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Naomi Judd recommended The Silence of the Lambs (1991) in Movies (curated)
LeftSideCut (3776 KP) rated Wishmaster (1997) in Movies
Sep 25, 2020
Robert Kurtzman, Wes Craven, and Greg Nicotero - a match made in heaven surely? Not quite it turns out, but almost. For all it's cheesiness and cheap jump scares, Wishmaster is still a load of fun, with some fantastic practical effects and a handful of big name horror cameos.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
Kirk Bage (1775 KP) rated M (Movie) (1931) in Movies
Jan 28, 2021
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Eleanor Luhar (47 KP) rated Batman the Killing Joke in Books
Jun 24, 2019
I went to London Super Comic Con on Friday and bought a few image books/graphic novels (I can't wait to read them!) and decided to start taking advantage of my boyfriend's extensive comic/graphic novel collection. As I've been intending to read The Killing Joke for ages now, I decided to start with that.
The edition I read included an introduction by Tim Sales, an afterword by Brian Bolland, and a final scene written and illustrated by Bolland.
This is one of the most famous and successful novels - and I can see why. The story is just fantastic - the Joker tries to prove that anyone can go insane after just one bad day, using Jim Gordon as his example. The colour palettes are so cleverly thought out, giving an eerie, creepy tone to most scenes, while the Joker's (possible) origin story is mostly black and white with just small details in red.
Batman is obviously included, but is not a massive character in this story. The focus is on the Gordons and the Joker.
I really loved this. The origin story for the Joker that's included can be taken as true or false - the Joker makes a comment about not actually remembering his past, and liking it to be "multiple choice". This gives the reader the choice of believing it or not. And the Joker's ways of putting Jim Gordon through hell are definitely in line with his character.
The Joker always fascinates me, and I would love to read all his stories. But whether you're a "fan" of his or not, this book is definitely worth the read. 5 stars; an fantastic novel.
The edition I read included an introduction by Tim Sales, an afterword by Brian Bolland, and a final scene written and illustrated by Bolland.
This is one of the most famous and successful novels - and I can see why. The story is just fantastic - the Joker tries to prove that anyone can go insane after just one bad day, using Jim Gordon as his example. The colour palettes are so cleverly thought out, giving an eerie, creepy tone to most scenes, while the Joker's (possible) origin story is mostly black and white with just small details in red.
Batman is obviously included, but is not a massive character in this story. The focus is on the Gordons and the Joker.
I really loved this. The origin story for the Joker that's included can be taken as true or false - the Joker makes a comment about not actually remembering his past, and liking it to be "multiple choice". This gives the reader the choice of believing it or not. And the Joker's ways of putting Jim Gordon through hell are definitely in line with his character.
The Joker always fascinates me, and I would love to read all his stories. But whether you're a "fan" of his or not, this book is definitely worth the read. 5 stars; an fantastic novel.
Hunter's Moon (Wildeward Academy #1)
8.0
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They call it the Golden Age. An age of sorcery and gaslight. The magical and the mundane. The gifted...
Reverse Harem Paranormal Romance Historical
Limetown
Cote Smith, Zack Akers and Skip Bronkie
9.0
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From the creators of the #1 podcast Limetown, an explosive prequel about a teenager who learns of a...
Magnolia Nights
Book
From the author of the bestselling Sweeney Sister Series and Sweet Tea Tuesdays comes a new novel of...
Kristy H (1252 KP) rated The Dead and the Dark in Books
Aug 19, 2021
Captivating look at the supernatural and the pull of family
In Snakebite, Oregon, teenagers keep disappearing or turning up dead. Things just seem off. The locals blame Brandon and Alejo Ortiz-Woodley, two former Snakebite residents who are back in town. They now host a popular ghost hunting show and travel the country with their daughter Logan. Wanting to clear the family name, Logan winds up joining forces with Ashley Barton, whose boyfriend was the first to go missing. Ashley is sure she can feel his presence guiding her around Snakebite. But as the two team up, they discover some pretty terrifying and dangerous things about Snakebite.
I loved this book so much. Sometimes it feels like I read similar books over and over. Not this time. Gould’s book is original and spellbinding. This is such a dark and ominous read. Gould truly brings you into Snakebite, the supernatural, creepy, and quite unwelcoming small town. It’s atmospheric and spooky. I could not put this book down!
DARK is filled with LGBTQIA representation, between Logan’s dads, the fact that she’s an out lesbian, and her own burgeoning friendship (and more) with Ashley. I loved everything about all of it.
This book is part horror story, part exploration of the meaning and depths of darkness, and part look at family dynamics. It’s an extremely well written ghost story with a sapphic love interest. It really doesn’t get much better than that! (It’s so good, read it—and it’s a debut!)
I received a copy of this book from St. Martin's Press / Wednesday Books and Netgalley in return for an unbiased review.
I loved this book so much. Sometimes it feels like I read similar books over and over. Not this time. Gould’s book is original and spellbinding. This is such a dark and ominous read. Gould truly brings you into Snakebite, the supernatural, creepy, and quite unwelcoming small town. It’s atmospheric and spooky. I could not put this book down!
DARK is filled with LGBTQIA representation, between Logan’s dads, the fact that she’s an out lesbian, and her own burgeoning friendship (and more) with Ashley. I loved everything about all of it.
This book is part horror story, part exploration of the meaning and depths of darkness, and part look at family dynamics. It’s an extremely well written ghost story with a sapphic love interest. It really doesn’t get much better than that! (It’s so good, read it—and it’s a debut!)
I received a copy of this book from St. Martin's Press / Wednesday Books and Netgalley in return for an unbiased review.
Hazel (2934 KP) rated One Good Lie in Books
Oct 10, 2021
Full of tension and mystery, this is another great book from Jane Isaac.
Ruby and Sophie have had what can only be described as an horrific year but things are not about to get much better any time soon when on the evening of their mother's wake, a woman is murdered but not just any woman, one that is connected to the man convicted and imprisoned for their mother's murder.
Then we have creepy boyfriend, Ewan, who just happened to be out jogging on the night of the murder, isn't forthcoming about his past and appears to be alienating Sophie from her friends and family. The more Ruby discovers about him, the more she fears for her sister. Sophie, however, is not convinced and gradually, the sisters' relationship starts to deteriorate.
Are the two connected or is it just a coincidence?
Jane Isaac appears to be able to create tension with ease and this has it in abundance. She is also able to create interesting and believable characters with each one having a purpose and adding something to the story. The pacing of the book is good; a little slow in parts but the last third makes up for it with the ending being quite satisfying.
Overall, I think this is a great start to Jane Isaac's foray into psychological thrillers rather than her usual crime thrillers and I, for one, look forward to going on the journey with her as, I hope, she writes more in this genre.
Many thanks to Canelo and NetGalley for my copy in return for an honest, unbiased and unedited review.
Ruby and Sophie have had what can only be described as an horrific year but things are not about to get much better any time soon when on the evening of their mother's wake, a woman is murdered but not just any woman, one that is connected to the man convicted and imprisoned for their mother's murder.
Then we have creepy boyfriend, Ewan, who just happened to be out jogging on the night of the murder, isn't forthcoming about his past and appears to be alienating Sophie from her friends and family. The more Ruby discovers about him, the more she fears for her sister. Sophie, however, is not convinced and gradually, the sisters' relationship starts to deteriorate.
Are the two connected or is it just a coincidence?
Jane Isaac appears to be able to create tension with ease and this has it in abundance. She is also able to create interesting and believable characters with each one having a purpose and adding something to the story. The pacing of the book is good; a little slow in parts but the last third makes up for it with the ending being quite satisfying.
Overall, I think this is a great start to Jane Isaac's foray into psychological thrillers rather than her usual crime thrillers and I, for one, look forward to going on the journey with her as, I hope, she writes more in this genre.
Many thanks to Canelo and NetGalley for my copy in return for an honest, unbiased and unedited review.