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Sarah (7800 KP) rated The Boys - Season 1 in TV
Sep 21, 2020
A refreshing take on superheroes
Note: This is a copy of my review of the main series, as it was done solely on the basis of the first series.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
LeftSideCut (3776 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jan 8, 2021
Fair play to this series, it's took 7 movies to get into telekinesis superpower territory, and it's predictably silly.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
LeftSideCut (3776 KP) rated A Christmas Horror Story (2015) in Movies
Dec 24, 2020
As far as anthology horrors go, A Christmas Horror Story is so-so. It tells four seperate tales, all connected to each other in someway, not to dissimilar to Trick R' Treat in terms of structure.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
LeftSideCut (3776 KP) rated Child's Play (2019) in Movies
Jun 25, 2019 (Updated Jun 27, 2019)
This one's for 2Pac
Contains spoilers, click to show
Child's Play is really a film of two halves - the first being the better half and here's why:
The film starts off introducing us to Buddi (this remakes version of the originals Good Guys), and briefly explains that what will eventually end up as Chucky, is a defective product - a robot that connect to any device to your home, with all his safety protocols switched off.
This is the first thing that I imagine will piss off Chucky purists but it's a change that I thought was fine.
When the plot gets going and 13-year old Andy is acquainted with his new toy, is where the movie really shines. Chucky learns from Andy and just wants to make his new best friend happy, to the point that it paints Chucky as sympathetic. It's actually quite upsetting when he begs not to be shut in a dark closet, after not understanding why his violent tendencies have upset his friend.
The design of the doll itself, I thought was pretty good. He looks creepy as hell, and the way his eyes change colour just add to the whole set up... Plus Mark Hamill is clearly having a ball voicing Chucky - inspired casting right there.
The main problem I have with the cast was Aubrey Plaza, who's great in Parks and Rec, Scott Pilgrim, Legion etc, but here usual wide eye, psycho, sarcastic act doesn't really fit in with her role as mother to Andy.
Then there's the second half of the film, which to me felt very rushed, where Chucky goes full blown crazy, and starts controlling other Buddi dolls - an idea which is absolutely fine (and probably what will happen in the sequel), but the movie skirts by it pretty quickly. After building up for over an hour, a lot of explanations are left out, to make way for a violent show down finale between Chucky and Andy, that almost feels a bit unearned.
Overall though, Child's Play is a pretty fun horror trip, that sets itself apart from the original pretty nicely. I sincerely hope it's not just a one off, and we get more in the future.
The film starts off introducing us to Buddi (this remakes version of the originals Good Guys), and briefly explains that what will eventually end up as Chucky, is a defective product - a robot that connect to any device to your home, with all his safety protocols switched off.
This is the first thing that I imagine will piss off Chucky purists but it's a change that I thought was fine.
When the plot gets going and 13-year old Andy is acquainted with his new toy, is where the movie really shines. Chucky learns from Andy and just wants to make his new best friend happy, to the point that it paints Chucky as sympathetic. It's actually quite upsetting when he begs not to be shut in a dark closet, after not understanding why his violent tendencies have upset his friend.
The design of the doll itself, I thought was pretty good. He looks creepy as hell, and the way his eyes change colour just add to the whole set up... Plus Mark Hamill is clearly having a ball voicing Chucky - inspired casting right there.
The main problem I have with the cast was Aubrey Plaza, who's great in Parks and Rec, Scott Pilgrim, Legion etc, but here usual wide eye, psycho, sarcastic act doesn't really fit in with her role as mother to Andy.
Then there's the second half of the film, which to me felt very rushed, where Chucky goes full blown crazy, and starts controlling other Buddi dolls - an idea which is absolutely fine (and probably what will happen in the sequel), but the movie skirts by it pretty quickly. After building up for over an hour, a lot of explanations are left out, to make way for a violent show down finale between Chucky and Andy, that almost feels a bit unearned.
Overall though, Child's Play is a pretty fun horror trip, that sets itself apart from the original pretty nicely. I sincerely hope it's not just a one off, and we get more in the future.
Neon's Nerd Nexus (360 KP) rated It: Chapter Two (2019) in Movies
Sep 6, 2019 (Updated Sep 6, 2019)
I am the eater of worlds, and of children.
IT Chapter2 feels like a ride you've been sat on all day, immense fun but a tad repetitive & a little tiresome after awhile. Now I can't remember the book much to be honest so im going by the films here alone & I personally think its all one giant metaphor for child suicide with the clown just being one big easy to relate to combined metaphor for fear, grief, guilt, betrayal, depression, negativity, loneliness, abuse, anxiety, torment, worry, instability & stress of growing up in a town thats had a lot of tragic events happen in it & in a world where things such as bullying, paedophilia, murder, arson, death, accidents, incest, mental illness, fear mongering, love and having no friends can also be against you and playing on your mind. Watching it in this way is where the real terror lies & everything had a logical explanation to it too (especially watching both films back to back) making these films that much more powerful, relatable, meaningful & heartwarming. Watching these kids/adults unite together to battle everything life throws at them to conquer & overcome the darkness while still trying to have fun and enjoy youth at the same time is so empowering and uplifting its just a shame this new film retreads to much old ground feeling a tad to repetitious of what we've seen before already. That being said the character drama is great & theres clear love here for the source material/films from the past that have since become cult classic. A genuine nostalgia vibe is present here too with the film feeling very lost boys meets the goonies & theres even elements of evil dead & john carpenters the thing too. Acting is fantastic with a near flawless adult cast & special effects for the most part are creative, creepy, disgusting & good looking with a few seemingly rushed bits here & there. Its a good film dont get me wrong it just feels like it needs a trim as the lulls at times can make your mind float off elsewhere (especially during some side plots). Overall IT 2 has great depth, fun horror elements & well developed characters its just a shame the comedy & repetitive structure spoil it.
The Ghost is Clear (A Series of Midlife Curses #1)
Arial Burnz and AJ Nuest
8.0
Rate It
Book
A Midlife Crisis…or Curse…or BOTH? Life after forty is fun, they said. You can be whoever you...
Paranormal Women's Fiction
Kim Pook (101 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Oct 27, 2021
Contains spoilers, click to show
The movie starts Halloween in the 1960s, and a group of teens are planning a trick or treat prank on the jocks in their school. It's just the classic poo in a bag but the jocks get mad and chase them in to a drive in movie, where the teens jump into a young lads car to hide. This lad tells the jocks to basically do one and saves the teens from being pulverised.
As a thank you, the teens invite the young lad to a haunted house with them. They have a look around and start to see strange things, such as an old lady and a dog. After a terrifying ordeal the teens escape and go home. One of them, Stella, had found a book of scary stories in the house which she takes home with her. Stella begins to read the book, and as she reads the scene moves to Tommy (one of jocks) and shows that what she is reading is coming true. When Stella realises this, she takes the book back to the haunted House, however it is not that easy as the book reappears in her bedroom and begins writing another story, only this time it's about her friend August.
The teens decide they must find a way to stop it before the book takes the rest of the group.
I found the start of the movie very slow paced, but once the book comes into it, it moves at a more decent pace and I started to enjoy it, I even looked forward to sei g who the book took next and how.
Word of warning, if you don't like spiders you won't like Ruth's story, I had to look away a lot during that scene. Chucks story started creepy until it showed what was after him, and it just looked ridiculous, I honestly couldn't help but laugh! And Ramones story was also pretty laughable, it made me wonder if it was meant to be a comedy. Sadly from that point I couldn't take it seriously any more.
As a thank you, the teens invite the young lad to a haunted house with them. They have a look around and start to see strange things, such as an old lady and a dog. After a terrifying ordeal the teens escape and go home. One of them, Stella, had found a book of scary stories in the house which she takes home with her. Stella begins to read the book, and as she reads the scene moves to Tommy (one of jocks) and shows that what she is reading is coming true. When Stella realises this, she takes the book back to the haunted House, however it is not that easy as the book reappears in her bedroom and begins writing another story, only this time it's about her friend August.
The teens decide they must find a way to stop it before the book takes the rest of the group.
I found the start of the movie very slow paced, but once the book comes into it, it moves at a more decent pace and I started to enjoy it, I even looked forward to sei g who the book took next and how.
Word of warning, if you don't like spiders you won't like Ruth's story, I had to look away a lot during that scene. Chucks story started creepy until it showed what was after him, and it just looked ridiculous, I honestly couldn't help but laugh! And Ramones story was also pretty laughable, it made me wonder if it was meant to be a comedy. Sadly from that point I couldn't take it seriously any more.
The Couple at No 9
Book
It was the house of their dreams. Now it's their worst nightmare . . . THE SUNDAY TIMES BESTSELLER...
Annie Chanse (15 KP) rated Lovecraft's Monsters in Books
Dec 19, 2017
I received an ARC copy of this anthology in exchange for my honest opinion, and regrettably, I wasn't overly impressed with it. I made notes as I read, and those notes are what I will be posting here now:
Well, I'm about to start the third story, but I thought I'd keep a running commentary on each story so that when it came time to review it, I wouldn't forget how I felt about each individual one.
"Only the End of the World Again" by Neil Gaiman was good. Probably 4 stars. It wasn't the typical greatness that I USUALLY associate with Gaiman, but it was still a quick and enjoyable read. I read it aloud to my eight year old son (editing out the few naughty words, of course) and even he really loved it. There were a few places where he didn't understand what was going on, but overall, he thought it was a great story.
"Bulldozer" by Laird Barron was terrible. I couldn't make it through the story. The writing style was AWFUL. I know that it was supposed to be written -- in parts -- in a stream of consciousness style, but it was awful. I stopped about halfway through and just said screw it. I wouldn't even give this story a star at all.
Finished "Red Goat Black Goat" by Nadia Bulkin. While it had some nice creepy vibes, it was, overall, a 2 star story. I realize, as a short story, it is limited by length and time constraints, but the story just starts in the middle of a world about which the reader has no idea whatsoever. It's not what I would call a good story, although, as I said, there were a couple of moments when I had to look up from my completely dark bedroom and make sure I didn't hear bumps in the night, so it gets one extra star for that.
"The Same Deep Waters As You" was actually fantastic. It's been the best story in the anthology so far. I know, I know... me saying something is better than a Gaiman story is almost unheard of, but this story by Hodge was truly good from beginning to end. It was completely unique, and even though it was a short story, it was completely self-contained. It didn't leave me wondering what happened before the story started to get us to this place, and it ended perfectly, not in a 'to be continued' style. Also, just wow. The ending was a killer. I did NOT see it coming AT ALL. Five stars.
"A Quarter to Three" gets 2.5 stars simply because of Newman's writing style. She is very articulate, and I loved the tone of this story. The content of the story, however, wasn't that great. However, I feel compelled to give it an extra half a star -- bumping it up to 3 stars -- for this one, perfect line:
"It was easy to see what she had seen in him; it left a thin damp trail between his scuffed footprints." Ha. Loved it
"The Dappled Things" was a total bust. 1 star, and that is being generous. So boring I nearly fell asleep twice trying to get through the first two pages. Not worth the time it took to read it.
"Inelastic Collisions" was decent. I have nothing really bad to say about it, but I have nothing super great to say about it either. Three stars.
"Remnants" deserves about 3.5 stars. It's pretty decent. I like the story and the way the plot developed. However, I dislike how abruptly it ended. If the ending had been a little more well-rounded, it could have easily been a 4.5 star story.
"Love is Forbidden We Croak and Howl" -- eh. Two stars. Didn't really hold my interest that much. I kept drifting off...
"The Sect of the Idiot" was a solid three stars. Overall the story wasn't super, but I really, really, REALLY did love the detail paid to the dream sequence. It was beautiful and creepy and dark. Lovely bit of storytelling, that was.
"Jar of Salts" is easily 4.5 stars. Short little Lovecraftian poem, but such a pleasure to read.
Well, I'm finally finished with Lovecraft's Monsters, but honestly, after the last update I made, none of the other stories were really worth reading. I was, overall, a bit disappointed with the book. :-/
Well, I'm about to start the third story, but I thought I'd keep a running commentary on each story so that when it came time to review it, I wouldn't forget how I felt about each individual one.
"Only the End of the World Again" by Neil Gaiman was good. Probably 4 stars. It wasn't the typical greatness that I USUALLY associate with Gaiman, but it was still a quick and enjoyable read. I read it aloud to my eight year old son (editing out the few naughty words, of course) and even he really loved it. There were a few places where he didn't understand what was going on, but overall, he thought it was a great story.
"Bulldozer" by Laird Barron was terrible. I couldn't make it through the story. The writing style was AWFUL. I know that it was supposed to be written -- in parts -- in a stream of consciousness style, but it was awful. I stopped about halfway through and just said screw it. I wouldn't even give this story a star at all.
Finished "Red Goat Black Goat" by Nadia Bulkin. While it had some nice creepy vibes, it was, overall, a 2 star story. I realize, as a short story, it is limited by length and time constraints, but the story just starts in the middle of a world about which the reader has no idea whatsoever. It's not what I would call a good story, although, as I said, there were a couple of moments when I had to look up from my completely dark bedroom and make sure I didn't hear bumps in the night, so it gets one extra star for that.
"The Same Deep Waters As You" was actually fantastic. It's been the best story in the anthology so far. I know, I know... me saying something is better than a Gaiman story is almost unheard of, but this story by Hodge was truly good from beginning to end. It was completely unique, and even though it was a short story, it was completely self-contained. It didn't leave me wondering what happened before the story started to get us to this place, and it ended perfectly, not in a 'to be continued' style. Also, just wow. The ending was a killer. I did NOT see it coming AT ALL. Five stars.
"A Quarter to Three" gets 2.5 stars simply because of Newman's writing style. She is very articulate, and I loved the tone of this story. The content of the story, however, wasn't that great. However, I feel compelled to give it an extra half a star -- bumping it up to 3 stars -- for this one, perfect line:
"It was easy to see what she had seen in him; it left a thin damp trail between his scuffed footprints." Ha. Loved it
"The Dappled Things" was a total bust. 1 star, and that is being generous. So boring I nearly fell asleep twice trying to get through the first two pages. Not worth the time it took to read it.
"Inelastic Collisions" was decent. I have nothing really bad to say about it, but I have nothing super great to say about it either. Three stars.
"Remnants" deserves about 3.5 stars. It's pretty decent. I like the story and the way the plot developed. However, I dislike how abruptly it ended. If the ending had been a little more well-rounded, it could have easily been a 4.5 star story.
"Love is Forbidden We Croak and Howl" -- eh. Two stars. Didn't really hold my interest that much. I kept drifting off...
"The Sect of the Idiot" was a solid three stars. Overall the story wasn't super, but I really, really, REALLY did love the detail paid to the dream sequence. It was beautiful and creepy and dark. Lovely bit of storytelling, that was.
"Jar of Salts" is easily 4.5 stars. Short little Lovecraftian poem, but such a pleasure to read.
Well, I'm finally finished with Lovecraft's Monsters, but honestly, after the last update I made, none of the other stories were really worth reading. I was, overall, a bit disappointed with the book. :-/