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Hazel (1853 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
Sassy Brit (97 KP) rated Godsend in Books
Jun 6, 2019
Godsend, by J.A. Marley is the second Danny Felix novel, and although I have not read the first, Standstill, I read this fast and furiously, as if this was indeed a standalone novel.
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
Kristy H (1252 KP) rated The Beautiful Dead in Books
Feb 8, 2018
Eve Singer is a beleaguered TV crime reporter dealing with a pushy boss who wants Eve to be everything: younger, covering every story, and on top of every lead. In her personal life, Eve goes home to her childhood home and her father, Duncan, who is suffering from dementia. When Eve winds up covering the murder of a young woman, she doesn't realize she will soon be entwined with the girl's killer, someone who is obsessed with death, and the desire to be recognized for his "killing performances." As the killer pulls Eve deeper into his twisted web, she has some startling choices to make.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
Zuky the BookBum (15 KP) rated I'm Travelling Alone in Books
Mar 15, 2018
I read this novel as my BookBum Club book for November! Check out this page to find out more about my very own Book Club!
I had heard so many great things about this novel from family and online, it’s got a great average rating on Goodreads, so I thought I was going to really love it, unfortunately it didn’t do much for me. For me, this was nothing more than your standard police procedural, a sub-genre in crime that I’m not a huge fan of.
What drew me to this one other than the recommendations was the title. I really like how striking and eerie it is! This, obviously, lead me to read the synopsis and I definitely thought the plot was a unique one in a genre that’s so heavily populated. The storyline, in the end, didn’t live completely up to my expectations, but it was a great twisty and turny story. I did have my suspicions about the killer from quite early on, which turned out to be correct, so for that reason I can’t personally see why so many people are stunned by the conclusion. However, I didn’t have any theory as to why the killer was doing what they were doing so it was interesting to find out!
I liked the characters in this one, but sometimes they felt a little clunky and unbelievable, which might be down to translation issues or regional differences… I mean, do Norwegian people really wink at each other during every conversation? There was a lot of winking going on!
Personally, I felt more connected to Holger Munch in this one than I did with Mia Kruger. I understood her position in life, but sometimes I was sick of hearing how sorry for herself she felt. I really do hate the cliche police officer in these kinds of books and she really fit the part perfectly.
The writing for this one was good, but like I said earlier, maybe some of the thrill of it was lost in translation because I never got that heart-racing feeling I usually do with books about catching a killer. Some of the nail-biting conversations happening felt rushed and all bunched together at the end of a chapter which, for me, ruined any kind of atmosphere it was meant to have.
I seem to be swimming in a sea of mediocre books at the moment, and it sucks! I wish I had liked this one way more… my dad and nan will be disappointed when they see my review.
I had heard so many great things about this novel from family and online, it’s got a great average rating on Goodreads, so I thought I was going to really love it, unfortunately it didn’t do much for me. For me, this was nothing more than your standard police procedural, a sub-genre in crime that I’m not a huge fan of.
What drew me to this one other than the recommendations was the title. I really like how striking and eerie it is! This, obviously, lead me to read the synopsis and I definitely thought the plot was a unique one in a genre that’s so heavily populated. The storyline, in the end, didn’t live completely up to my expectations, but it was a great twisty and turny story. I did have my suspicions about the killer from quite early on, which turned out to be correct, so for that reason I can’t personally see why so many people are stunned by the conclusion. However, I didn’t have any theory as to why the killer was doing what they were doing so it was interesting to find out!
I liked the characters in this one, but sometimes they felt a little clunky and unbelievable, which might be down to translation issues or regional differences… I mean, do Norwegian people really wink at each other during every conversation? There was a lot of winking going on!
Personally, I felt more connected to Holger Munch in this one than I did with Mia Kruger. I understood her position in life, but sometimes I was sick of hearing how sorry for herself she felt. I really do hate the cliche police officer in these kinds of books and she really fit the part perfectly.
The writing for this one was good, but like I said earlier, maybe some of the thrill of it was lost in translation because I never got that heart-racing feeling I usually do with books about catching a killer. Some of the nail-biting conversations happening felt rushed and all bunched together at the end of a chapter which, for me, ruined any kind of atmosphere it was meant to have.
I seem to be swimming in a sea of mediocre books at the moment, and it sucks! I wish I had liked this one way more… my dad and nan will be disappointed when they see my review.
Midge (525 KP) rated Buried Secrets in Books
Jan 31, 2019
Plenty of action (3 more)
Genius characterisation
Plenty of twists
Brilliant conclusion
An Action-Packed Thriller!
I picked up a copy of "Buried Secrets" as it was chosen for our Book Club monthly read and I am so glad that I did because it transpired to be an amazing roller-coaster read and I didn’t want it to end.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
Kristy H (1252 KP) rated I Let You Go in Books
Feb 1, 2018
One rainy evening, an accident occurs on a quiet neighborhood street. Walking home from school with his mother, young Jacob is hit by a car, and killed. Even worse, the car quickly backs up and drives away, leaving Jacob's mother shattered and Detective Inspector Ray Stevens and his team, particularly eager young DC Kate, to seek out answers.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Whatchareadin (174 KP) rated The Forgotten (John Puller #2) in Books
May 10, 2018
John Puller is on vacation from his duties as a CID officer for the Army when his father, receives a letter from Betsy Simon. Betsy Simon is Puller's aunt, and was instrumental in his upbringing while his father served as a General in the Army. The letter instantly puts Puller on high alert and he heads to Paradise, FL to check on his aunt. When he arrives, he finds that she has died in her backyard and the local police have written it off as an accident. Puller does not believe this to be true, despite his aunt's ailments and age. Conducting his own investigation, he is determined to find out what happened to his aunt and what is going on in Paradise that had her so rattled.
Another gripping John Puller novel from David Baldacci. Even on vacation, Puller can't escape crime. He thought he would go down to Paradise, FL and just be able to talk to his aunt about what was troubling her in the letter she sent to his father. She did ask for his help in the letter, but Puller never expected she would be killed for it. While investigating his aunt's murder, more people end up dead, friends of his aunts, and people go missing. Things just don't seem to be so great in Paradise after all. With the help of the local police, Puller tries to get to the bottom of what is going on. Are the police in on the disappearances of people? Are they trying to cover up what really happened to his aunt by calling her death an accident?
During this investigation, Puller finds out some disturbing happenings in Paradise. Will the local police accept his help to get to the bottom of it or is this small town in on the whole thing.
Another gripping John Puller novel from David Baldacci. Even on vacation, Puller can't escape crime. He thought he would go down to Paradise, FL and just be able to talk to his aunt about what was troubling her in the letter she sent to his father. She did ask for his help in the letter, but Puller never expected she would be killed for it. While investigating his aunt's murder, more people end up dead, friends of his aunts, and people go missing. Things just don't seem to be so great in Paradise after all. With the help of the local police, Puller tries to get to the bottom of what is going on. Are the police in on the disappearances of people? Are they trying to cover up what really happened to his aunt by calling her death an accident?
During this investigation, Puller finds out some disturbing happenings in Paradise. Will the local police accept his help to get to the bottom of it or is this small town in on the whole thing.
Bubblesreview (110 KP) rated The Chalk Man in Books
Feb 11, 2019
Unique plot (2 more)
Unique presentation
Full of twist and turns
Thriller/crime
This book has been presented in a way that I've never seen before. The story is told in 1986 and in the present (as in the book) 2016. Instead of chapters labelled 1, 2, 3, 4 and so on, theyre labelled 1986, 2016, 1986, 2016 and so on through the whole book. It's hard to explain but very unique and clever at the same time.
The story itself was very complex. There is many main characters who are all very likeable characters, each in their own unique way. And of course there are some not very nice and repelling characters. And some grusomely descriptive incidents.
The book starts off powerful and kept me intrigued from page 1. As I got about a quarter of the way through, my interest started weaning down slightly but the author soon recaptured me! I felt it was up and down through most of the book and then the last few chapters just exploded and really made the book. Everything is not always as it may seen.
.
I was also shocked to find out that this is C.J.Tudors 1st novel. If you didn't know this before reading it, it would be practically impossible to tell that it was a debut. I've read debuts before and never have they been as gripping, complexed and well written as The Chalk Man was.
At the end of the book there is a short prologue for the authors new book soon to be released this year, 'The Taking of Annie Thorne' I can definitely say I'll be purchasing it.
.
The only downside to this is that I personally felt there wasn't enough thrill for a thriller. Which to be honest, it doesn't actually need anyway because it's so well written and presented.
The story itself was very complex. There is many main characters who are all very likeable characters, each in their own unique way. And of course there are some not very nice and repelling characters. And some grusomely descriptive incidents.
The book starts off powerful and kept me intrigued from page 1. As I got about a quarter of the way through, my interest started weaning down slightly but the author soon recaptured me! I felt it was up and down through most of the book and then the last few chapters just exploded and really made the book. Everything is not always as it may seen.
.
I was also shocked to find out that this is C.J.Tudors 1st novel. If you didn't know this before reading it, it would be practically impossible to tell that it was a debut. I've read debuts before and never have they been as gripping, complexed and well written as The Chalk Man was.
At the end of the book there is a short prologue for the authors new book soon to be released this year, 'The Taking of Annie Thorne' I can definitely say I'll be purchasing it.
.
The only downside to this is that I personally felt there wasn't enough thrill for a thriller. Which to be honest, it doesn't actually need anyway because it's so well written and presented.