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LeftSideCut (3776 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Writing the Earth, Darkly: Globalization, Ecocriticism, and Desire
Book
Why do we find so many references to nature and the environment in the many Caribbean literary texts...
Lovecraft's Monsters
8.5
Rate It
Book
This deliciously creepy and loving tribute to the master of modern horror features riveting...
Short stories lovecraft horror sci-fi
Maxwell's Point
Book
With girlfriend DS Jacquie Carpenter back at work and little baby Nolan rapidly growing into a...
Kim Pook (101 KP) rated Truth or Dare (2018) in Movies
Jun 17, 2020 (Updated Jun 18, 2020)
Contains spoilers, click to show
The movie starts with a young woman buying cigarettes. She appears distressed and ends up setting light to a woman in the store and the question we're all wondering is why? Keep watching though and soon enough you find out.
Moving on to the main part of the movie we see a group of friends enjoying their spring break at Mexico where Olivia meets a guy called Carter who invites her and her friends to a hideout to play a game of truth or dare. It starts off as just fun and games such as guys giving lapdances, streaking and girls kissing, until its carter's turn to do a truth. That's when he tells the group that he was dared to bring them to the hideout and that they have to play or they did, he then leaves leaving Olivia wondering what has just happened. I expected them to be trapped there but next thing we know they're back at school and everything is seemingly back to normal. However it isn't long until the cursed game starts as Olivia starts seing the words truth or dare everywhere and eventually her and her friends start seing it too along with these very creepy distorted faces (reminds me of momo if anyone can remember that) asking truth or dare over and over like something out of nightmares. They soon discover that if you refuse to tell the truth or don't do the dare you will die. Along with having to play the game the friends have to try and figure out why the game is cursed and how to stop it.
After reading other reviews for this movie I half expected to hate it, but for me it was completely different. It started off slow but once it started properly I really enjoyed it, it isn't like any movie I'd seen before. I found myself eagerly awaiting someone's turn to arrive as I loved hearing what everyone would have to do. I've seen people compare it to the ring or final destination but I don't see it myself. The ending was a big shock and didn't expect it at all, it definitely had you guessing all the way through to the end.
Moving on to the main part of the movie we see a group of friends enjoying their spring break at Mexico where Olivia meets a guy called Carter who invites her and her friends to a hideout to play a game of truth or dare. It starts off as just fun and games such as guys giving lapdances, streaking and girls kissing, until its carter's turn to do a truth. That's when he tells the group that he was dared to bring them to the hideout and that they have to play or they did, he then leaves leaving Olivia wondering what has just happened. I expected them to be trapped there but next thing we know they're back at school and everything is seemingly back to normal. However it isn't long until the cursed game starts as Olivia starts seing the words truth or dare everywhere and eventually her and her friends start seing it too along with these very creepy distorted faces (reminds me of momo if anyone can remember that) asking truth or dare over and over like something out of nightmares. They soon discover that if you refuse to tell the truth or don't do the dare you will die. Along with having to play the game the friends have to try and figure out why the game is cursed and how to stop it.
After reading other reviews for this movie I half expected to hate it, but for me it was completely different. It started off slow but once it started properly I really enjoyed it, it isn't like any movie I'd seen before. I found myself eagerly awaiting someone's turn to arrive as I loved hearing what everyone would have to do. I've seen people compare it to the ring or final destination but I don't see it myself. The ending was a big shock and didn't expect it at all, it definitely had you guessing all the way through to the end.
Low Morrison grows up on an isolated island, known for its free-loving ways. Her parents take this to the next level, living a polyamorous life that leaves Low embarrassed, ashamed, and a social outcast. When she spots the beautiful Freya at her school, she's enthralled. She sees Freya hanging up signs for a pottery class and knows she must join. She's Freya's only student and quickly becomes besotted with her teacher. Freya has no problem sharing all of her secrets and desires with her young apprentice. That's until Freya meets Jamie, who owns a local shop in town. The two become quick friends, leaving Low feeling left out and an outcast once again. One night Freya and her husband Max invite Jamie and her husband Brian over for dinner; they have no idea a jealous Low is lurking in the shadows. The foursome partake in drugs and a crazy night occurs, changing their lives forever. It also gives Low a chance to hold something over their heads.
This was a slightly insane and improbable thriller that I sped through in an entire day. It was fast-paced and nearly impossible to put down, as you just knew the characters were hurtling toward disaster. It's filled with a variety of fairly unsympathetic characters, though I felt for Low, unwanted in her own busy family and toyed with by Freya, who cares only for herself.
"I'd had to share all my life. I was done with it."
The story is told from Low's perspective, along with Brian, Jamie, and Max. We never hear directly from Freya, whom all of these characters seem to hold on a pedestal. Why exactly, we can never be sure, as she seems self-centered and cruel, playing with and torturing each of them to get exactly what she wants.
I found this to be a spellbinding read--it pulls you in as only Harding can do. Low's obsession, Freya's narcissism, Jamie's naivete. We can sense it all combining into something propulsive and horrible.
Overall, while I didn't love this one quite as much as The Arrangement, Harding's previous novel, I still enjoyed it. It's a fast-paced and creepy read, plus it's different and fun. 4 stars.
This was a slightly insane and improbable thriller that I sped through in an entire day. It was fast-paced and nearly impossible to put down, as you just knew the characters were hurtling toward disaster. It's filled with a variety of fairly unsympathetic characters, though I felt for Low, unwanted in her own busy family and toyed with by Freya, who cares only for herself.
"I'd had to share all my life. I was done with it."
The story is told from Low's perspective, along with Brian, Jamie, and Max. We never hear directly from Freya, whom all of these characters seem to hold on a pedestal. Why exactly, we can never be sure, as she seems self-centered and cruel, playing with and torturing each of them to get exactly what she wants.
I found this to be a spellbinding read--it pulls you in as only Harding can do. Low's obsession, Freya's narcissism, Jamie's naivete. We can sense it all combining into something propulsive and horrible.
Overall, while I didn't love this one quite as much as The Arrangement, Harding's previous novel, I still enjoyed it. It's a fast-paced and creepy read, plus it's different and fun. 4 stars.
Leanne Crabtree (480 KP) rated Mine to Keep (Mine, #2) in Books
Jan 6, 2021
I received this ARC in exchange for an honest review.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
LeftSideCut (3776 KP) rated Howling II: Your Sister Is a Werewolf (1985) in Movies
Nov 6, 2020
One of my favourite parts is the bit where the creepy dude looks straight into the camera and say "Schnitzeeeel".
Honestly not sure if Howling II: Your Sister is a Werewolf (Stirba, Werewolf Bitch in some corners of the world) is a 5 star film, or a 1 star film.
I always have time for Christopher Lee, and here is no different, and Sybil Danning is a bonafide B-Movie icon, but everyone else is hamming it up to the max (not necessarily in a good way), spouting the terrible screenplay and making silly growling noises constantly.
The werewolf costumes look terrible (a bit of googling told me that the production was sent monkey suits by mistake, and they just had to roll with it) and the movie constantly attempts to force it's theme tune down your throat - I lost count of how many times it plays throughout the runtime, but it starts off well enough, but by the end of the film it's grating as fuck.
It's certainly a far cry from the genuinely good first movie but for all it's faults, I actually really enjoyed it.
The last review I wrote on here was for Species IV, where I commented on how it was so awful, and had no charm to it at all, which was in stark contrast to a lot of bad horror movies, especially a bunch from the 80s. Howling II is one of those movies.
It rarely gets boring, it's has some decent practical gore effects, and the terrible script is often so ludicrous, it ends up being unintentional comedy gold.
Not to mention that it's has the most unnecessarily gratuitous end credits roll I've ever seen - in fact, if you can't be bothered to watch the whole thing, just find the end credits and you'll get the vibe of this whole glorious mess of a film.
So yeah, is it a 1 star movie or 5 star movie? I still don't know but I know I low key love it, so 2 and a half stars with a love heart seems fair. I'd definitely recommend giving it a watch though, just to experience the sheer cheesy absurdity.
Honestly not sure if Howling II: Your Sister is a Werewolf (Stirba, Werewolf Bitch in some corners of the world) is a 5 star film, or a 1 star film.
I always have time for Christopher Lee, and here is no different, and Sybil Danning is a bonafide B-Movie icon, but everyone else is hamming it up to the max (not necessarily in a good way), spouting the terrible screenplay and making silly growling noises constantly.
The werewolf costumes look terrible (a bit of googling told me that the production was sent monkey suits by mistake, and they just had to roll with it) and the movie constantly attempts to force it's theme tune down your throat - I lost count of how many times it plays throughout the runtime, but it starts off well enough, but by the end of the film it's grating as fuck.
It's certainly a far cry from the genuinely good first movie but for all it's faults, I actually really enjoyed it.
The last review I wrote on here was for Species IV, where I commented on how it was so awful, and had no charm to it at all, which was in stark contrast to a lot of bad horror movies, especially a bunch from the 80s. Howling II is one of those movies.
It rarely gets boring, it's has some decent practical gore effects, and the terrible script is often so ludicrous, it ends up being unintentional comedy gold.
Not to mention that it's has the most unnecessarily gratuitous end credits roll I've ever seen - in fact, if you can't be bothered to watch the whole thing, just find the end credits and you'll get the vibe of this whole glorious mess of a film.
So yeah, is it a 1 star movie or 5 star movie? I still don't know but I know I low key love it, so 2 and a half stars with a love heart seems fair. I'd definitely recommend giving it a watch though, just to experience the sheer cheesy absurdity.
Matthew Krueger (10051 KP) rated the Xbox One version of Outlast in Video Games
Nov 7, 2020
Survivor The Asylum
Outlast- is a excellent survival first person horror game set inside a asylum.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
Sarah (7800 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Nov 7, 2020
Nice enough
A Beautiful Day in the Neighbourhood follows the story of a friendship between a journalist (Matthew Rhys) and tv presenter/personality Fred Rogers (Tom Hanks). And I’ll start off by saying that going into this film, I didn’t have a clue who Mr Rogers was, so this was all rather unknown for me. The only reason I decided to watch it was because of Tom Hanks, although overall I did find this to be a nice film.
Tom Hanks as Fred Rogers is rather disturbing, but in a good way as he puts in a stellar performance. Matthew Rhys’ Lloyd Vogel starts off with a huge amount of cynicism and wariness of Rogers, and that’s exactly how this film made me feel at the beginning. Hanks as Rogers is rather creepy and comes across as very strange. However throughout the course of the film as Lloyd discovers more about Rogers, so did I and it really helped me enjoy this film more. And whilst I don’t know who Fred Rogers is, Hanks’ performance was spot on as an old school kids tv presenter. Matthew Rhys as well puts in a great turn as the hardened journalist who does have a heart after all, and I think he’s such an underrated actor.
The styling of this film too is very good. The use of the toys and miniature cities and buildings is a genius move, and brings such a fun and magical feel to the entire film. To begin with I worried it would be out of place, but there’s enough whimsical and childlike aspects in this so that it all fits together perfectly.
However, despite the rather fun side and the great performances, for me I found the story a little lacking. It’s almost too cutesy and sweet at times, even considering the serious parts of the family drama. I also found it dragged as well in parts and I got a little bored with the Rogers based show scenes. This is still a good film, I just think I’m not particularly sold on the whole Fred Rogers thing especially as this has only told me a limited amount about who he really is!
Tom Hanks as Fred Rogers is rather disturbing, but in a good way as he puts in a stellar performance. Matthew Rhys’ Lloyd Vogel starts off with a huge amount of cynicism and wariness of Rogers, and that’s exactly how this film made me feel at the beginning. Hanks as Rogers is rather creepy and comes across as very strange. However throughout the course of the film as Lloyd discovers more about Rogers, so did I and it really helped me enjoy this film more. And whilst I don’t know who Fred Rogers is, Hanks’ performance was spot on as an old school kids tv presenter. Matthew Rhys as well puts in a great turn as the hardened journalist who does have a heart after all, and I think he’s such an underrated actor.
The styling of this film too is very good. The use of the toys and miniature cities and buildings is a genius move, and brings such a fun and magical feel to the entire film. To begin with I worried it would be out of place, but there’s enough whimsical and childlike aspects in this so that it all fits together perfectly.
However, despite the rather fun side and the great performances, for me I found the story a little lacking. It’s almost too cutesy and sweet at times, even considering the serious parts of the family drama. I also found it dragged as well in parts and I got a little bored with the Rogers based show scenes. This is still a good film, I just think I’m not particularly sold on the whole Fred Rogers thing especially as this has only told me a limited amount about who he really is!