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Destiny (Rogue Angel, #1)
5
3.5 (2 Ratings)
Book Rating
The idea (1 more)
Fight scenes
Getting pulled out of the narrative (2 more)
Mary Sue-ish character
The execution of the idea
Yeah , I finished the book, I'm not sure why.
There was something about the use of passive voice or phrasing that pulled me out of the story. If it was obvious in its rudeness I usually rolled my eyes and moved on, it was the subtle stuff that had me going am I supposed to be reading it this way?

The fight scenes where well choreographed that's the best I can say about this book. That and the anthropology and archeology which can be a dangerous profession especially for women (as my teachers repeatedly told me with anecdotes). But sometimes when they talked about it, I felt like they (the author) was chasing rabbits.
I tried to like the main character, Annja, but she was too full of cliches that even though she was quippy it fell short. Like the author was trying too hard. And there was so much plot armor in actually put the book down during fight scenes because there wasn't a sense of danger.

I'm not continuing with the series and will be rehoming this book, either giving it away or selling to a used bookstore, so that someone who can appreciate it has a chance to find it.
  
Billion Dollar Babies by Alice Cooper
Billion Dollar Babies by Alice Cooper
1973 | Rock
8.0 (1 Ratings)
Album Favorite

"This is the pinnacle of the 'magic four' line up. I discovered Alice Cooper when he did School's Out: I thought it was great. It was all the bits of glam that I liked. It was theatrical in a comical way. Cooper was an American band that seemed very British - there wasn't a great deal of difference between them and, say, Wizzard to me. I heard School's Out, went down town with my mum and brought two Alice Cooper albums - Love It To Death and Killer for about five shillings each. I got School's Out the next week and loved the theatrics. I really got into Cooper - 'Halo of Flies' etc. It was horror music, way ahead. I laugh when people try to tell me Marilyn Manson is scary: I think 'you weren't around in 71, mate'. Then of course, knowing the albums inside out a year later, out comes Billion Dollar Babies - it has this fantastic opening song 'Hello Hooray' which has this amazing guitar part at the start. And then 'Raped And Freezing' and 'Elected'. There was a really dark psychedelic edge to it. They felt like a band in charge of what they were doing. It was glamorous; it was exotic; it was dangerous. That was the kind of stuff that I liked."

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