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Hazel (1853 KP) rated No More Than Mystic in Books
Sep 23, 2017
Russian Revolution
I received this book for free through Goodreads First Reads.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, No More Than Mystic exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
No Less Than Mystic is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, No Less Than Mystic is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, No More Than Mystic exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
No Less Than Mystic is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, No Less Than Mystic is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
Jamie (131 KP) rated Not a Sound in Books
Aug 15, 2017
Engaging story (2 more)
Great cast of characters, a resilient heroine
Handles the subject of disability with delicacy and respect
A compelling thriller about a deaf woman that finds herself entangled in a murder investigation
The story follows Amelia, a former ER nurse left deaf after a horrible accident that is struggling to get her life back together. I greatly appreciated how delicately the subjects of disability, depression, and alcoholism are handled in this book. Amelia is both a sympathetic character and an admirable one, actively learning how to carry on and create a new life for herself after the loss of her hearing. She’s strong-willed, persistent, and resourceful. Her deafness is a part of who she is, but she is not defined by it. This book was incredibly informative both about the impact that deafness can have on a person’s every day functionality, but also the multitude of tools and resources available to help. I learned quite a lot about the services available for the hearing impaired and thought it was great how well researched the topic is. It wasn’t until after I finished reading that I learned that the author herself is hearing impaired and draws from her own experiences to depict Amelia’s journey toward recovery.
Having read a few of Gudenkauf’s books I can’t help but notice a pattern in her stories that bothers me. In every one of her books that I’ve read the main character always has some connection to law enforcement that gets her “in” an investigation, even though she really shouldn’t see or know any of this information legally. Even worse, the main character always ends up interfering in an investigation by giving the police false leads. I don’t mind following an amateur sleuth that makes mistakes in their investigation it starts to feel repetitive with these characters suspecting everyone of everything.
It’s a very obvious attempt at adding some red herrings to the story to keep the mystery going but it becomes very noticeable once you’re acquainted with the author’s writing style. It is because of this that the story becomes a little predictable and the culprit can be guessed almost as soon as they are introduced. It seems that Gudenkauf may have noticed this, at least, as the character is reprimanded for her meddling and I appreciated this.
Despite this, however, the story kept me interested in finding out the how and they why rather than the who. Gudenkauf has a way of immersing the reader into the story and the characters and it is something that I admire about her work. Her skill with pacing is perfect despite the sometimes overwhelming issues with dangerous interference that is present in many of her books. It is because of these two factors that make her books so hit or miss with me.
This book was a definite hit and I’m so glad that I took a chance on it. It’s rare to find a main character that is disabled in some way and so I was happy that I found this book. I love the commentary that this book has about the importance of trust and empathy in the health industry, a topic that I wish was addressed more often. Even with the mild plot issues it’s worthwhile read for the intense mystery and wonderful cast of characters, especially Amelia and Stitch.
Having read a few of Gudenkauf’s books I can’t help but notice a pattern in her stories that bothers me. In every one of her books that I’ve read the main character always has some connection to law enforcement that gets her “in” an investigation, even though she really shouldn’t see or know any of this information legally. Even worse, the main character always ends up interfering in an investigation by giving the police false leads. I don’t mind following an amateur sleuth that makes mistakes in their investigation it starts to feel repetitive with these characters suspecting everyone of everything.
It’s a very obvious attempt at adding some red herrings to the story to keep the mystery going but it becomes very noticeable once you’re acquainted with the author’s writing style. It is because of this that the story becomes a little predictable and the culprit can be guessed almost as soon as they are introduced. It seems that Gudenkauf may have noticed this, at least, as the character is reprimanded for her meddling and I appreciated this.
Despite this, however, the story kept me interested in finding out the how and they why rather than the who. Gudenkauf has a way of immersing the reader into the story and the characters and it is something that I admire about her work. Her skill with pacing is perfect despite the sometimes overwhelming issues with dangerous interference that is present in many of her books. It is because of these two factors that make her books so hit or miss with me.
This book was a definite hit and I’m so glad that I took a chance on it. It’s rare to find a main character that is disabled in some way and so I was happy that I found this book. I love the commentary that this book has about the importance of trust and empathy in the health industry, a topic that I wish was addressed more often. Even with the mild plot issues it’s worthwhile read for the intense mystery and wonderful cast of characters, especially Amelia and Stitch.
Haley Mathiot (9 KP) rated Soul Catcher (The Outsider #1) in Books
Apr 27, 2018
Soul Catcher by Leigh Bridger
Genre: Sci-fi, Romance
ISBN: 9780982175682
Rating: 4
Livia hasn't had a perfect life—in fact she hasn't even had a good life. It all started when her father died when she was young, then got worse when her mother and baby brother died in a fire that she may or may not have started. She also starts painting pictures of evil horrible demons in her sleep, and is forced to burn the pictures and ban them… but one demon escapes, and comes for her.
She finds out that he had been pursuing her in every life—she's been reincarnated? what?—and has killed her every time for the past 200+ years. She also finds out that she has a soul mate, (who jumped into the body that the demon had used to hurt her, and now she can't look at him without getting sick) but has hidden herself from him in almost every life, subconsciously, because of something that happened in the past. She and Ian set off to find answers and to kill the pig-faced demon… for good this time. But this time ends up being the most dangerous life she's ever lived.
Soul Catcher was an addicting read. I would have read it in one sitting if I'd been allowed. It actually stuck with me all night and I'm pretty sure I dreamed about it.
I liked the philosophy of the world that Livia lived in. There were soul jumpers, like Ian and Dante, who could jump into any body he needed to be in at the time. There were soul catchers like her, who could banish dark spirits and talk to the light ones. The plot itself was very complex, and every chapter added something new to the story. One thing that made Soul Catcher stand out was how Livia and Ian's love grew. It wasn't immediate you're-my-soul-mate-you're-perfect-for-me kind of love. It was a lot more real than that. Livia starts by trying to avoid him at all costs, but ends up having to go on a trip with him to find out about their pasts. You could say they "bonded," or you could say that Ian finally got to her—even while he was in the body she hated passionately—either way, their love was real enough to be believable.
I really liked Livia, even though she had her downfalls and her insecurities. She was definitely the bad-ass heroine we know and love: slightly sarcastic, very obnoxious, stubborn as an ox, and head over heels in love but unwilling to admit it because she sees it as a weakness. Ian was a great character: he'd have to be to put up with Livia. He'd do anything for her, is dying for her to love him, thinks she is the most beautiful girl in the world—and even bends so low as to trick her into kissing him (she didn't appreciate that.). But he's all light-hearted, fun to be around, with a sexy Irish accent.
I really liked the ending. The whole story had good humor and good comic relief, but the ending was sweet, cute, and funny. It pulled everything together nicely, and left you with a smirk on your face. I say take it to the beach with an umbrella and lemonade. Or whatever other drink you like best.
Content/recommendation: some sex and sexual references, heavy language, ages 18+
~ Haleyknitz
Genre: Sci-fi, Romance
ISBN: 9780982175682
Rating: 4
Livia hasn't had a perfect life—in fact she hasn't even had a good life. It all started when her father died when she was young, then got worse when her mother and baby brother died in a fire that she may or may not have started. She also starts painting pictures of evil horrible demons in her sleep, and is forced to burn the pictures and ban them… but one demon escapes, and comes for her.
She finds out that he had been pursuing her in every life—she's been reincarnated? what?—and has killed her every time for the past 200+ years. She also finds out that she has a soul mate, (who jumped into the body that the demon had used to hurt her, and now she can't look at him without getting sick) but has hidden herself from him in almost every life, subconsciously, because of something that happened in the past. She and Ian set off to find answers and to kill the pig-faced demon… for good this time. But this time ends up being the most dangerous life she's ever lived.
Soul Catcher was an addicting read. I would have read it in one sitting if I'd been allowed. It actually stuck with me all night and I'm pretty sure I dreamed about it.
I liked the philosophy of the world that Livia lived in. There were soul jumpers, like Ian and Dante, who could jump into any body he needed to be in at the time. There were soul catchers like her, who could banish dark spirits and talk to the light ones. The plot itself was very complex, and every chapter added something new to the story. One thing that made Soul Catcher stand out was how Livia and Ian's love grew. It wasn't immediate you're-my-soul-mate-you're-perfect-for-me kind of love. It was a lot more real than that. Livia starts by trying to avoid him at all costs, but ends up having to go on a trip with him to find out about their pasts. You could say they "bonded," or you could say that Ian finally got to her—even while he was in the body she hated passionately—either way, their love was real enough to be believable.
I really liked Livia, even though she had her downfalls and her insecurities. She was definitely the bad-ass heroine we know and love: slightly sarcastic, very obnoxious, stubborn as an ox, and head over heels in love but unwilling to admit it because she sees it as a weakness. Ian was a great character: he'd have to be to put up with Livia. He'd do anything for her, is dying for her to love him, thinks she is the most beautiful girl in the world—and even bends so low as to trick her into kissing him (she didn't appreciate that.). But he's all light-hearted, fun to be around, with a sexy Irish accent.
I really liked the ending. The whole story had good humor and good comic relief, but the ending was sweet, cute, and funny. It pulled everything together nicely, and left you with a smirk on your face. I say take it to the beach with an umbrella and lemonade. Or whatever other drink you like best.
Content/recommendation: some sex and sexual references, heavy language, ages 18+
~ Haleyknitz
RəX Regent (349 KP) rated Team America: World Police (2004) in Movies
Feb 19, 2019
AMERICA! F**K YEAH!
The theme’s lyrics sum up this movie as well as any could have. Made in the midst of the War On Terror in 2004, a satire was needed and who better to provide one than the satirical genius’ Trey Parker and Matt Stone, best known for South Park. On the surface, this looks like a straight forward bawdy adult puppet parody, taking the mickey out of Bruckheimer’s blockbusters, Thunderbirds and the reputation being acquired by the U.S. over the past 30 years but reaching boiling point over the last decade, certainly in a post 9/11 world.But that’s just the tip of the iceberg.
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
Debbiereadsbook (1416 KP) rated Diablo (The Gifted Ones #2) in Books
Apr 11, 2019
Far darker a read, but brilliant!
FREE, March 2019
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated Ghost in the Shell (2017) in Movies
Jun 10, 2019
Turning the beloved Ghost in the Shell manga franchise into a Hollywood film that’ll please picky Western audiences was always going to be a tough job for director Rupert Sanders (Snow White & the Huntsman).
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/
Asiza Tait (139 KP) rated Child 44 in Books
Feb 1, 2018
We all agreed that it was a very intense book and for those of us who weren’t fully aware of what it was like to live in Stalinist Russia during that time our eyes were surely opened!
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.
I would like to start off by saying to Owlcrate, amazing job at curating this book for the box. I was stoked when I opened the box to see this one in there because this was on my wish list!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
Daniel Boyd (1066 KP) rated The Cloverfield Paradox (2018) in Movies
Mar 23, 2018 (Updated Mar 24, 2018)
What? Why? How?
Right, quick disclaimer - this is going to be less of a review of the movie and more of a rant on how this movie ruins any Cloverfield movies going forward.
In terms of reviewing this film, I actually don't think that this film is as bad as most other people have been saying. There are actually some cool moments and neat ideas here, they just don't really work when they are all put together like this movie tried to do. I liked the cast, I thought that the set was cool, I even enjoyed some of the more cheesy sci-fi clichés in the film, but the whole point of the first two Cloverfield movies is that these planet altering events aren't explained. Even if you totally disregard the fact that this 'explanation,' actually makes no sense when you think about the timeline of the first movie's events, half the fun of the first movie was trying to work out exactly wtf was going on, this half arsed attempt at explaining it just ruins any of that potential fun.
Then, the second movie established that the 'Cloverfield,' label was more of an umbrella that went over these exciting sci-fi movies. Sure, it ties the movies together as a franchise, but there are no obvious links between the franchise entries and that's ok. Think of the 'Cloverfield,' title as being similar to the 'Twilight Zone.' Not everything has to make sense and call back/forward to another entry in the franchise. The tenuous links we had in the other movies, like how it was mentioned in 10CL that Howard worked at a satellite company before building his underground bunker, was more than enough to constitute a link and spark the online fan theories, we didn't need any more than that. Then there was all of the online marketing stuff involving Slusho and Tagruato, which was so clever and unique and elevated the first movie from being a mediocre monster flick to something intriguing and ripe for discussion.
Now this movie comes along and claims that all of these events are interconnected, even though the events of of the previous two movies took place years before the events of Cloverfield Paradox. Then they think by showing us a huge version of Clover from the first movie at the end of Paradox just automatically makes everything okay?
Why did they not just make this movie about a group of astronauts on a space station having some weird shit happening to them, (like the original script for this film was written,) and then call it Cloverfield: God Particle? (which was the movie's original title.) They could have still had Stambler's brother on the news at the start talking about how the crew's mission is dangerous and that would be enough to link this to the other movies. Why they included the appearance of Clover at the end of Paradox and the other half arsed attempts to tie the other two movies into this one is beyond me. It is so unnecessary and defeats the whole point of the Cloverfield franchise as a whole.
That is the reason I didn't like this movie, not because of the movie itself. The film itself was ok, but what it tried to do in terms of connecting these movies was stupid and unnecessary and may have ruined any other Cloverfield movies going forward.
In terms of reviewing this film, I actually don't think that this film is as bad as most other people have been saying. There are actually some cool moments and neat ideas here, they just don't really work when they are all put together like this movie tried to do. I liked the cast, I thought that the set was cool, I even enjoyed some of the more cheesy sci-fi clichés in the film, but the whole point of the first two Cloverfield movies is that these planet altering events aren't explained. Even if you totally disregard the fact that this 'explanation,' actually makes no sense when you think about the timeline of the first movie's events, half the fun of the first movie was trying to work out exactly wtf was going on, this half arsed attempt at explaining it just ruins any of that potential fun.
Then, the second movie established that the 'Cloverfield,' label was more of an umbrella that went over these exciting sci-fi movies. Sure, it ties the movies together as a franchise, but there are no obvious links between the franchise entries and that's ok. Think of the 'Cloverfield,' title as being similar to the 'Twilight Zone.' Not everything has to make sense and call back/forward to another entry in the franchise. The tenuous links we had in the other movies, like how it was mentioned in 10CL that Howard worked at a satellite company before building his underground bunker, was more than enough to constitute a link and spark the online fan theories, we didn't need any more than that. Then there was all of the online marketing stuff involving Slusho and Tagruato, which was so clever and unique and elevated the first movie from being a mediocre monster flick to something intriguing and ripe for discussion.
Now this movie comes along and claims that all of these events are interconnected, even though the events of of the previous two movies took place years before the events of Cloverfield Paradox. Then they think by showing us a huge version of Clover from the first movie at the end of Paradox just automatically makes everything okay?
Why did they not just make this movie about a group of astronauts on a space station having some weird shit happening to them, (like the original script for this film was written,) and then call it Cloverfield: God Particle? (which was the movie's original title.) They could have still had Stambler's brother on the news at the start talking about how the crew's mission is dangerous and that would be enough to link this to the other movies. Why they included the appearance of Clover at the end of Paradox and the other half arsed attempts to tie the other two movies into this one is beyond me. It is so unnecessary and defeats the whole point of the Cloverfield franchise as a whole.
That is the reason I didn't like this movie, not because of the movie itself. The film itself was ok, but what it tried to do in terms of connecting these movies was stupid and unnecessary and may have ruined any other Cloverfield movies going forward.
Zuky the BookBum (15 KP) rated The Breakdown in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/08/review-the-breakdown-by-b-a-paris/
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>