games that usually play out within the confines of huge gothic mansion owned by the eccentric Le Domas family, who made their fortune in the board game business. If you've seen the trailer, then you'll know that Ready or Not is basically just Hide and Seek, but with deathly consequences. However, this short, sharp introduction leaves you in no doubt as to just how far the Le Domas family will go in order to win the game.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Ivana A. | Diary of Difference (1171 KP) rated Alfonso in Books
Aug 3, 2020
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Alfonso is a young man that has moved to Australia to find a better life. Through his story, we follow his feelings and search for purpose.
As a person that moved to another country to find a better life, I can understand Alfonso and I can relate to what he feels and thinks. Coming into another country can be extremely difficult, leaving your family and friends behind, knowing those relationships will never be the same again. Coming to terms with the fact that you will always be a foreigner and have trouble with people accepting you. Trying to make friends and get inside inner circles of people that have been together since high-school – yeah, good luck with that…
Given how I can relate to Alfonso’s situation, and the similarities I have with this character, I thought I would love this book. But I didn’t. Even though I could relate with him, I couldn’t agree with his perceptions and beliefs. Alfonso was always trying to find a girl to spend his life with. Which is normal and expected. However, instead of being his true and authentic self, he desperately tries to be as “less foreign” as possible and adapt to his audience. This is something that seemed to push the potential women away. Not to mention that he was being quite creepy at times (following a girl’s bus schedule and being there before she departs etc.)
Living in a new environment shouldn’t mean that people should stop being who they are and stop believing in what they do, or respecting and practicing the customs from the country they were born and raised from.
All my friends know that in my country we boil and colour actual eggs for Easter, rather than eat chocolate ones. In our home, me and my boyfriend celebrate two Christmases; one on the 25th December, where he does everything by his tradition, and one on 7th January, where I prepare everything in my tradition. And it works. And it’s double the fun and jolly spirit.
I couldn’t relate with the fact that Alfonso feels that he needs to change and adapt, and leave behind his culture. I also couldn’t comprehend the fact that he needs to have a woman to be happy. He couldn’t seem to find happiness with just himself. And maybe, this is again, part of the tradition. In my country, marriages and forming a family are very important, and this may have influenced Alfonso’s behaviour perhaps.
The most upsetting part about this book was that the book ended, and everything remained the same. No earnings, no character development, no closure. Just a bad vibe of negativity, that was lingering in the air and stayed with me for days, like a bad taste in my mouth that you cannot wash with brushing your teeth.
I am not sure how to properly rate “Alfonso”. It was relatable, but conflicting. Very understandable, but unsatisfactory. And I will be honest, I read books that will either make me feel good, or teach me something new (or both), but this book didn’t provide either…
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<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-35.png?w=663&ssl=1"/>;
Alfonso is a young man that has moved to Australia to find a better life. Through his story, we follow his feelings and search for purpose.
As a person that moved to another country to find a better life, I can understand Alfonso and I can relate to what he feels and thinks. Coming into another country can be extremely difficult, leaving your family and friends behind, knowing those relationships will never be the same again. Coming to terms with the fact that you will always be a foreigner and have trouble with people accepting you. Trying to make friends and get inside inner circles of people that have been together since high-school – yeah, good luck with that…
Given how I can relate to Alfonso’s situation, and the similarities I have with this character, I thought I would love this book. But I didn’t. Even though I could relate with him, I couldn’t agree with his perceptions and beliefs. Alfonso was always trying to find a girl to spend his life with. Which is normal and expected. However, instead of being his true and authentic self, he desperately tries to be as “less foreign” as possible and adapt to his audience. This is something that seemed to push the potential women away. Not to mention that he was being quite creepy at times (following a girl’s bus schedule and being there before she departs etc.)
Living in a new environment shouldn’t mean that people should stop being who they are and stop believing in what they do, or respecting and practicing the customs from the country they were born and raised from.
All my friends know that in my country we boil and colour actual eggs for Easter, rather than eat chocolate ones. In our home, me and my boyfriend celebrate two Christmases; one on the 25th December, where he does everything by his tradition, and one on 7th January, where I prepare everything in my tradition. And it works. And it’s double the fun and jolly spirit.
I couldn’t relate with the fact that Alfonso feels that he needs to change and adapt, and leave behind his culture. I also couldn’t comprehend the fact that he needs to have a woman to be happy. He couldn’t seem to find happiness with just himself. And maybe, this is again, part of the tradition. In my country, marriages and forming a family are very important, and this may have influenced Alfonso’s behaviour perhaps.
The most upsetting part about this book was that the book ended, and everything remained the same. No earnings, no character development, no closure. Just a bad vibe of negativity, that was lingering in the air and stayed with me for days, like a bad taste in my mouth that you cannot wash with brushing your teeth.
I am not sure how to properly rate “Alfonso”. It was relatable, but conflicting. Very understandable, but unsatisfactory. And I will be honest, I read books that will either make me feel good, or teach me something new (or both), but this book didn’t provide either…
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Bob Mann (459 KP) rated Game Night (2018) in Movies
Sep 29, 2021 (Updated Sep 29, 2021)
Miss Scarlett at the Airport with the Jet Engine.
“Game Night” is an American comedy film starring Jason Bateman (“Horrible Bosses”, “Central Intelligence“) as Max and Rachel McAdams (“Spotlight“, “Doctor Strange“) as Annie: two hyper-competitive professionals who invite other couples around to their house for a weekly night of charades and board games. The regulars are long-term couple Kevin and Michelle (Lamorne Morris and Kylie Bunbury) and complete buffoon Ryan (Billy Magnussen, “The Big Short“) and his revolving door of generally vacant girlfriends. Estranged from the group, after his divorce, is the creepy police officer Gary (Jesse Plemons, “The Post“, “American Made“) who lives next door.
Auditions for the next Spiderman movie were not going well.
But Max is not content (affecting the mobility of his fishes!) as he has a severe inferiority complex about his enormously successful and cocky older brother Brooks (Kyle Chandler, “Manchester by the Sea“) who beats him at EVERYTHING. When Brooks barges into their game night things get heated and after he organises the next game night as “something different” things take a sharp left into The Twilight Zone.
Bateman, McAdams and Chandler, with game night about to go in an odd direction.
As befits the quality of most modern American comedy films, its all complete nonsense of course. But actually, this is quite good nonsense. The script by Mark Perez (his first movie script in 12 years!) while following a fairly predictable path early in the film is littered with some good one-liners and funny scenes (a bullet-removal is a high-spot) and includes a memorable twist in the final real that I didn’t see coming.
Ryan and Sarah (Billy Magnussen and Sharon Horgan) about to get egged on. (There is a certain lack of logic in the action that follows).
Much of this is powered by the chemistry between Bateman and McAdams. McAdams in particular should do more comedy, as she is very adept at it. Playing the one bright spark in a parade of vacuousness, English comedienne Sharon Horgan also adds a butt to Magnussen’s one-tone joke very effectively. The surprising comedy player though is Jesse Plemons who I thought was just uncomfortably hilarious.
Jesse Plemons and his very white hairy friend.
It is normally unusual to find special effects in a film like this, but here the team (headed up by Dean Tyrrell) should be congratulated for some very subtle but effective effects. Most of the long shots in the film of the neighbourhood/streets etc. are of models which only fade to live action as you zoom in. In the opening drone-fly-over of Max and Annie driving home I thought all the housing looked model-like but as we zoomed into them arriving home I thought I must have imagined in. Only in the subsequent scenes did I realise I was right after all! But it’s so very subtle. I suspect many of the audience were similarly fooled (and many who’ve seen the film and are reading this will be still going “what??”)! There’s a kind of explanation for the randomness of these effects during the (very entertaining) end-titles.
Bullet removal with squeaky toy gag… very funny.
It’s unusual for me to laugh at a comedy so much, but this one I really did. Every comedy film is allowed a little latitude to get the odd strand wrong, and this one is no exception (I didn’t think the spat between Kevin and Michelle really worked)… so it’s not perfect, but novice directors John Francis Daley and Jonathan Goldstein (who’s only previous film project was 2015’s clearly missable “Vacation”) have pulled off a really entertaining watch here.
Auditions for the next Spiderman movie were not going well.
But Max is not content (affecting the mobility of his fishes!) as he has a severe inferiority complex about his enormously successful and cocky older brother Brooks (Kyle Chandler, “Manchester by the Sea“) who beats him at EVERYTHING. When Brooks barges into their game night things get heated and after he organises the next game night as “something different” things take a sharp left into The Twilight Zone.
Bateman, McAdams and Chandler, with game night about to go in an odd direction.
As befits the quality of most modern American comedy films, its all complete nonsense of course. But actually, this is quite good nonsense. The script by Mark Perez (his first movie script in 12 years!) while following a fairly predictable path early in the film is littered with some good one-liners and funny scenes (a bullet-removal is a high-spot) and includes a memorable twist in the final real that I didn’t see coming.
Ryan and Sarah (Billy Magnussen and Sharon Horgan) about to get egged on. (There is a certain lack of logic in the action that follows).
Much of this is powered by the chemistry between Bateman and McAdams. McAdams in particular should do more comedy, as she is very adept at it. Playing the one bright spark in a parade of vacuousness, English comedienne Sharon Horgan also adds a butt to Magnussen’s one-tone joke very effectively. The surprising comedy player though is Jesse Plemons who I thought was just uncomfortably hilarious.
Jesse Plemons and his very white hairy friend.
It is normally unusual to find special effects in a film like this, but here the team (headed up by Dean Tyrrell) should be congratulated for some very subtle but effective effects. Most of the long shots in the film of the neighbourhood/streets etc. are of models which only fade to live action as you zoom in. In the opening drone-fly-over of Max and Annie driving home I thought all the housing looked model-like but as we zoomed into them arriving home I thought I must have imagined in. Only in the subsequent scenes did I realise I was right after all! But it’s so very subtle. I suspect many of the audience were similarly fooled (and many who’ve seen the film and are reading this will be still going “what??”)! There’s a kind of explanation for the randomness of these effects during the (very entertaining) end-titles.
Bullet removal with squeaky toy gag… very funny.
It’s unusual for me to laugh at a comedy so much, but this one I really did. Every comedy film is allowed a little latitude to get the odd strand wrong, and this one is no exception (I didn’t think the spat between Kevin and Michelle really worked)… so it’s not perfect, but novice directors John Francis Daley and Jonathan Goldstein (who’s only previous film project was 2015’s clearly missable “Vacation”) have pulled off a really entertaining watch here.
Bob Mann (459 KP) rated The Girl on the Train (2016) in Movies
Sep 29, 2021
You won’t uncork a bottle of Malbec again without thinking of this film…
“The Girl on a Train” is the film adaptation of the best-seller by Paula Hawkins, transported from the London suburbs to New York’s Hastings-on-Hudson.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.