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Mark @ Carstairs Considers (2332 KP) rated Dance Hall of the Dead in Books

Jun 19, 2024

Murder Crosses Tribal Lines

It’s early December on the Navajo reservation. Lieutenant Joe Leaphorn, who works for the Navajo Tribal Police, has been called to work on a case involving two missing boys. There is a huge pool of blood at the last place they were scene. One of them, a Navajo, was seen the next morning and is wanted as a witness, although some suspect he might be the killer. The other is a Zuni youth, and that just complicates the case for Leaphorn since that tribe has their own police department. As Leaphorn investigates further, he finds many things that just don’t add up for him. Can he make sense of it, find the missing boys, and catch a killer before the killer strikes again?

Leaphorn is much more of the main character this time around, but we still haven’t met Chee. It’s interesting to see how this series evolves over time. The mystery is strong here, especially since there is a thriller element to it that kept me engrossed. I did feel the discussion of Navajo culture slowed things down at times; those passages can be a double-edged sword. Still, this is a book that fans old and new will find entertaining.

Kudos

ClareR (5869 KP) rated Epic of Helinthia in Books

Apr 18, 2025

Epic of Helinthia

M. J. Pankey | 2023 | Fiction & Poetry

8.0

(1 Ratings)

Book Rating

I really enjoyed this. Epic of Helinthia is a play on the Greek myths, using the usual Gods and Goddesses with the addition of a “younger” Goddess: Helinthia.

The humans of Helinthia’s island are caught in the crossfire when other Gods (namely Hera) decide to teach her a lesson. Of course the humans are just pawns to be played with.

I liked the action (fights, chases, lion attacks (I know!!)), the interference of other Gods/ Goddesses (Artemis and Apollo in particular) in order to help their favourite humans, and the fact that you could never be quite sure who you could trust.

The writing is immersive - the scenes are well set, the characters are both easy to live and hate, as well as empathise with.

It felt as though a lot of research had gone into the culture of the time as well as the mythology surrounding it, and it was rather violent and bloody on occasion (these were violent times!).

I’m so glad that I enjoyed this, as I have the next instalment all set to go from BookSirens - the Oracle of Helinthia is set to be out very soon (and my review will be up as soon as I’ve read it!).

Kudos

Goddess in the Stacks (553 KP) rated Gender Outlaw: On Men, Women and the Rest of Us in Books

Jul 23, 2019

This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:

"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."

It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.

The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.

The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)

I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.

You can find all my reviews and more at http://goddessinthestacks.com