"My fourth favorite movie — I think every top five list has to have an Audrey Hepburn movie in it. Probably the greatest face of the 20th century, if not Sophia Loren and perhaps Monroe. Maybe Ingrid Bergman. But certainly she changed everything for the waif look, and the modern woman, and the non-buxom bosomy girl; and also always played smart. But this movie — I know I sound like a chorus boy here but, Funny Face is just… the choreography, the split-screen work, Kay Thompson, my God. Just try to stare at Audrey Hepburn dancing in her wedding attire and stepping onto a raft into an idyllic French stream with swans floating around. And perfect choreography and synchronization with the camera. And the swooping crane shots and the music. It’s just a wonderful, wonderful film. And smart and funny — and beatniks in Paris, and fashion, and color, and, yeah, I just really love the film. Ahead of it’s time."

"Westside Story was probably the biggest thing in my life as teenager walking along the streets of London, me and my friends were always trying to imitate the Jets’ dancing! My favourite songs? There were so many, but Leonard Bernstein was a genius and I just thought if I could be anybody, I would be a composer like Bernstein because his music was just so powerful and it also has a jazz tilt. He was doing things with music that I discovered much later. a lot of it was inspired by The Planets by Holst, with this jagged, staccato, kicking in the music with songs like ‘America’. And I thought, yeah I wanted to be in America, although I wanted to avoid all the gang fights! There were so many messages in that film and my all-time favourite song would probably be ‘Somewhere’. That reflects that ultimate aim in life to find a place away from the turmoil, pain and suffering to a place of peace, happiness"

"My favourite video of all time is actually for James Blake’s A Case Of You, the one that has Rebecca Hall in it – I can’t watch it without my entire body shaking. But, for what a video really, really should be, for pure Thriller-like entertainment value, you can’t get much better than the video by Macklemore and Ryan Lewis for Downtown. The dancing! The marching! The mopeds! The chariots! You have to give in to that video – how ridiculous it is. It played a lot with hip-hop culture – and I love hip-hop culture, I love the bigness, the grandness, the showing-off-ness of it, I appreciate it and I revel in it. But there’s something about these guys mocking the extravagance of it that I really responded to. It really made me laugh – I was in tears watching it. And actually I think you can see Macklemore pissing himself laughing at the end… Ryan Lewis, who produces the records, produced and directed the video. Epic."

"""Great songs. I had it on 8-track in my car. I heard 'Fingertips' first, and I thought ""Shit! Who's playing harmonica on that for a start off?"" So those Motown records were happy records, great for dancing and parties and things. But then it got deeper, more personal, which is why I picked that record. I think people should try things and if you have something to say, something in you, then do it. That can happen in different times of your life, and I think for him, he had that to prove - you know he had done the jolly records, and wanted to get deep. And he did. Favourite song would be 'Blame It On The Sun'. It was different, ""but my heart blames it on me"" - blame it on this, blame it on that, but at the end of that day, my heart blames it on me. I love clever lyrics... and its a simple story but the way he put it together was very clever."

"It was such an important part of my youth. I think more than any other movie, it changed my idea of what movies were. I wasn’t an actor then, but Pulp Fiction sort of…How do I put it? It was what, as a young actor, [showed me] this is what we’re trying to do. We’re trying to be this vital. We’re trying to be this fun. We’re trying to break the rules this much. I think it changed American independent filmmaking. For me, it was Travolta [who stood out]. I don’t know why. When I think of Pulp Fiction, the image I think about most is him getting blown away while reading Modesty Blaise on the can. Of all the images in Pulp Fiction, that’s the one that sticks in my head the most. We spent this whole movie falling in love with him, dancing with Uma Thurman, and accidentally blowing a guy’s head off. There’s so much going on, and then he meets his demise while reading a book while taking a shit, and there’s so much pathos in that image."