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Creepy demons (1 more)
Likeable main characters
A Mexican Supernatural
This appeared on my Netflix recommendations list, so I thought that I would give it a try. I am a huge fan of this type of series, and would liken the series to Supernatural and the exorcist.
Series 1 follows Elvis (a Diablero or demon hunter), Father Ramiro (a priest hunting for his daughter, conceived prior to his joining the Catholic Church, but later abducted by a demon), Keta (Elvis’ sister) and Nancy (a young women who attracts demons). The story primarily centres around the groups search for the truth in finding Ramiro’s missing daughter, although strongly hints at stories that could be followed up in a future series.
Despite being in Spanish originally, Netflix have dubbed the show in English relatively well. I am not opposed to subtitles, but I do like to be lazy at times.
I thoroughly enjoyed this show and binged on it in two sittings. The show itself was quite dark at times, which fits in well with the genre. The story line includes the plight of small children which encourages us to route for the main characters, there is also on and off romantic tension between Ramiro and Nancy, which I found interesting. One thing I will say though, is at times the special effects were a little low budget, although I can imagine that this will improve as the show picks up credibility.
I eagerly await a second season (please renew Netflix), and hope that series 2 is longer than season 1!
Series 1 follows Elvis (a Diablero or demon hunter), Father Ramiro (a priest hunting for his daughter, conceived prior to his joining the Catholic Church, but later abducted by a demon), Keta (Elvis’ sister) and Nancy (a young women who attracts demons). The story primarily centres around the groups search for the truth in finding Ramiro’s missing daughter, although strongly hints at stories that could be followed up in a future series.
Despite being in Spanish originally, Netflix have dubbed the show in English relatively well. I am not opposed to subtitles, but I do like to be lazy at times.
I thoroughly enjoyed this show and binged on it in two sittings. The show itself was quite dark at times, which fits in well with the genre. The story line includes the plight of small children which encourages us to route for the main characters, there is also on and off romantic tension between Ramiro and Nancy, which I found interesting. One thing I will say though, is at times the special effects were a little low budget, although I can imagine that this will improve as the show picks up credibility.
I eagerly await a second season (please renew Netflix), and hope that series 2 is longer than season 1!
Sarah (7800 KP) rated Luther - Season 5 in TV
Jan 12, 2019
A welcome return
It seems like such a long time ago since Luther was on our screens, and it’s really good to have him back. Idris Elba is as usual fantastic as the dark and tormented Luther, who as per usual can’t seem to catch a break in this new series. The returning cast are all as good as they’ve ever been, and it’s always good to see Ruth Wilson and Michael Smiley. I do however think some of the newer cast and characters were a little weak. I couldn’t stop staring at Hermione Norris’s face (looked a bit plastic) and Luther’s new partner Halliday was a stereotypical foil to Luther’s law breaking antics. She was definitely no Ripley and I think fell foul to a lack of interest and development in her character in general, only being needed to push along certain plot points.
The plot itself though was as entertaining as ever, switching from near horror film to cat and mouse cop thriller seamlessly. There are a number of shocks, and lots of blood and gore. One thing Luther always does well is that it really pushes the horror aspect of what would otherwise be just a detective show. Like some of the earlier series, there are scenes in this that are absolutely creepy and terrifying. Makers of modern horror films should really take note. I also think the ending of this series was rather fitting, and without spoiling it, I’m hoping that this may be a decent finale for Luther, assuming they doom overdo it and make more.
The plot itself though was as entertaining as ever, switching from near horror film to cat and mouse cop thriller seamlessly. There are a number of shocks, and lots of blood and gore. One thing Luther always does well is that it really pushes the horror aspect of what would otherwise be just a detective show. Like some of the earlier series, there are scenes in this that are absolutely creepy and terrifying. Makers of modern horror films should really take note. I also think the ending of this series was rather fitting, and without spoiling it, I’m hoping that this may be a decent finale for Luther, assuming they doom overdo it and make more.
Andy K (10823 KP) rated Hereditary (2018) in Movies
Jul 19, 2019
I'm going to piss people off with this one! (Nothing personal)
I will agree with some who have said either this film is weird, not for everyone or horror is a tough genre to get correct. I felt kind of like I was watching Drag Me To Hell or even Suspiria toward the end of this creepy thriller/horror film, but I was along for the ride.
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
Tim McGuire (301 KP) rated A.M.I. (2019) in Movies
Dec 10, 2019
Wow
368. A.M.I. Around the same time Countdown popped into theaters, a movie about a cell phone app that tells you when you die, this movie popped onto Netflix. I'll have to eventually get to the other one to see how bad that one is but this one here, epic. Of the, so bad, it's good genre. Centers around a high schooler named Cassie, her vapid friends, and her douche bag boyfriend Liam. We are introduced to Liam being drilled by the football coach, he needs extra training time after regular practice because, he's the kicker. Oh my. Anyways, a few years ago Cassie's mom was killed in a car accident, Cassie was driving. Since then, Cassie hasn't been too stable. And when her friend starts talking about a creepy app called A.M.I., in which you become best friends with artificial intelligence, coincidentally enough, Cassie finds a cell phone in a park while jogging, takes it immediately to the lost and found, oh wait, no she doesn't. Cassie takes the phone home and tries this A.M.I. app out herself, and why not, because it seems to be already installed, up and running just waiting for Cassie to personalize it, to sound just like, her dead mom. The A.I. then does what it can to be the perfect mother, and to totally disapprove of her friends, especially Liam. So much so, that Cassie may have to take them out with an ax. Complete with a perfect ending that just feels right. Oh yea, must see!!
Tim McGuire (301 KP) rated Gretel & Hansel (2020) in Movies
Mar 3, 2020
Grim not Grimm
396. Gretel & Hansel. Do you remember the tale of Hansel and Gretel by the the Grimm Brothers? Well throw it away, because it's 2020 and Girls Rule so Gretel's name is first! Hell, Hansel didn't even make the movie poster! And maybe because its her fault for getting kicked out of their mother's house for not getting a damn job cause times are tough, so get out, and take your brother with you. Thanks mom! At this point, it seems instead of going towards civilization they go further into the woods, tripping on shrooms at one point. After walking for a bit, hunger kicks in, so they break into a house, nice, cause there's a table with a bunch of food to be seen. They get busted of course by the owner, Holda, who takes pity on them and invites them in and feeds em. Too fatten em up to eat them right? Like I said this is 2020, not 1812!! This time Gretel learns the ways of the witch, there's creepy figures in black roaming the woods at night Hansel learns to chop down trees, he's in a trance, whats going on?? In the end, I think it's an arthouse movie about a young girl coming of age, equipped with first period and all, shot like those old Christopher Lee horror movies of the 70's. Also suffers from the Robin Hood: Prince of Thieves curse, everyone has the same accent, except the freaking star of the movie Gretel! HaHa! Filmbufftim on FB
Tim McGuire (301 KP) rated Honey Boy (2019) in Movies
Mar 3, 2020
392. Honey Boy. A story about a boy, who's dad made a living off him, by pimping him out to Hollywood, ensuring he would grow up to be a weirdo, the Shia LeBeouf story. Ok, it's written by him, oh and it stars him as Tom Cruise's character from Born on the Fourth of July, only he's not in a wheel chair, he has a son. Dad, James and son, Otis live in a motel, close by the movie studios where Otis is a child actor, doing child actor things...insert Corey Feldman stories here... while his dad, lives off him, and doing other shady things and not being a good dad, and how the two deal with that. Movie also tells the tale of twenty-something Otis, and his adult acting life is... insert Shia LeBeouf stories here... where he relives the memories we are watching. Guy who plays older Otis, Lucas Hedges, has LeBeouf's super annoying way of aggressive, spit-talking and mannerisms down pact, even though it's not supposed to be him in the first place...ooops. I really did enjoy the movie I just felt there were several places where I felt the filmmakers were patting themselves on the back, saying to themselves 'yea man, this is deep. stretch this out a little longer, man, really show that this 12 year old boy's relationship with the prostitute across the way is beautiful, not creepy in any way at all.' Worth the watch, check it out! Filmbufftim on FB
JT (287 KP) rated The Possession of Hannah Grace (2018) in Movies
Mar 10, 2020
If there was ever somewhere befitting of a horror film it’s in a morgue. But unlike the terrifying Autopsy of Jane Doe which, uses the location in a dark and gothic manner, The Possession of Hannah Grace feels overworked and desperate to please.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
Mark @ Carstairs Considers (2434 KP) rated Crypt Suzette in Books
Feb 25, 2020
Halloween Hit and Run
Val Deniston’s granddad has taken on another boarder, a young woman named Suzette Cripps. Suzette spends most of her time in her room, but she is planning to participate in the literary themed costume contest to celebrate the town’s new bookstore. The morning after the contest, Suzette is dead, killed by a hit and run driver. The police are investigating, but they think it was an accident. Val can’t help but think it was more than that. Is she right?
The mystery starts out quickly, and it is easy for us to share Val’s suspicion that this wasn’t an accident. There are plenty of suspects, and I felt like it took a little while for me to keep them all straight. This is a minor complaint, however, as they did get developed as the book went along. I’m in awe at how the clues were sprinkled into the book, and as Val used them to piece things together at the end, I felt foolish for not picking up on them myself. The book is set at Halloween, and the fall atmosphere is a lot of fun. We get a creepy Halloween inspired scene near the end as well. Val’s granddad is a hoot, and I really enjoyed his sub-plot involving ghost hunting. There are five more five-ingredient recipes at the end of the book. While it would be fun to read this book at Halloween, it works well at any season of the year. I enjoyed it in February, after all.
The mystery starts out quickly, and it is easy for us to share Val’s suspicion that this wasn’t an accident. There are plenty of suspects, and I felt like it took a little while for me to keep them all straight. This is a minor complaint, however, as they did get developed as the book went along. I’m in awe at how the clues were sprinkled into the book, and as Val used them to piece things together at the end, I felt foolish for not picking up on them myself. The book is set at Halloween, and the fall atmosphere is a lot of fun. We get a creepy Halloween inspired scene near the end as well. Val’s granddad is a hoot, and I really enjoyed his sub-plot involving ghost hunting. There are five more five-ingredient recipes at the end of the book. While it would be fun to read this book at Halloween, it works well at any season of the year. I enjoyed it in February, after all.
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