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Hazel (1853 KP) rated Into the Dim (Into the Dim, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Hazel (1853 KP) rated A Grimm Legacy (Grimm Tales #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Fairy tale enthusiasts will love this young adult novel by Colorado based author Janna Jennings. Full with lots of magical references <i>A Grimm Legacy</i> is about four teenagers who get dragged out of their world and into the enchanted realm of Elorium. The mysterious Mr. Jackson, who they find in a mansion with a couple of elf servants, tells them that they have been brought there for a reason; but before anyone gets the chance to explain what that reason is, the four run away only to encounter many dangerous characters.
As the title suggests <i>A Grimm Legacy</i> is loosely based upon the stories collected by Jacob and Wilhelm Grimm. To get the most out of this book the reader needs to have an understanding of a variety of fairy-tales, for instance <i>Cinderella</i>. As well as the more commonly known, there are less recognized stories, which are of great significance to the novel: for example <i>Jorindel and Jorinda</i> and <i>The Fisherman and his Wife</i>.
Whilst Jennings has done well in her research into the different fairytales, she includes <i>Jack and the Beanstalk</i> as one of the references, which is in fact not a Brothers’ Grimm tale. <i>Jack and the Beanstalk</i> is an English tale that was first recorded by Benjamin Tabart in 1807. Either Jennings failed to realize this or she was including all fairytales within this book, in which case the title is misleading.
The book on the whole was quick to read and was full of exciting twists. I enjoyed discovering the various references to the well-known stories. One thing that made the text confusing, however, was the lack of breaks between certain paragraphs. Within a chapter there were occasionally more than one scene or setting and without a gap to distinguish between them it was often difficult to understand the changes in time period etc.
This book was written with young adults in mind but can be enjoyed by older readers too. It is not suitable for younger children however, not only due to the sinister nature of the original fairytales, but <i>A Grimm Legacy</i> has the occasional violent scene in it.
Despite the inaccuracy regarding <i>Jack and the Beanstalk</i>, this is a fun book to read. My only advice is to read it after you have explored some of the Brothers’ Grimm collection.
Fairy tale enthusiasts will love this young adult novel by Colorado based author Janna Jennings. Full with lots of magical references <i>A Grimm Legacy</i> is about four teenagers who get dragged out of their world and into the enchanted realm of Elorium. The mysterious Mr. Jackson, who they find in a mansion with a couple of elf servants, tells them that they have been brought there for a reason; but before anyone gets the chance to explain what that reason is, the four run away only to encounter many dangerous characters.
As the title suggests <i>A Grimm Legacy</i> is loosely based upon the stories collected by Jacob and Wilhelm Grimm. To get the most out of this book the reader needs to have an understanding of a variety of fairy-tales, for instance <i>Cinderella</i>. As well as the more commonly known, there are less recognized stories, which are of great significance to the novel: for example <i>Jorindel and Jorinda</i> and <i>The Fisherman and his Wife</i>.
Whilst Jennings has done well in her research into the different fairytales, she includes <i>Jack and the Beanstalk</i> as one of the references, which is in fact not a Brothers’ Grimm tale. <i>Jack and the Beanstalk</i> is an English tale that was first recorded by Benjamin Tabart in 1807. Either Jennings failed to realize this or she was including all fairytales within this book, in which case the title is misleading.
The book on the whole was quick to read and was full of exciting twists. I enjoyed discovering the various references to the well-known stories. One thing that made the text confusing, however, was the lack of breaks between certain paragraphs. Within a chapter there were occasionally more than one scene or setting and without a gap to distinguish between them it was often difficult to understand the changes in time period etc.
This book was written with young adults in mind but can be enjoyed by older readers too. It is not suitable for younger children however, not only due to the sinister nature of the original fairytales, but <i>A Grimm Legacy</i> has the occasional violent scene in it.
Despite the inaccuracy regarding <i>Jack and the Beanstalk</i>, this is a fun book to read. My only advice is to read it after you have explored some of the Brothers’ Grimm collection.
Phil Leader (619 KP) rated Half the World in Books
Nov 14, 2019
Father Yarvi has a problem. He is minister for Gettland but the High King is determined to engineer a war to remove Gettland from the map. Yarvi needs allies but with half the world swearing allegiance to the High King they may be in short supply.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
Phil Leader (619 KP) rated The Wrath of Siren (The Truth Teller #2) in Books
Nov 29, 2019
Following her adventures in The Truth Teller where Charlotte discovered she could travel to another realm inhabited by elves and dwarves, she has settled back into her normal life and dismissed it all as a bad dream. That is until the elf Elderfield travels to our world to find her to warn her that it is too dangerous to return.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
The evil druid Siren has unleashed his Troll army and is laying the other realm to waste leaving the elves and dwarves to make a last desperate stand. But what they really need is the Truth Teller, will she ignore the warnings and come to help?
This second book in the series carried on Chambers' tale to entice younger readers into reading fantasy stories. This installment is a little darker in tone, as might be expected as war sweeps across the land, but as usual there are touches of humour to lighten the tone. Charlotte's usage of neologisms and idioms to her bemused companions from the other world are always good ('It's doing my head in' and 'this is well creepy' for example). Plus we have the bonus of Elderfield seeing our world (and the chaos that ensues).
Siren makes a fairly convincing opponent, suitable nasty without becoming too pantomime. He's nasty work but not irrational, simply wanting to take over his world and if that involves a little death and destruction so much the better.
The tone is probably a shade darker than the first book, simply because there is a war rather than an individual journey and so a lot more people are threatened. But this is still firmly on the light side of fantasy with nothing particularly distressing.
My only negative point (and the only thing stopping this getting 5 stars) is that Siren's defeat is never really explained, it just happens. This is disappointing only from the point of view that it would perhaps have been nice to have a bit of closure. It has to be said that classic fantasy has its fair share of 'with one bound the heroes win against the odds' endings - look at The Lord of the Rings or The Lion, the Witch and the Wardrobe. In the end the story is what matters, not what is in the end of the story and this is still a fantastic read.
Once again Chambers has set out to produce a modern day introduction to fantasy for young adult eyes and once again he has achieved this and in spades. Very much looking forward to the next book in the series.
LeftSideCut (3776 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Dec 10, 2019 (Updated Dec 10, 2019)
The Force Awakens is a damn good return to the Star Wars saga, reintroducing us to beloved characters that we haven't seen in decades, whilst simultaneously introducing new and exciting blood.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
Ivana A. | Diary of Difference (1171 KP) rated Summer's End in Books
Feb 3, 2020
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<b><i>Summer’s End is a Young-Adult romance, with a fantasy twist – an interesting and unique book I didn’t expect to read.</i></b>
First of all – let’s all take a minute to cherish the cover. It is so pink and shiny, and I admit it, it was the first thing that made me read this book. Gorgeous cover!!!
Summer wakes up in a hospital, but she doesn’t remember anything from her past. They tell her she was in a fire accident and barely survived. Before she is ready, she starts going to uni with her two best friends who are helping her remember the past. But when she gets near this one boy, she feels something she has felt before…
Dooney has been training his whole life to kill her when the time is right. She is dangerous and he knows this. He has been trying to locate her for a long time now. And when he finally knows where she is, she makes him feel other things than hatred.
A very quick-paced book with lots of dialogues and quick chapters. Summer’s End make me turn pages constantly, until I finally got to the end. It was very captivating.
The beginning was great, it lured me in instantly, getting me hooked to both character’s lives. However, I didn’t quite enjoy the romance between the two. It felt too fast, too pushed and over the top. This is because of all the repetitive scenes where Summer would faint when he is near and they would always feel each other’s presence. It just didn’t feel real to me.
Saying this though, the ending was amazing and the romance got a bit better at the very end.
Apart from a few plot holes and the romance, I did enjoy this book a lot. If you love YA, I do recommend that you check this book out!
Thank you to the author, Kristy Brown, for sending me a copy of this book in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/07/Book-Review-Banner-11.png?resize=1024%2C576&ssl=1"/>;
<b><i>Summer’s End is a Young-Adult romance, with a fantasy twist – an interesting and unique book I didn’t expect to read.</i></b>
First of all – let’s all take a minute to cherish the cover. It is so pink and shiny, and I admit it, it was the first thing that made me read this book. Gorgeous cover!!!
Summer wakes up in a hospital, but she doesn’t remember anything from her past. They tell her she was in a fire accident and barely survived. Before she is ready, she starts going to uni with her two best friends who are helping her remember the past. But when she gets near this one boy, she feels something she has felt before…
Dooney has been training his whole life to kill her when the time is right. She is dangerous and he knows this. He has been trying to locate her for a long time now. And when he finally knows where she is, she makes him feel other things than hatred.
A very quick-paced book with lots of dialogues and quick chapters. Summer’s End make me turn pages constantly, until I finally got to the end. It was very captivating.
The beginning was great, it lured me in instantly, getting me hooked to both character’s lives. However, I didn’t quite enjoy the romance between the two. It felt too fast, too pushed and over the top. This is because of all the repetitive scenes where Summer would faint when he is near and they would always feel each other’s presence. It just didn’t feel real to me.
Saying this though, the ending was amazing and the romance got a bit better at the very end.
Apart from a few plot holes and the romance, I did enjoy this book a lot. If you love YA, I do recommend that you check this book out!
Thank you to the author, Kristy Brown, for sending me a copy of this book in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
JT (287 KP) rated Shame (2012) in Movies
Mar 10, 2020
If you ever wondered what constitutes as a powerful piece of film making then Shame, directed by Steve McQueen, is it. Michael Fassbender plays Brandon a man who has an addiction for sex and all things surrounding it. From porn, webcams, fingering random girls in bars, it’s all covered here in gratuitous fashion that certainly delivers shock value.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
Gareth von Kallenbach (980 KP) rated Black Mass (2015) in Movies
Aug 6, 2019
He was one of the most dangerous men and most notorious gangsters in American history. For over sixteen years he evaded the FBI and law enforcement until his eventual capture in 2011. Black Mass tells the story of James “Whitey” Bulger and his alliance with the FBI. The film delves deep into the relationship that is built between Bulger and FBI agents which allows him to expand his power beyond the Boston area. Audiences will be awestruck by the actions permitted and overlooked on the part of FBI agents working with Bulger which fall in line with the advice that Bulger gives his son: “If no one saw it, it didn’t happen.”
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
Ivana A. | Diary of Difference (1171 KP) rated The House on the Lake in Books
Apr 20, 2020
When the publishing team at Penguin Random House asked me not only to read and review The House on the Lake, but also to be part of the Instagram Tour, I couldn’t have been happier!
The Synopsis
Lisa needs to disappear. And her friend’s rambling old home in the wilds of Yorkshire seems like the perfect place. It’s miles away from the closest town, and no one there knows her or her little boy, Joe.
But when a woman from the local village comes to visit them, Lisa realizes that she and Joe aren’t as safe as she thought.
What secret has Rowan Isle House – and her friend – kept hidden all these years?
And what will Lisa have to do to survive, when her past finally catches up with her?
My Thoughts:
I found the beginning to be quite slow, but after a few chapters the pace was beginning to speed up. It’s important for me to note that I was not a fan of the main character and I had my fears that this will make me regret reading this book.
But luckily, we have different story lines and different perspectives, and I think that helped me appreciate and love the book more than I originally anticipated.
We have two stories happening in the same house, but in different times.
The first story is the story of the mother Lisa, who runs away with her small son, hiding from her controlling husband, Mark. Her friend Grace tells her she can come to this house on the lake and hide for however long she needs to.
The second story is of Grace and her father, many years back in the past. Grace’s father used to be in the army and is suffering from PTSD.
It is an interesting moment when both stories tangle each other and Lisa is found in a dangerous situation.
In conclusion, I enjoyed this book a lot.
There was a story presented to me that I did not expect, and I devoured it completely. I grew to love a few characters, and grew to hate a few more. This is not my favourite book of all time, and after the plot twist the ending was a bit predictable and a bit boring, but I did enjoy my time spent with this book.
I would definitely recommend it to all thriller lovers, mystery house adventurers and supporters of mums that run away with their children.
The Synopsis
Lisa needs to disappear. And her friend’s rambling old home in the wilds of Yorkshire seems like the perfect place. It’s miles away from the closest town, and no one there knows her or her little boy, Joe.
But when a woman from the local village comes to visit them, Lisa realizes that she and Joe aren’t as safe as she thought.
What secret has Rowan Isle House – and her friend – kept hidden all these years?
And what will Lisa have to do to survive, when her past finally catches up with her?
My Thoughts:
I found the beginning to be quite slow, but after a few chapters the pace was beginning to speed up. It’s important for me to note that I was not a fan of the main character and I had my fears that this will make me regret reading this book.
But luckily, we have different story lines and different perspectives, and I think that helped me appreciate and love the book more than I originally anticipated.
We have two stories happening in the same house, but in different times.
The first story is the story of the mother Lisa, who runs away with her small son, hiding from her controlling husband, Mark. Her friend Grace tells her she can come to this house on the lake and hide for however long she needs to.
The second story is of Grace and her father, many years back in the past. Grace’s father used to be in the army and is suffering from PTSD.
It is an interesting moment when both stories tangle each other and Lisa is found in a dangerous situation.
In conclusion, I enjoyed this book a lot.
There was a story presented to me that I did not expect, and I devoured it completely. I grew to love a few characters, and grew to hate a few more. This is not my favourite book of all time, and after the plot twist the ending was a bit predictable and a bit boring, but I did enjoy my time spent with this book.
I would definitely recommend it to all thriller lovers, mystery house adventurers and supporters of mums that run away with their children.
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