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Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
Sean Farrell (9 KP) rated Those Who Wish Me Dead in Books
Mar 15, 2018
A patron came into the library on Tuesday to return this book and couldn't stop raving about and so I decided to check it out. Well now I can see what they meant when they said they couldn't put it down. It tells the story of a teenage boy who witnesses a vicious murder and is forced into hiding to avoid the pair of killers who are now chasing him. I won't say anything more for fear of giving away any plot points, but I will say this somewhat simple set-up winds up being more complex than it sounds, and leads to many tense and frightening moments. The duo of bad guys are particularly creepy and are used to great effect. The story moves along at breakneck pace and I felt the characters and their back stories were nicely fleshed out, particularly the lead. I was genuinely concerned for the well-being of these people, which is essential for this type of tale. While I was able to put the book down to get some sleep the first 2 nights, last night I wound up reading the entire 2nd half in one sitting; so riveted by the proceedings that I had no choice but to see what would happen next. This was a truly harrowing adventure, with some very frightening sequences, which I can easily recommend to anyone in the mood for a good thrill.
Ross (3284 KP) rated The Snowman (2017) in Movies
Jul 17, 2018 (Updated Jul 17, 2018)
Style over substance
Contains spoilers, click to show
This film is aptly titled - like when making a snowman I got bored 10 minutes in and just wanted it all to melt away.
The film seems like a stylish director's first attempt at the crime/thriller genre: a genre where details matter, the plot has to build up and unravel at a certain pace, with clever twists and turns along the way. Here there is none of that, there is a feeble attempt to suggest some disappearances are linked but no revelation that the snowmen were present at all scenes (a pretty key element of the whole plot). The film is just a series of things happening, in very nice, slow, moody, atmospheric scenes, and then the plot is crammed into the last 5 minutes at pretty frantic pace. And once its revealed it really makes no sense. We haven't been given enough of the key details along the way to try to empathise with the killer or at least understand why he did what he did.
The characters are all totally disposable. A cheeky spoiler: if a character seems like a creepy killer but has no apparent link to the case - he is the killer.
And I know Val Kilmer was recovering from throat cancer surgery so couldn't speak, but the voice dubbing was so badly executed that all of his scenes were just farcical and should not have made the final cut (they added literally nothing to the overall plot!).
The film seems like a stylish director's first attempt at the crime/thriller genre: a genre where details matter, the plot has to build up and unravel at a certain pace, with clever twists and turns along the way. Here there is none of that, there is a feeble attempt to suggest some disappearances are linked but no revelation that the snowmen were present at all scenes (a pretty key element of the whole plot). The film is just a series of things happening, in very nice, slow, moody, atmospheric scenes, and then the plot is crammed into the last 5 minutes at pretty frantic pace. And once its revealed it really makes no sense. We haven't been given enough of the key details along the way to try to empathise with the killer or at least understand why he did what he did.
The characters are all totally disposable. A cheeky spoiler: if a character seems like a creepy killer but has no apparent link to the case - he is the killer.
And I know Val Kilmer was recovering from throat cancer surgery so couldn't speak, but the voice dubbing was so badly executed that all of his scenes were just farcical and should not have made the final cut (they added literally nothing to the overall plot!).
A scarily plausible thriller that immediately made me change by router password!
Stalker is not what you would expect from the title. According to the Cambridge Dictionary, in the UK a stalker is "a person who illegally follows and watches someone, especially a woman, over a period of time" and although this book certainly covers this definition, it does so slightly differently to what you would imagine it would. For one, it isn't primarily about physically following someone around and for another, it's not primarily about a man stalking a woman.
It starts of a little slow but certainly builds to a very satisfying conclusion. The main character, Flint, is a bit weird but, strangely, he grew on me as the story developed and I found myself feeling sorry for him despite the creepy way in which he lives his life watching over other people living theirs.
Once the book got going proper (that's good English!), it never stopped it became a very riveting read that I found difficult to stop ... you know the feeling ... just one more chapter and before you know it, it's way past your bed time! There are twists that you can see coming and there are others that hit you right in the face!
Overall, a very entertaining and captivating read that I would highly recommend and my thanks go to the publisher, Avon Books UK, via NetGalley for my copy in return for an honest and genuine review.
Stalker is not what you would expect from the title. According to the Cambridge Dictionary, in the UK a stalker is "a person who illegally follows and watches someone, especially a woman, over a period of time" and although this book certainly covers this definition, it does so slightly differently to what you would imagine it would. For one, it isn't primarily about physically following someone around and for another, it's not primarily about a man stalking a woman.
It starts of a little slow but certainly builds to a very satisfying conclusion. The main character, Flint, is a bit weird but, strangely, he grew on me as the story developed and I found myself feeling sorry for him despite the creepy way in which he lives his life watching over other people living theirs.
Once the book got going proper (that's good English!), it never stopped it became a very riveting read that I found difficult to stop ... you know the feeling ... just one more chapter and before you know it, it's way past your bed time! There are twists that you can see coming and there are others that hit you right in the face!
Overall, a very entertaining and captivating read that I would highly recommend and my thanks go to the publisher, Avon Books UK, via NetGalley for my copy in return for an honest and genuine review.
Louise (64 KP) rated The Dreadful Fate of Jonathan York: A Yarn for the Strange at Heart in Books
Jul 2, 2018
"When you’re old and gray like me, and someone asks you for your story, what would you rather have – nothing at all or the story you lived through tonight?"
I really enjoyed this book, but found it somewhat predictable as I knew how the book was going to end . The artwork to this book was really good and I felt that it suited the story very well with limited colours being used. I found the font quite spooky but also difficult to see what words were written in parts.
There are 3 separate short stories that were intertwined within the book , two were written in verse and one was silent which I think I understood but it’s just pictures for you to interpret in your own way.
There were important messages throughout the book, such as being out of your comfort zone, bullies,sticking up for yourself and confidence.The different monsters in the book were very creepy and all shapes and sizes. This is definitely targeted for middle graders (8-12yrs), however can be enjoyed by all ages as there were references to Sean Connery and I don’t think there are going to be many kids knowing who he is (I may be worng)
This is the first book by Kory Merritt and would be interested in reading others.
Overall I rated this 3.5 stars out of 5.
For more check out louiselovesbooks.wordpress.com
I really enjoyed this book, but found it somewhat predictable as I knew how the book was going to end . The artwork to this book was really good and I felt that it suited the story very well with limited colours being used. I found the font quite spooky but also difficult to see what words were written in parts.
There are 3 separate short stories that were intertwined within the book , two were written in verse and one was silent which I think I understood but it’s just pictures for you to interpret in your own way.
There were important messages throughout the book, such as being out of your comfort zone, bullies,sticking up for yourself and confidence.The different monsters in the book were very creepy and all shapes and sizes. This is definitely targeted for middle graders (8-12yrs), however can be enjoyed by all ages as there were references to Sean Connery and I don’t think there are going to be many kids knowing who he is (I may be worng)
This is the first book by Kory Merritt and would be interested in reading others.
Overall I rated this 3.5 stars out of 5.
For more check out louiselovesbooks.wordpress.com
Lee (2222 KP) rated The House with a Clock in Its Walls (2018) in Movies
Sep 16, 2018
After losing both parents in a car accident, Lewis travels to New Zebedee, Michigan to live with his uncle Jonathan (Jack Black) in his large, creepy house. Jonathan's neighbour, Florence Zimmerman (Cate Blanchett) seems to spend most of her time there too as they are old friends. The house is full of clocks and, as you've probably guessed from the title of the movie, an even more mysterious clock lies hidden somewhere within its walls. Lewis discovers that Johnathan is a warlock, Florence is a good witch and that the house once belonged to a powerful warlock, who intended to use the clock as part of a catastrophic evil plan.
Directed by Eli Roth, the movie oozes style and creepiness. It has scares that will terrify younger children, but entertain the parents and it has a good amount of humour throughout. For me though, it felt like all style and not much substance. Despite being based on the first in a series of 12 books, with this first story being published in 1973, the movie version just feels like an amalgamation of things we've seen many times before in recent years. Harry Potter, Miss Peregrine, even the trailer made me think of the Goosebumps movie.
I'm probably being a little harsh, and the latter third of the movie did turn out to be a lot more enjoyable than the first two. I guess I was just hoping for something a bit more.
Directed by Eli Roth, the movie oozes style and creepiness. It has scares that will terrify younger children, but entertain the parents and it has a good amount of humour throughout. For me though, it felt like all style and not much substance. Despite being based on the first in a series of 12 books, with this first story being published in 1973, the movie version just feels like an amalgamation of things we've seen many times before in recent years. Harry Potter, Miss Peregrine, even the trailer made me think of the Goosebumps movie.
I'm probably being a little harsh, and the latter third of the movie did turn out to be a lot more enjoyable than the first two. I guess I was just hoping for something a bit more.
Sarah (7800 KP) rated Halloween (2018) in Movies
Oct 24, 2018
Not bad, but another unnecessary sequel
The biggest question I had about this film, was did we really need another Halloween sequel? The answer is sadly a no.
They’ve at least had the common sense to completely erase all references to the other sequels, which was definitely a smart move. And getting Jamie Lee Curtis back was another good choice. I’m not going to lie, hearing the original Halloween theme music back on the big screen gave me the creeps, but in a good way. It’s just a shame that the majority of this film is a bit cliched and formulaic. It was easy to predict how the film was going to progress and who’d survive at the end, and having Michael escape in a prison bus transfer is so cliched it was painful.
There are some creepy moments in this, mainly for me around Michael's willingness to kill anyone in sight and a few jump scares. There’s also a fair amount of blood and gore too which was very much welcome. It was good to see some strong female characters in this and the subject of PTSD raised as well. The most overwhelming feeling I had watching this film was boredom. Apart from when Michael was on screen, which didn’t seem to be often enough, I found a lot of the other scenes a bit tedious and boring and the ending seemed rushed and was a bit of a letdown.
They’ve at least had the common sense to completely erase all references to the other sequels, which was definitely a smart move. And getting Jamie Lee Curtis back was another good choice. I’m not going to lie, hearing the original Halloween theme music back on the big screen gave me the creeps, but in a good way. It’s just a shame that the majority of this film is a bit cliched and formulaic. It was easy to predict how the film was going to progress and who’d survive at the end, and having Michael escape in a prison bus transfer is so cliched it was painful.
There are some creepy moments in this, mainly for me around Michael's willingness to kill anyone in sight and a few jump scares. There’s also a fair amount of blood and gore too which was very much welcome. It was good to see some strong female characters in this and the subject of PTSD raised as well. The most overwhelming feeling I had watching this film was boredom. Apart from when Michael was on screen, which didn’t seem to be often enough, I found a lot of the other scenes a bit tedious and boring and the ending seemed rushed and was a bit of a letdown.
FilmIntuition (33 KP) rated An Anonymous Girl in Books
Dec 22, 2018
Takes 150 Pages to Get Going
Wasting a clever set-up that feels like a cross between David Fincher's The Game and “the wrong man” motif that filled Alfred Hitchcock’s filmography, after strapped-for-cash twenty-something makeup artist Jessica Farris participates in a paid ethics study intended for someone else, An Anonymous Girl takes roughly 150 pages to get going.
Graduating from creepy to only mildly thrilling, predictably Jessica discovers that the study was the bait needed to lure her into a diabolical shrink’s carnival funhouse of lies and manipulation where very little is what it seems.
Needless to say, it's a disappointing return to the genre for Greer Hendricks and Sarah Pekkanen following their smash hit The Wife Between Us. And while An Anonymous Girl has the makings of a much greater psychological mystery, the authors don't invest nearly as much thought into the heroine as the book's villain, which means that the reader is usually three steps ahead of Jessica each time she gets a (fairly obvious) ticket to the clue bus.
Sticking it out due to mild curiosity as to how everything would turn out as well a desire to review An Anonymous Girl since St. Martin's Press, Bookish First, and NetGalley were kind enough to send me an arc, despite an intriguing idea, in the end, I think most readers will be tempted to put it down in favor of picking a different thriller up.
Graduating from creepy to only mildly thrilling, predictably Jessica discovers that the study was the bait needed to lure her into a diabolical shrink’s carnival funhouse of lies and manipulation where very little is what it seems.
Needless to say, it's a disappointing return to the genre for Greer Hendricks and Sarah Pekkanen following their smash hit The Wife Between Us. And while An Anonymous Girl has the makings of a much greater psychological mystery, the authors don't invest nearly as much thought into the heroine as the book's villain, which means that the reader is usually three steps ahead of Jessica each time she gets a (fairly obvious) ticket to the clue bus.
Sticking it out due to mild curiosity as to how everything would turn out as well a desire to review An Anonymous Girl since St. Martin's Press, Bookish First, and NetGalley were kind enough to send me an arc, despite an intriguing idea, in the end, I think most readers will be tempted to put it down in favor of picking a different thriller up.
Fred (860 KP) rated Brightburn (2019) in Movies
Jun 22, 2019
Don't bully Superman
A horror retelling of the Superman origin story. A child crashes on the Earth & is raised by a couple. The child has super powers. He can fly, has super speed, shoot beams from his eyes & is impervious to pain & damage. The difference is this kid is not a very good guy.
He gets messages & images from the space pod he arrived in as an infant. He's somewhat bullied & treated bad from adults all around him. Not very good for them. I'm sure you can guess where this movie goes.
I have to say the acting is damn good. Jackson Dunn, who plays the super-powered kid is excellent. He's very believable & creepy.
People were saying the movie was super-gory. I didn't find it to be the case. Sure, there were some gory parts, but nothing that would make me say it's a gory film. There were quite a few jump scares in the film, which normally I don't like, but they work here. The special effects were done very well. I loved the shots of Brandon (the kid) flying around at night, backlit by the moon.
The movie doesn't end like you would think & this is a very good thing.If I say any more, i may ruin it, so I'll just end here by saying if you're a horror fan, see it. If you're sick of all the superhero movies today, this may be a good change for you.
He gets messages & images from the space pod he arrived in as an infant. He's somewhat bullied & treated bad from adults all around him. Not very good for them. I'm sure you can guess where this movie goes.
I have to say the acting is damn good. Jackson Dunn, who plays the super-powered kid is excellent. He's very believable & creepy.
People were saying the movie was super-gory. I didn't find it to be the case. Sure, there were some gory parts, but nothing that would make me say it's a gory film. There were quite a few jump scares in the film, which normally I don't like, but they work here. The special effects were done very well. I loved the shots of Brandon (the kid) flying around at night, backlit by the moon.
The movie doesn't end like you would think & this is a very good thing.If I say any more, i may ruin it, so I'll just end here by saying if you're a horror fan, see it. If you're sick of all the superhero movies today, this may be a good change for you.
LeftSideCut (3776 KP) rated The Nightmare Before Christmas (1993) in Movies
Dec 22, 2019
A timeless classic
I can safely say that there is truly nothing I dislike about The Nightmare Before Christmas.
It's straight to the point, fantastically animated, full of unique characters, and still holds up all these years later.
Director Henry Selick obviously has a keen eye for stop-animation (he would go on to direct James & The Giant Peach, and Coraline, both great animated films in their own right), and his work with the combined animation, visual effects, and art departments create a visually striking adventure that quickly and understandably became iconic.
Tim Burton's story is easy to grasp (great for children as well as adults), and the characters he has created for this story are equal parts creepy and fun.
Jack Skellington and Sally are both tragic and sympathetic characters that are easy to care about. Oogie Boogie is suitably evil (scared the sh*t out of me when I was little), and the rest of the town of Halloween are filled but bizarre and quirky characters that create a weird but warm back drop to the leads.
Danny Elfman is at his very best here. All of the songs contained within are memorable, and pretty epic at points. The lyrics are quick and clever, and do a lot to advance our understanding of the characters.
I can't praise The Nightmare Before Christmas enough. It's simply wonderful and a film I will happily watch time and time again.
It's straight to the point, fantastically animated, full of unique characters, and still holds up all these years later.
Director Henry Selick obviously has a keen eye for stop-animation (he would go on to direct James & The Giant Peach, and Coraline, both great animated films in their own right), and his work with the combined animation, visual effects, and art departments create a visually striking adventure that quickly and understandably became iconic.
Tim Burton's story is easy to grasp (great for children as well as adults), and the characters he has created for this story are equal parts creepy and fun.
Jack Skellington and Sally are both tragic and sympathetic characters that are easy to care about. Oogie Boogie is suitably evil (scared the sh*t out of me when I was little), and the rest of the town of Halloween are filled but bizarre and quirky characters that create a weird but warm back drop to the leads.
Danny Elfman is at his very best here. All of the songs contained within are memorable, and pretty epic at points. The lyrics are quick and clever, and do a lot to advance our understanding of the characters.
I can't praise The Nightmare Before Christmas enough. It's simply wonderful and a film I will happily watch time and time again.