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Haley Mathiot (9 KP) rated The Legacy (Children's House, #1) in Books

Apr 27, 2018

The Legacy (Children's House, #1)

Yrsa Sigurðardóttir | 2018 | Crime, Fiction & Poetry, Mystery

10.0

(1 Ratings)

Book Rating

The book began with a scene of 3 young children, parent-less, sitting on a bench, while a group of adults decided what would happen to them. Would the children be split up, or kept together? What were the pros and cons of each? The children were split up and sent to opposite sides of the country, and since they were young enough, they would never remember.

The story then completely changes pace and goes forward about 30 years to a crime being committed, and that's where the main characters, Freyja and Huldar show up. Freyja is a child trauma psychologist, and Huldar is a recently-promoted detective in charge of his first case.

The first few chapters I really struggled to follow the characters, as it switched 4 times between different perspectives, but then once I figured out who was who I started to follow better. I loved how quickly the characters were developed and built, but it didn't feel like building, it felt like a gradual discovery. I figured out "who's the bad guy" about 15 seconds before it was revealed, which is my favorite way to discover a crime thriller. Looking back, of course there were subtle hints, but there's no way I would have figured it out on my own.

I'm very happy with the ending. It was conclusive enough to feel satisfactory, but definitely open to more adventures in the future. I anxiously await the next two books in the series, and will keep my eyes out for the author. (And no, I have no clue how to pronounce her name.)

Content/Recommendation: 17+, violence, language. It goes without saying that a crime thriller is for adults only, but I'll stress that even having read many crime thrillers over the past 10 years, this one managed to shock me.

Kudos

Awix (3310 KP) rated Baby Driver (2017) in Movies

Feb 12, 2018

Baby Driver (2017)

2017 | Action, Comedy

8.2

(159 Ratings)

Movie Rating Watch

Criminal Records

Edgar Wright's high-energy jukebox thriller may be your last chance to see Kevin Spacey in a new movie. Brilliant young music-loving hearing-impaired getaway driver ends up in hock to criminal mastermind; must decide whether to run for it with his lovely new girlfriend or carry out one last job with some rather suspect associates.

Slightly retro crime thriller with a central gimmick - action sequences are frequently choreographed to the soundtrack - that isn't quite as innovative as it thinks it is. As technically proficient as you would expect from Wright; what's unusual is that the film has a degree of heart you wouldn't expect, not to mention an impressively twisty-turny plotline - just who the main bad guy will turn out to be is not at all clear until quite late on. Good performances all round, too.