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Kirk Bage (1775 KP) rated Night Stalker: The Hunt for a Serial Killer in TV

Apr 8, 2021

And finally, the most recent addition, from January this year, another 4 parter that is over and done in 3 hours, which plays like a long movie when watched as intended in one sitting. The case of the Night Stalker is another well documented case most people will have at least heard of. If, like me, you knew nothing of the crimes, motives and man behind it up front, then this is a jaw dropping addition to the genre that serves as a slice of history that has a strong sense of place and time, and how a community could be terrorised over a period knowing a killer was at large in their neighbourhood.

The point of difference here is mostly hearing the case explained from the direct point of view of the detectives at the centre of the manhunt. It seems that a killer so indiscriminate in choosing his victims, and so random in how he killed them, is very difficult to catch. With no distinct modus operandi – it seemed like a real demon was on the loose, satisfying his dark needs on a whim. An excruciating thought! And the truth of the man behind it is even more disturbing in reality. As with Bundy, this one is compelling because of the cult of personality and media involvement. Almost a little short if anything, but probably the main model for dozens more shows like it in coming years. 4 x 45 mins, the perfect binge package.

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Jonathan Donahue recommended Script of the Bridge by The Chameleons UK in Music (curated)

"Here's a band that's influenced anyone who's ever heard them - including me! They were the teenage band that pulled you out of the muck of post-puberty. It made sense in a J. D. Salinger kind of way. Confronting the world, kicking against the pricks, all those sort of motifs that you get with teenage years. The Chameleons were the band that organised your attack through the crap that was going on around you. Here's a story: when we first came over in '89, I thought The Chameleons were so massive. So I thought I'd ask people, ""Hey, when are The Chameleons playing Wembley? We're here, I want to see them!"" And they'd say, ""Never heard of them mate."" So I'd be like, ""No, no, no, The Chameleons, y'know, Script Of The Bridge?"" I'd just keep asking what enormo-dome they would be playing. And I could not believe how small a cult following they had - I was stunned to hear that this band didn't have such a wide following. In my view this band was bigger than Pink Floyd. I'm now friends with Mark Burgess and have been for 30 years. I'm always marveled by the stories that he tells me from the twists and turns of the band to how they could've been big but weren't. Script Of The Bridge is one of those lingering drones in music that's always been in the background."

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