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A Court of Thorns and Roses
A Court of Thorns and Roses
Sarah J. Maas | 2015 | Young Adult (YA)
8
8.7 (108 Ratings)
Book Rating
I put of reading this book for a while, but for multiple reasons. The first was my concern that it wouldn’t live up to the expectations I had because of Throne of Glass. The second was because I didn’t want to read the first two books months before the last (at least for this half of the series) came out so I wasn’t waiting and obsessing.

I’m glad I waited because now I only have to wait about three weeks for the third book to come out after I finish the second one (if I finish it on the schedule I have planned).

I didn’t hate this book, but neither would I say that I loved it. It was good yes, but I think there is something missing and there are a few other problems that I want to talk about as well.

First, I want to talk about Feyre (pronounced Fay-ruh if you were wondering) and the sort of indifference I started feeling towards her just a little past halfway through the book. At first I liked her, doing what she can to survive while also getting very hateful feelings from her family, but determined to keep the promise she made to her unloving mother. She did what she could, but wasn’t as perfect to have all these amazing skills she was somehow able to teach herself. It was realistic in a way. Then, in the middle, I still liked her but didn’t understand some of the actions that she took. It wasn’t explained well enough in the book to be reasonable. And in the end, well, there wasn’t really much too really like or hate. It was as if Feyre started to disappear, and I had no feelings one way or the other.

The passing of time in this book was strange, but it does come right out and say, ‘three months after this event happened’ and it makes it clear. But sometimes it felt like it jumped weeks ahead without much explanation.

I do like some things of course, such as Tamlin and Lucien and many of the other fae. It was fun learning about them, their culture, the things that they went through, and eventually learning what the curse was all about (though it might be easy to guess).

But what exactly did I like about it? I can’t find any particular examples, mostly just the overall feeling of the book, the plot, and the characters, at least for the most part.

I know I’ve probably said more bad than good things but I willing give this book four stars. The reasons I’m not giving more is because the mild indifference I felt towards pieces of the book, and others I won’t mention in fear of spoiling it for everyone.
  
I'll Be There for You: The One about Friends
I'll Be There for You: The One about Friends
Kelsey Miller | 2018 | Film & TV
5
5.0 (1 Ratings)
Book Rating
The One Where We Look at the Friends Phenomenon
Over the course of the book, we get a well-researched look at the sitcom Friends and the impact it has had on the US and the world in the 25 years since it premiered. We learn about how the creators met and came up with the show, the path the actors took before they landed on the show, and some of the bumps and growing pains that everyone experienced during the 10 years the show was on the air. There is also talk about the impact the show has had on fashion, trends, and overall pop culture the world over.

Author Kelsey Miller starts out by talking about her own connection to the show, and at various times in the book she talks about how she gained insight into the show (and vice versa) while talking to her real-life friends about it. As I said, the book is well-researched, but that is part of the problem – it has too much research, rehashing stories we can find elsewhere with little new insights from the cast and crew. I did find her commentary on a few episodes and arcs to be interesting. I had already thought of some of her comments myself, and the rest make perfect sense to me. My biggest issue with the book is the way she works modern social issues into a look at a comedy from 25 years ago. Now, I’m not saying that the issues on the show aren’t worth talking about. This is the only part of the book where she did her any original research, reaching out to people to get reactions to the show’s handing of diversity, etc. However, her experts all seem to be of the opinion that it would be nice if the show had done a better job, but that was TV in the day, and it is a funny comedy that wasn’t trying to push an agenda. It is clear she wasn’t happy these people didn’t agree with her more since she obvious thinks these are major issues in the show. She even spends much of the last chapter talking about the lawsuit a writer’s assistant brought for a hostile work environment and speculating how it would have been handled in the current environment. These complaints aside, I found the book very readable, and when I picked it up, I was hooked. I was even choking up as I read about the taping of the final episodes. This would probably appeal most to die hard Friends fans, but most of the material here they probably already know.
  
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Rob P (30 KP) rated Mythos in Books

Jan 22, 2019 (Updated May 6, 2019)  
Mythos
Mythos
Stephen Fry | 2017 | Religion
10
8.7 (10 Ratings)
Book Rating
Accessible (2 more)
Simplified
Incredible insight into how much the modern world has taken from Greek and Roman culture
A lot of pretty complex names to remember (1 more)
Constant footnotes (usually at least one per page) to explain certain aspects, or highlight an interesting fact.
Mythos - The Greek legends retold
Ah, what a great read. Stephen Fry writes exactly how you would expect him to, if you've ever heard him speak. He understands the subject matter, and more importantly, realises how easily a reader will be overwhelmed by the sheer amount of players in these myths and answers that problem without condescension.

The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.

I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.

The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.

As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).

If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.

- Rob
  
Classic FM Presents... by Alfie Boe
Classic FM Presents... by Alfie Boe
2006 | Classical
(0 Ratings)
Album Favorite

"Last year I arrived in San Diego at the beginning of a tour, where I was playing the Thick As A Brick material. I ambled down to the theatre in the morning having arrived the night before, where the theatre manager said there was a note for me in my dressing room, left behind by Alfie Boe who they’d had a couple of nights before. I recognised Alfie Boe as a hotshot, super popular opera star who played at the Queen’s Jubilee Concert in Hyde Park. They crop up from time to time, these people who cross over from a more insulated music into wider popular culture, and Alfie Boe has certainly done that in the last couple of years with opera music. You might think he’s just another of the usual not-quite-authentic people who just find themselves singing the odd aria at working men’s clubs, and getting a record deal and a ton of money. But Alfie did his apprenticeship by studying at the Royal Academy of Music, worked with the D’Oyly Carte Opera and spent ten years of his life learning his craft. And he was a man born with enormous natural talent. Rather like Lou Gramm he has this very assured level of control – he knows what he can do. I read his note to me, wishing me a good show and leaving me a phone number. So a few weeks later in England I called Alfie and we had a few chats on the phone, and though we haven’t met we were due on two occasions to have lunch, but he had to cancel because of his mother’s illness. But I hope I do get to meet Alfie because I think he’s a very fine singer. I understand that while his desire is not to leave classical music, he wants to demonstrate he’s got the cojones of a Tom Jones or a Robert Plant or whoever - he wants to be a rock and roll singer. Far be it for me to say that might be mistake, you’ve got to give it a go. So Alfie’s branching out into rather middle-of-the-road pop and rock at the moment. As a classical singer, I think he has the gravitas and vocal expertise, perhaps more vocal expertise, than Pavarotti at his relatively young best. If you listen to Alfie’s ‘Nessun Dorma’, I think you’ll hear something that is sung with enormous technical ability, control, authority and with the right amount of gravitas, it has a weight to it that I think is really great. I hope he doesn’t sell himself short in the realm of middle-of-the-road pop music."

Source
  
The Magician's Apprentice (Black Magician, #0.5)
The Magician's Apprentice (Black Magician, #0.5)
Trudi Canavan | 2009 | Contemporary, Science Fiction/Fantasy
6
7.7 (3 Ratings)
Book Rating
I would like to say I loved this book, but there is part of me resisting that solely because I didn't feel satisfied by its ending. It felt to me that it wasn't tied up properly. It kind of felt there should have been a couple more pages. I also thought that seeing as Tessia is the title and main character of the book that it was a shame the final scene (though mentioning her) doesn't feature her.

I have picked up copies of Trudi Canavan's books in shops a number of times over the years, but I never bought one because I didn't want to invest in a trilogy if I wasn't completely "with it". So when I realised that this book was a stand-alone novel, but was set in the world (albeit a few hundred years before!) some of her other books I jumped at the chance of reading it.

From my first paragraph you'll probably think I ended up disappointed, but you'd be wrong. Until the very end I really really enjoyed this. The characters were well formed and it was lovely to have a story of war where you see both sides of said war, and the juxtaposition of Stara and Tessia's stories was intriguing but perhaps not played to its full potential. The two different cultures were very well constructed, and by having the Stara strand meant you never fully demonised the Sachakans, making them a more fully constructed culture - one that is eerily familiar.

My mind keeps wondering while I felt disappointed, and I guess I felt I needed more, and maybe this is because Canavan is more used to writing trilogies, maybe this is what is needed, I'd love to read a story of Tessia and Jayan as they built the Guild with the others. I feel there could be a whole book in that alone. It would have been nice to have at least got a glimpse of it. Given that it is a central part of the Black Magician trilogy I feel that could have been nice. Maybe all these niggles I'm feeling will be sorted when I read said trilogy, and I certainly will do, and maybe I'd have felt more satisfied if I'd read this in publication order. Who knows I may come back one day and re- review this book after re-reading it following reading the other six book set in this world.

I'm glad to have read this book, and I am excited to read more Trudi Canavan. I guess me saying that when I don't have the butterflies in the stomach I get at the end of reading a book is something in itself.
  
Walk Across the Rooftops by The Blue Nile
Walk Across the Rooftops by The Blue Nile
1984 | Rock
(0 Ratings)
Album Favorite

"The Blue Nile was another sort of national treasure that I was drawn to and then thrilled to discover they were local. I can't overestimate what it meant to fall in love with bands from Scotland who enjoyed success. It just opened up windows for our minds, because there's a certain particularly being a 70s baby and London just felt so far away – success of any kind, or glamour, felt far away. Whenever a Scottish band would succeed on a national level it felt really immense. 

 What I also just loved about The Blue Nile was how evocative and sad they sounded. I loved the sorrow in their records, because up until hearing them, I'd hadn't really heard sorrow. I'd heard non-conformity, I'd heard rebelliousness with Siouxsie and the Banshees or The Clash, but I'd not heard sorrow. 

 Depression and sadness have always been a part of my language and my family all sort of thought or considered me a complete freak as a result. They just thought this whole darkness and my gloominess was an annoyance and at best, an irritant. But to me it's always been part of my interfacing with the world. Sorrow, sadness and depression – it's just existed in me and it's part of, I think, human nature. 

 When I heard Blue Nile, I was like, 'Ah, old friend, I recognise you, there you are. Somebody else feels the same as me'. I loved the sort of expansiveness of their sound. It felt very sort of like a modern Frank Sinatra to me, in a way. It's an obvious comparison but the sweeping, Nelson Riddle-esque type of sonic landscapes just really captured my imagination. 
 
 Paul Buchanan's got this ache in his voice that's, again, very unusual. You don't really hear a lot of people sound like Paul. I loved the sort of ordinariness of the lyrics too – it was very much sort of relatable, simple, and unglamorous expressions of love; I just really identified with that. 

 Pop music has always just alienated me for one reason or another – I just don't identify with it or understand it. So somebody like Paul Buchanan and the Blue Nile literally speaks my language. It's a language that isn't often used or utilised in day-to-day culture. I think we're all encouraged to hide our mental health issues, or encouraged to hide our depression, our sadness and our griefs. I believe in the expression of grief: I think it's imperative for a joyful life, and why live if you can't live joyfully? 

 To live joyfully one must express negative emotions. It's really, really important. And those people who shirk from so-called negative expression, I think, are cutting off an entire part of their own happiness and existence."

Source
  
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Lee Ronaldo recommended Meet The Beatles! by The Beatles in Music (curated)

 
Meet The Beatles! by The Beatles
Meet The Beatles! by The Beatles
1964 | Pop
7.0 (1 Ratings)
Album Favorite

"I chose Meet The Beatles!, not With The Beatles, it was the first album (released by Capitol) in America. It’s mostly coming from With The Beatles, but I think there’s a few songs on there that are not on Meet The Beatles!. I’ve been talking about Sgt. Pepper and Revolver recently because those records are to the fore in terms of my new record but I chose this one because The Beatles are such an undying, unending influence and that’s the record I heard first. I was very young when it came out but for some reason my father brought it home and he brought home the singles that preceded it on these obscure little labels in America – Vee-Jay Records, Swan Records before Capitol took over, so I have all those records. I always cite Meet The Beatles! because I’m so very happy that, even though I was very young, I was able to experience the arc of The Beatles career in its time rather than coming to it afterwards. When Steve Shelley joined Sonic Youth, he’s a huge Beatles freak and we’d ask “What was your first Beatles record Steve?” and he’d say the red one or the blue one, the two doubles that came out after they dispersed and we’d be like “ok…” It doesn’t really matter where it starts, it’s not like an ‘I’m better than you’ sort of thing, but to have experienced that momentous change in music and culture in our society in its time is a very important thing to me in terms of who I am and how it shaped me. It all really started with that record. Pop music was always on the radio, but that record changed something in me. You never think when you’re a little kid that you’re going to grow up to be a pop musician, you never really think that it’s going to happen for you. But that record changed the things I found important in my life and it just made music such a central obsession and just showed how intelligent that process can be. It can start with something as simple as that record that’s got ‘I Want To Hold Your Hand’ on it, songs of that ilk, to go through to ‘Tomorrow Never Knows’ and ‘I Am The Walrus’ and all these super sophisticated musical compositions. So just watching that arc gave me a lot of inspiration on a lot of levels and it didn’t even have to be for music it could be for whatever you wanted to do in terms of showing how deeply and committedly you could throw yourselves into the work you were going to do."

Source
  
The Waking Land (The Waking Land, #1)
The Waking Land (The Waking Land, #1)
Callie Bates | 2017 | Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (5 Ratings)
Book Rating
The blurb of this novel tells pretty much all the necessary information. Elanna was kept away from her parents for fourteen years, in a different country, with a different culture and different way of living. She always wanted to be a botanist, because she loved plants. She was accused of King’s murder, so the only chance she had was to run. While on the run, she finds out, that she has a great gift and she supposed to be the one, who leads her country to independence.

This book has a great variety of characters to choose from. I loved their bravery and strong personalities. My favourite ones were El and Jahan. I loved their kindness and all the adventures which they had together in this novel. El is a very confused young woman, who is trying to make the right choice, even though it breaks her heart. She is emotionally torn between two countries who are at war because she has ties with both of them, it is hard for her to make the decisions, and this whole process was very interesting to watch for me.

I liked the plot of this book, but I found some of the parts quite repetitive. There is quite a bit of action going on in this novel, so that was what kept me going. I liked the adventure parts of it, filled with some really lovely and subtle romance. I think that author used her love for music and nature really well in this novel, I loved the overall setting of this book. It has some sex and violence in this novel, but it is not overwhelming, and I am really great full to the author, for keeping this novel quite elegant, when it used to come to violence.

The writing style is pleasant to read, but I don’t understand, why fantasy books have such complicated names in them. For me, it makes these books more difficult to read and it doesn’t add any charm at all. The chapters were quite long, but they were divided into smaller chunks, so it was quite easy to read it. I really liked the ending of this book, I think it rounded up the story really nicely, and there will be a second part published this year, so I am quite curious to see what it has to offer. So, to conclude, I think this book has all the right attributes necessary for this type of novel, it has magic, brave heroine who is kind and sweet, political disputes and the right amount of romance. Please do give this book a try and I hope you will enjoy it 🙂
  
When Dimple Met Rishi
When Dimple Met Rishi
Sandhya Menon | 2017 | Fiction & Poetry, Young Adult (YA)
4
7.4 (18 Ratings)
Book Rating
Sweet romance (1 more)
Great commentary about cultural identity
Underdeveloped plot (2 more)
Unconvincing setting
Frustrating main character
A sweet summer romance with potential that just didn't work for me
Sigh. It’s hard for me to decide how to start this review because I found myself confused and disappointed when I finished. I think I suffered a little bit from overhype about this book since it was recommended so highly and talked about like mad over the summer. I wanted to love this book because everything just sounded so perfect: a strong willed STEM girl heroine, a clash between cultures, a sweet summer romance with lots of laughs, and one of the cutest book covers I’ve seen in a long time–I was all over it!

I absolutely adored the first half of this book. I could sympathize with both of the main characters, especially Dimple, whose mother reminded me of my own. I too was that nerdy awkward girl that felt uncomfortable wearing makeup and dresses and found happiness in front of a computer screen grinding out code to make websites and browser games. Like my mom, Dimple’s mother pushes her to be more feminine and doesn’t fully understand modern western culture. Dimple struggles with feeling like an outsider in both of her worlds, an experience shared by many American children with immigrant parents. It made me happy that this duality is explored in the novel as I think it’s important for children and teens that, like me, had difficulties with their cultural identity.

On the other hand there’s Rishi, who embraces his cultural heritage and doesn’t care whether or not he “fits in” with either group. He is still a modern young man adapted to western culture that also values tradition and believes with all of his heart in the fairy tale romance of his parents. He is exceptionally sweet and witty and is pretty much the ideal cute nerd boyfriend. The romance between Dimple and Rishi is swoon-worthy and made my heart melt.. Which was great for exactly half of the book.

With the Insomnia Con setting what I expected was a summer “coding camp” similar to ones like the Make School Summer Academy and others held on college campuses around the country every year. Many of these camps usually offer workshops to practice making programs, opportunities to make professional connections and to meet industry leaders, and very often have competitions where they can create and submit their own apps for a cool cash prize. I guess my expectations were misplaced because What I got, sadly, was high school drama with hook ups and a talent show that turned more into a dance competition? Dance? In a coding camp??

This was the start of when the book stopped working for me.

A large part of Dimple’s story revolves around her desire to develop her own app to catapult her into a successful tech career. The book talks at length about how much this matters to her, how she’s dying to make connections to help her on her way, and how she’s so different from other girls by being interested in coding. The book tells the reader all of these things but fails to actually show the reader these things. It’s easy to forget that the main characters are even at a coding camp because so little time is spent on it. The plot just gets plain weird and doesn’t seem to have any sort of focus, even the romance felt rushed.

Also I’m sorry, the dance competition was exceedingly boring to read. That and, well, the love story has already happened by then so the build up for that is finished as well. So what else was there? I thought heavily about skimming or just putting the book down at that point but I honestly wanted to know if Dimple would win the competition (the app one, not the dance one) and achieve her dream of becoming a high powered STEM girl. I was still optimistic that the book would get back to the code camp, but it never does. In fact, three weeks out of the six week camp is skipped completely as the story fast forwards to the result of the app completion. The more I read the more disappointed I was as the plot became more and more juvenile.

By the 3/4 mark it seemed like there was no story left to tell and was starting to seriously drag. So of course there had to be some drama to keep it going. I hated this part. Dimple’s actions in the later portion of the book quite frankly left me feeling confused because they didn’t make any sense whatsoever. It was frustrating and I quite frankly got a little mad at how Dimple treated Rishi in the latter half of the novel. Such a shame considering how amazing the story set up was and how strong the early chapters were.

The characters drift from dinners, parties, and dance practices with next to no time actually coding and it made for a surprisingly boring and mediocre read for me personally. Even despite my criticisms, When Dimple Met Rishi is still a sweet summer romance that shined in the first half of the book. Just because it didn’t work out so well for me doesn’t mean that it won’t work out for others, in fact I seem to be in quite the minority for this book. This book definitely had a lot of potential and I honestly wish that the tech girl part of the story could have been developed better and for the setting to be a little more convincing.
  
Jem and the Holograms (2015)
Jem and the Holograms (2015)
2015 | Action, Musical, Sci-Fi
3
3.2 (5 Ratings)
Movie Rating
Being a teenager is a confusing time, we want to be accepted, popular, and, at times, invisible. In a world where you feel overlooked and ignored, it is gratifying to have a voice, an identity, some special aspect that is going to make you stand out and be accepted. Jem and the Holograms attempts to make this a theme. Creating your identity and having the ability to shape and form it into a way that it becomes your own shield against the ills of the world. It is a very promising concept and idea when attempting to update the series for today’s audience. Unfortunately there isn’t much substance to the film. The substance that is apparent is quite shallow and undeveloped.

Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.

The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.

The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.

There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.

Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.

http://sknr.net/2015/10/23/jem-and-the-holograms/