Search
The Balanced Body: A Guide to Deep Tissue and Neuromuscular Therapy
Book
Now in vibrant full color, this fully updated and revised 4th Edition of Scheumann's The Balanced...
Sophia (Bookwyrming Thoughts) (530 KP) rated The Rampart Guards (The Adventures of Jason Lex, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Roger Charlie in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Rainwater Park: Stormwater Management and Utilization in Landscape Design
Book
Provides a definitive statement on stormwater management and rainwater recycling in urban park...
West Indian Immigrants: A Black Success Story?
Book
West Indian immigrants to the United States fare better than native-born African Americans on a wide...
BankofMarquis (1832 KP) rated The Dark Knight (2008) in Movies
Apr 16, 2018
Not a Masterpiece, but has a Masterful performance
With the DARK KNIGHT, Christopher Nolan kicks his movie's up a notch. His previous films were critical - but not necessarily commercial - successes. With the 2nd of his Batman trilogy, Nolan swings for the seats and in more ways than one, hits a home run.
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
THE DARK KNIGHT continues the "dark, realistic" Batman story line (based on the Frank Miller Graphic Novels of the same name) that Nolan started with BATMAN BEGINS. This film starts off simply enough - a "James Bond" type of opening action sequence that has Batman tying up some loose ends (specifically regarding the villain Scarecrow), but Nolan (and his brother, the Screenwriter Jonathan Nolan) do a clever thing, they interweave the introduction of a new villain, The Joker, into this universe.
While The Joker commits crime after crime, his real purpose is to bring chaos and anarchy to Gotham City - and he succeeds wonderfully well, despite the attempts of Batman, Alfred, Lucious Fox and Detective Jim Gordon to stop him.
As is befitting a criminal such as The Joker - and also, as befitting a big budget summer tent pole blockbuster film - the stunts of this film are amazing, over-the-top, explosive and LOUD. There are death defying stunts, breathlessly captured, long, screeching car chases (that's a good thing) and fight scenes that are well choreographed and are, by the most part, done "practically" (not with the aid of CGI), including a wonderful stunt of flipping a semi-truck and trailer up in the air and onto it's back by the nose of the truck.
These stunts would mean nothing if there wasn't some folks to root for and get behind - and this film has those characters - and performances - in spades with continued good work from Nolan "Dark Knight Trilogy" regulars Christian Bale (Batman/Bruce Wayne), Detective Jim Gordon (Gary Oldman), Alfred the Butler (Michael Caine, really shining here) and Lucious Fox (Morgan Freeman - a nice character add to this universe for this trilogy). This core really brings the goods, which is good, for the newcomers to this series - Aaron Eckhart's District Attorney Harvey Dent and Maggie Gillenhall taking over the role of Rachel Dawes (from Katie Holmes) are pretty bland in comparison.
But...all of them pale in comparison to the once-in-a-lifetime performance and character of Heath Ledger as The Joker. Ledger, as most of you know, rightfully won the Oscar for Best Supporting Actor for this role - a rare feat for a "comic book" movie. This is not only the Best Supporting Actor turn for 2008, but I would argue it is one of the best Supporting Actor turns of all-time. Anytime that Ledger is on the screen, your eye goes to him and you lose all sense of anything else that is going on. His look, his tics, his pauses, his vocal patterns, his mannerisms, his walk, ALL convey a sense of the character and added all up, it is quite something to behold.
Many, many have called this their favorite "comic book" film of all time, but I don't think I share that idea. While Nolan spent much of his time on the characters, the "look" of the film and the effects and stunts, he left the story a little too thin and the length of this film is a bit too long, for my tastes. I was most certainly looking at my watch during the "thrilling conclusion" of this film waiting for it to be done.
Now...to be fair...most of the reason for that is that I was exhausted watching Ledger's performance. He wore me out. But...that's a compliment, not a complaint.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kyera (8 KP) rated The Young Elites in Books
Feb 1, 2018
Despite the fact that I found the main character disagreeable - the premise was enjoyable. Initially, Adelina is very dark and unrelatable. She relishes pain and fear, as a result, I don't have sympathy for her character. Even though her father treated her abysmally her entire life, that treatment only seemed to nurture the darkness inside her. It did not create it. The darkness is all her own.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
Movie Metropolis (309 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 31, 2019
It might sound like we’re damning Terminator: Dark Fate with faint praise by declaring it the best Terminator sequel since T2, however that seems to be the way many Hollywood franchises are going nowadays.
After all, last year’s Halloween sequel was declared the best one yet simply because it retconned the events of its mostly dreadful predecessors and blasted them out of existence. Jurassic World: Fallen Kingdom was declared (by us anyway) the very best sequel the franchise has ever gotten, but The Lost World and Jurassic Park III were hardly critical darlings.
The similarities between the Terminator and Jurassic franchises don’t end there though. You see, in an effort to reboot the flagging sci-fi series, Deadpool director Tim Miller has been brought in with the legend that is James Cameron returning to the franchise in a producing role, similar to how Steven Spielberg still produces the Jurassic movies to this day.
Yes, it appears that ignoring poor sequels allows film-makers to go back to the good old days, rather than trying to shoehorn poor sequel after poor sequel until audiences stop turning up at the cinema. That’s what has happened with the Terminator franchise. Following James Cameron’s incredible first two films, the sequels that followed ranged from dreadful to downright shambolic. But is Dark Fate actually good? Or just better than what came before it?
Sarah Connor (Linda Hamilton returning to the role that defined her career) and a hybrid cyborg human, Grace (Mackenzie Davis) must protect a young girl (Natalia Reyes) from a newly modified liquid Terminator from the future.
Seeing Linda Hamilton return to such an iconic role after almost 30 years is a real highlight over the course of the film and she slots back into Sarah Connor’s shoes particularly well. She gets a few clunky one-liners but manages to stop them from sounding too ridiculous.
Elsewhere, Mackenzie Davis is absolutely cracking as Grace, a human-cyborg sent from the future. She’s full of heart and the script allows her to develop more of a personality than we’re used to from this franchise. Grace is a nicely fleshed out character with enough backstory to allow the audience to care for wellbeing.
Of course, Terminator fans are here to see Arnie and although his screen time is more limited than we’d like, it’s nice to see both him and Hamilton squaring up against each other again. We won’t spoil the plot devices used to bring about his return to the series, but they’re very well integrated and don’t feel as clunky as you might expect.
Set piece after set piece after set piece is thrown at the audience… but each one is so inventive that the probability of you getting bored is very slim indeed
Unfortunately, Natalia Reyes’ Dani is a little more wooden compared to her on-screen co-stars. There’s nothing particularly wrong with her character, but she’s merely there as a plot device and doesn’t really get to do much. It’s no easy feat to go up against Sarah Connor and the T-800 and while she tries her best, she falls a little short.
When it comes to action, Dark Fate pulls no punches. Set piece after set piece after set piece is thrown at the audience in an almost Fast & Furious-like way, but each one is so inventive that the probability of you getting bored is very slim indeed. The film starts with a very nicely choreographed chase on a freeway, culminating in a tense showdown at a power plant.
Dotted in between these rollercoaster moments however are some touching moments and well-timed comedy. While not on a level with Miller’s Deadpool, there are a couple of instances that raised a chuckle from the audience, though most of them involved Arnold Schwarzenegger and his deadpan line delivery.
Terminator: Dark Fate - Official Trailer (2019) - Paramount Pictures - YouTube
The CGI is mostly successful, though the lack of practical effects like those we saw in the film’s predecessors does lend an unnaturally glossy and artificial look to not only the Terminators themselves, but some of the landscapes. This is a bit of a shame as CGI body doubles are all too evident from time-to-time, but never does it pull you out of the film completely.
Overall, Terminator: Dark Fate is indeed the best sequel since T2. This is a film that successfully reboots a franchise that had been flagging for decades and is one of the year’s best action flicks. Not only does it bring back two of cinema’s most iconic characters, it places them in a film which is nicely shot, reasonably well-written and absolutely thrilling from start to finish. Now, if only the same winning formula could be applied to the Alien series, James Cameron may able to sleep soundly at night.
After all, last year’s Halloween sequel was declared the best one yet simply because it retconned the events of its mostly dreadful predecessors and blasted them out of existence. Jurassic World: Fallen Kingdom was declared (by us anyway) the very best sequel the franchise has ever gotten, but The Lost World and Jurassic Park III were hardly critical darlings.
The similarities between the Terminator and Jurassic franchises don’t end there though. You see, in an effort to reboot the flagging sci-fi series, Deadpool director Tim Miller has been brought in with the legend that is James Cameron returning to the franchise in a producing role, similar to how Steven Spielberg still produces the Jurassic movies to this day.
Yes, it appears that ignoring poor sequels allows film-makers to go back to the good old days, rather than trying to shoehorn poor sequel after poor sequel until audiences stop turning up at the cinema. That’s what has happened with the Terminator franchise. Following James Cameron’s incredible first two films, the sequels that followed ranged from dreadful to downright shambolic. But is Dark Fate actually good? Or just better than what came before it?
Sarah Connor (Linda Hamilton returning to the role that defined her career) and a hybrid cyborg human, Grace (Mackenzie Davis) must protect a young girl (Natalia Reyes) from a newly modified liquid Terminator from the future.
Seeing Linda Hamilton return to such an iconic role after almost 30 years is a real highlight over the course of the film and she slots back into Sarah Connor’s shoes particularly well. She gets a few clunky one-liners but manages to stop them from sounding too ridiculous.
Elsewhere, Mackenzie Davis is absolutely cracking as Grace, a human-cyborg sent from the future. She’s full of heart and the script allows her to develop more of a personality than we’re used to from this franchise. Grace is a nicely fleshed out character with enough backstory to allow the audience to care for wellbeing.
Of course, Terminator fans are here to see Arnie and although his screen time is more limited than we’d like, it’s nice to see both him and Hamilton squaring up against each other again. We won’t spoil the plot devices used to bring about his return to the series, but they’re very well integrated and don’t feel as clunky as you might expect.
Set piece after set piece after set piece is thrown at the audience… but each one is so inventive that the probability of you getting bored is very slim indeed
Unfortunately, Natalia Reyes’ Dani is a little more wooden compared to her on-screen co-stars. There’s nothing particularly wrong with her character, but she’s merely there as a plot device and doesn’t really get to do much. It’s no easy feat to go up against Sarah Connor and the T-800 and while she tries her best, she falls a little short.
When it comes to action, Dark Fate pulls no punches. Set piece after set piece after set piece is thrown at the audience in an almost Fast & Furious-like way, but each one is so inventive that the probability of you getting bored is very slim indeed. The film starts with a very nicely choreographed chase on a freeway, culminating in a tense showdown at a power plant.
Dotted in between these rollercoaster moments however are some touching moments and well-timed comedy. While not on a level with Miller’s Deadpool, there are a couple of instances that raised a chuckle from the audience, though most of them involved Arnold Schwarzenegger and his deadpan line delivery.
Terminator: Dark Fate - Official Trailer (2019) - Paramount Pictures - YouTube
The CGI is mostly successful, though the lack of practical effects like those we saw in the film’s predecessors does lend an unnaturally glossy and artificial look to not only the Terminators themselves, but some of the landscapes. This is a bit of a shame as CGI body doubles are all too evident from time-to-time, but never does it pull you out of the film completely.
Overall, Terminator: Dark Fate is indeed the best sequel since T2. This is a film that successfully reboots a franchise that had been flagging for decades and is one of the year’s best action flicks. Not only does it bring back two of cinema’s most iconic characters, it places them in a film which is nicely shot, reasonably well-written and absolutely thrilling from start to finish. Now, if only the same winning formula could be applied to the Alien series, James Cameron may able to sleep soundly at night.
Escape: Designing the Modern Guest House
Book
A book showcasing guest house design which merges practicality with motifs of nature and art, to...
Bonita Avenue
Book
A darkly hilarious tale of a model family's disintegration. Professor Siem Sigerius - maths genius,...
The Leader's Guide to Presenting
Book
Presentations are an inevitable part of a leader's day to day. They are fundamental to delivering...