Search
Search results
Clare Parrott (294 KP) created a post
Jul 24, 2017
Life is not going well for Harley Quinn (Margot Robbie). She has recently
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
Behaviour of concern
Medical and Health & Fitness
App
Behaviour of concern is an app designed to keep track of the levels of arousal at different times of...
The War on Women
Book
In 1973, Sue Lloyd Roberts joined ITN as a news trainee and went on to be one of the UK's first...
Marked Yours (Sentries #1)
Book
When one society fell, assaulted by natural disaster, in its place rose another, molded into...
Action Adventure Science Fiction Futuristic MM Romance
Skull Tales: Full Sail!
Tabletop Game
Skull Tales: Full Sail! Is a semi-cooperative pirate adventure game for 1 to 5 players. In Skull...
Boardgames Pirategames 2018Games
Gareth von Kallenbach (980 KP) rated Knock at the cabin (2023) in Movies
Feb 4, 2023
Writer/Director M. Night Shyamalan is back with his new thriller “Knock at
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
Niten. NR (75 KP) rated Dunkirk (2017) in Movies
Jul 27, 2017
Cinematography (6 more)
Story line/lines (merge)
An excellent cast.
Hans Zimmer's score
Minimalistic dialogue
Spitfires (aerial combat scenes)
Fionn Whitehead, Mark Rylance & Tom Hardy (being cool) .
Powerful & Immense
This is one hell of a film. It's an epic, all consuming, continually intensifying beast of a movie. The cinematography blew me away with those great big expansive shots. The 3 storyline amalgamation and the timescale structure of this, was superb in my opinion. Each lead in each storyline gave a powerful performance without the overuse of dialogue. Hans Zimmer's score built and built until, at times I felt like I was about to explode. I did feel that I enjoyed the film all the more because I was aware of the situation historically, there is a brief explanation early on but, I would advise anyone who's not aware, to read up a little on the massive scale of this evacuation, the uniqueness of the situation and the dangerous time it was for all involved. Overall, it's a must see at the cinema and to get the best of the sound and those beautiful aerial Spitfire vs Messerschmitt scenes, in Imax if possible.
Suswatibasu (1703 KP) rated Down and Out in Paris and London in Books
Sep 9, 2017
George Orwell, a man of many experiences
I adore George Orwell, not only is he an incredibly gifted writer, he's a cat with nine lives. From living in Burma to fighting in the Spanish Civil War, Orwell has a lived a life rich with experiences hence he is able to make observations many journalists cannot. In this case, Orwell lived in squalor and absolute poverty in both Paris and London, not out of choice mind, but because he had become destitute and extremely poor during his early 20s.
His life living with an extrovert Russian in Paris is vivid, describing real hunger, having had nothing to eat for several days. He ends up working in a few godforsaken squalid hotels in Paris as a dishwasher, with long hours just to make ends meet and quench his hunger. Eventually, after working with rats, he has no choice but to return to England (borrowing money) and finds that it isn't much different. The homeless shelters are basically prison cells, dark and dangerous, but a way to keep off the streets.
In the end, he attempts to give recommendations to what can be done to alleviate the plight of the poverty stricken. It is another interesting chapter of his short but eventful life.
His life living with an extrovert Russian in Paris is vivid, describing real hunger, having had nothing to eat for several days. He ends up working in a few godforsaken squalid hotels in Paris as a dishwasher, with long hours just to make ends meet and quench his hunger. Eventually, after working with rats, he has no choice but to return to England (borrowing money) and finds that it isn't much different. The homeless shelters are basically prison cells, dark and dangerous, but a way to keep off the streets.
In the end, he attempts to give recommendations to what can be done to alleviate the plight of the poverty stricken. It is another interesting chapter of his short but eventful life.




