"I chose this because it incorporated a period of my life where it was all about ska music and reggae and going out dancing and Studio One. I got this record from my brother, it would have been just played in our house and it was the sort of music that would come on and I'd be like "oh, I like that!" There was this club that we used to go to called The Black Angel in Norwich and it was far too old for me, and I snuck in there when I was 12. They used to play all this dance, reggae, Motown, but The Specials would sneak in there. I think my favourite song out of it is 'A Message To You, Rudy', 'Nightclub' and 'Does It Make It Alright?' It hasn't really influenced my music - as you can probably tell! - but it definitely encapsulated a time of my life."

"I’m going to put in a strange one now, Any Body Can Dance. This is my favorite movie for the last two years. It’s a Bollywood musical dance movie, and I don’t watch enough Bollywood movies. I watch them on the plane sometime, and you know because I travel a lot from place to place, and this one has been my favorite Bollywood films. It’s nearly unpredictable, you know if you’re coming from a Western point of view, but I _____ the same way Bollywood has a different theater role. So for me it’s always surprising what happens in the story, at least it still is, and this is amazing music and dancing in it. It’s like 20 Indian Michael Jacksons. I’ve seen it twice, and parts of it I’ve seen three times. It’s crazy. It’s unusual for a recent movie for me. Yeah, it’s a weird one. It’s not going to be for everyone, I know."

"My fourth favorite movie — I think every top five list has to have an Audrey Hepburn movie in it. Probably the greatest face of the 20th century, if not Sophia Loren and perhaps Monroe. Maybe Ingrid Bergman. But certainly she changed everything for the waif look, and the modern woman, and the non-buxom bosomy girl; and also always played smart. But this movie — I know I sound like a chorus boy here but, Funny Face is just… the choreography, the split-screen work, Kay Thompson, my God. Just try to stare at Audrey Hepburn dancing in her wedding attire and stepping onto a raft into an idyllic French stream with swans floating around. And perfect choreography and synchronization with the camera. And the swooping crane shots and the music. It’s just a wonderful, wonderful film. And smart and funny — and beatniks in Paris, and fashion, and color, and, yeah, I just really love the film. Ahead of it’s time."